-Lift Lens<\/strong><\/p>\n\"The Vertical Eye of Power.\"<\/p>\n
As the name suggests, by changing the vertical height of the camera to obtain different perspectives and picture effects of the shooting techniques, including vertical lift, oblique lift, composite lift (a combination of the previous two).<\/p>\n
![\"18b8b7ecj00svf4ob00ded000io00ajp-1\"](\"https:\/\/www.1ai.net\/wp-content\/uploads\/2025\/04\/18b8b7ecj00svf4ob00ded000io00ajp-1.jpg\" "\\"18b8b7ecj00svf4ob00ded000io00ajp-1\\"")
<\/p>\n
The drone shoots, first, a detailed close-up of the hull of Titanic's, and then slowly pulls back out of the ship and continues to rise, displaying the Titanic in its full majestic atmosphere, with some men on the deck building the dramatic and amazing scene.<\/p>\n
Replica of Titanic pulls up from hull details to panoramic views; establishes the spatial scale of the scene.<\/p>\n
-Surround Lens<\/strong><\/p>\n\"The Swirling Gazer.\"<\/p>\n
A camera technique that allows the camera to move in a circular or near-circular motion around the subject.<\/p>\n
All-round display of the subject, creating a dynamic atmosphere, highlighting the relationship between the subject and the environment; mostly used in character shooting, product display and scene display.<\/p>\n
![\"ddd7445bj00svf4pf008qd000in00aep-1\"](\"https:\/\/www.1ai.net\/wp-content\/uploads\/2025\/04\/ddd7445bj00svf4pf008qd000in00aep-1.jpg\" "\\"ddd7445bj00svf4pf008qd000in00aep-1\\"")
<\/p>\n
Cue word: Surround shot, with the character as the center, the camera quickly goes from the left side to the right side of the character. \/Surround shot, with the character as the center, the camera quickly goes from the left side to the right side of the character<\/p>\n
Replica of a surround shot of a Jedi character standing back; multi-dimensional display of key moments.<\/p>\n
-depth<\/strong><\/p>\n\"In and out of the emotional tentacles.\"<\/p>\n
The use of the lens in the picture depth direction for mobile shooting, mainly to strengthen the sense of space, guide the audience's attention, the performance of the role of the subject movement, enhance the audience's visual experience of the shooting techniques.<\/p>\n
It looks a little like the push and pull lens, but the difference is that the depth of movement shooting is along the depth of the screen to move flexibly to show the depth of space, push the lens is close to the main body to highlight the subject, pull the lens is away from the subject to show the subject and the environment relationship.<\/p>\n
![\"104136a2j00svf4q6007od000ip00afp-1\"](\"https:\/\/www.1ai.net\/wp-content\/uploads\/2025\/04\/104136a2j00svf4q6007od000ip00afp-1.jpg\" "\\"104136a2j00svf4q6007od000ip00afp-1\\"")
<\/p>\n
Cue word: Deep moving shot, the camera pulls back to the room, the mother calls him home from the window, and then quickly walks to the table behind to talk to the father. \/Deep moving shot, the camera pulls back to the room, the mother calls him home from the window, and then quickly walks to the table behind to talk to the father<\/p>\n
Replicating Citizen Kane's vertical advancement through the window; guiding the viewer's level of vision.<\/p>\n
That's all for today, next time we'll share special effects shots.<\/p>","protected":false},"excerpt":{"rendered":"
TODAY IS THE THIRD IN THIS SERIES, WHERE THE FIRST TWO DAYS HAVE BEEN DEVOTED TO THE BASIC NARRATIVES, PULLING, MOVING, AND FILMING MIRRORS, THE AID SHORT VIDEO MIRRORS, HOW TO USE AI TO MAKE A HOLLYWOOD-CLASS FILM ENTRY, THE HITCHCOCK FOCUS, HAND-HELD PHOTOGRAPHY AND LOW-ANGLE VIEWING, THE AI SHORT VIDEO LENSES, AND HOW TO USE AI TO MAKE A HOLLYWOOD-CLASS FILM LENS (EMOTIONAL REINFORCEMENT LENS). TODAY'S SHARE IS THE RISE AND FALL LENS IN THE SPACE-MAKING LENS, THE CIRCLE LENS AND THE DEEP MOTION LENS, WHICH MANIPULATES THE ADVANCED MIRROR OF THE SENSE OF SPACE. | | | | | | | \u8fd0\u52a8 \u8fd0\u52a8 \u8fd0\u52a8 \u8fd0\u52a8 \u8fd0\u52a8 \u8fd0\u52a8 \u8fd0\u52a8 \u8fd0\u52a8 | | | | | | | | \u63a8\u8fdb | | | | | | | | | | | | | | | | | | | | | | | | | | | | |<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149,144],"tags":[6468,5321,2894,6470],"collection":[],"class_list":{"0":"post-34294","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"hentry","6":"category-jiaocheng","7":"category-baike","8":"tag-ai","10":"tag-2894","11":"tag-6470"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/34294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/comments?post=34294"}],"version-history":[{"count":0,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/34294\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/media?parent=34294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/categories?post=34294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/tags?post=34294"},{"taxonomy":"collection","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/collection?post=34294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}