{"id":34301,"date":"2025-05-04T09:08:40","date_gmt":"2025-05-04T01:08:40","guid":{"rendered":"https:\/\/www.1ai.net\/?p=34301"},"modified":"2025-04-28T16:19:46","modified_gmt":"2025-04-28T08:19:46","slug":"ai%e7%9f%ad%e8%a7%86%e9%a2%91%e8%bf%90%e9%95%9c%e6%95%99%e7%a8%8b%ef%bc%8c%e5%a6%82%e4%bd%95%e7%94%a8ai%e5%88%b6%e4%bd%9c%e8%8e%b1%e5%9d%9e%e7%ba%a7%e7%94%b5%e5%bd%b1%e7%ba%a7%e9%95%9c%e5%a4%b4-4","status":"publish","type":"post","link":"https:\/\/www.1ai.net\/en\/34301.html","title":{"rendered":"AI short video dribbling tutorial, how to use AI to make dock level cinematic footage introductory chapter (special effects footage)"},"content":{"rendered":"

Today is the fourth installment in this series, and yesterday we shared about elevation shots, wrap-around shots, and vertical movement shots in spatial constructed lenses<\/p>\n

AI short video dribbling tutorial, how to use AI to make dock level cinematic footage introductory chapter (the construction of cinematic space)<\/a>, today we're going to talk about long, shifting and tilting shots for special effects lenses.<\/p>\n

Special effects shots<\/strong><\/p>\n

Come take an overall look at how these three special effects lenses compare:<\/p>\n

Shot Types | Psychological Suggestion | Classic Application Scenes\r\nLong Shots \u25cf \u25cf Realism and Presence \u25cf 1917 Trench Walking\r\n               | \u25cf \u25cf Oppression and Tension \u25cf \u25cf Children of Men Riots Baby Crying\r\n               | \u25cf \u25cf Fate and Powerlessness \u25cf \u25cf Atonement Dunkirk Beach\r\n               | Poetry and Surreality | The Ransomed Dunkirk Beach\r\n\r\nSlow Motion: Emotional Intensification | \u25cf The Matrix: Bullet Time\r\n               | \u25cf \u25cf Fast Motion: Absurd Humor \u25cf \u25cf Watchmen: Violent Slow Motion\r\n               | Fast Motion: Absurd Humor | Watchmen: Violent Slow Motion\r\n               | Bullet Time: Technological Spectacle | \u25cf Watchmen\r\n\r\nTilt Shot | \u25cf Imbalance and Unease | Batman: The Dark Knight The Joker Interrogation\r\n               Batman: The Dark Knight - The Joker Interrogation | \u25cf Power Twist | The Shining - Corridor Tilt\r\n               | The Surreal Experience | The Third Man - The Sewer Chase\r\n               | The Poetry of Violence <\/code><\/pre>\n
 <\/p>\n
Core Points of Difference:<\/p>\n\n\n\n\n\n\n\n\n
causality<\/th>\nlong shot<\/th>\nzoom lens<\/th>\nTilt Lens<\/th>\n<\/tr>\n<\/thead>\n
Technology Focus<\/td>\nSpatial and temporal continuity and scheduling precision<\/td>\nTime manipulation and frame rate techniques<\/td>\nCompositional imbalance and angle design<\/td>\n<\/tr>\n
emotional transmission<\/td>\nImmersion\/fatalism<\/td>\nEmotional Amplification \/ Dystopian Deconstruction<\/td>\nRestlessness\/power distortion<\/td>\n<\/tr>\n
classic type<\/td>\nWar\/Literature\/Documentary<\/td>\nSci-Fi\/Action\/Comedy<\/td>\nCrime\/Horror\/Film Noir<\/td>\n<\/tr>\n
Director's Label<\/td>\nInarrito (Birdman).<\/td>\nZack Snyder (Watchmen).<\/td>\nNolan (Batman: The Dark Knight, Shards of Memory)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
 <\/p>\n
Case Study<\/strong><\/p>\n
-Long shot<\/strong><\/p>\n
\"The Poet of Time and Space.\"<\/p>\n
Lens size and continuation time are relatively long, through a long period of continuous shooting of a scene or event, to ensure the continuity of narrative time and spatial unity, the formation of a complete paragraph lens. Including fixed long shot, depth of field long shot, motion long shot and zoom long shot. The time standard is not fixed, usually 30 seconds-12 minutes.<\/p>\n
\"266163aaj00svf5cf0094d000it00a4p\"<\/p>\n
Cue word: Long lens, four people chatting in a car, the car is moving<\/p>\n
Replicating the 7-minute long shot of the \"Children of Men\" car; creating an immersive experience.<\/p>\n
-Shift Lens<\/strong><\/p>\n
\"Time Magician.\"<\/p>\n
Creating special visual effects by changing the speed of filming or playback, including slow-mo and fast-mo, serves to emphasize key points, enhance emotions, and create styles.<\/p>\n
\"c755268dj00svf5cx008ed000ir00adp\"<\/p>\n
To get a better feel for it, I did a slow motion video with vidu and two first and last frame videos with luma here respectively, and merged them at the end (runway doesn't work well).<\/p>\n
Slow motion cue word: Slow motion shot,Spartan warrior is wielding a sword and shield, dynamic pose, \/Slow motion shot,Spartan warrior is wielding a sword and shield, dynamic pose,<\/p>\n
First frame 1 tipword: Fast lens, switching from medium shots to close shots, showing the characters 'lighting movements<\/p>\n
First frame 2 tipwords: quick shot, rapidly switch from medium view to face feature, switching from medim shoots to close shots, showing the characters' fierce fighting features<\/p>\n
Replica of 300 Warriors of Sparta alternating slow and fast pacing; enhanced action drama.<\/p>\n
-Tilt Lens<\/strong><\/p>\n
\"Visual Poison.\"<\/p>\n
Also known as the Dutch lens or oblique angle lens, by tilting the lens state, so that the horizon or vertical line of the picture presents a tilted state, breaking the conventional composition, so that the picture produces a sense of imbalance and instability, so as to attract attention, and to create a tense, turbulent and suspenseful atmosphere.<\/p>\n
\"1845123ej00svf5df0064d000is00abp\"<\/p>\n
Cue word: Tilt the camera, a man quickly jumps onto the wall from the ground, and the camera follows the tilts and shoots<\/p>\n
Replicating the diagonal compositions of Inception's dreamscape; suggesting a state of unreality.<\/p>\n
The above is the content of today's sharing, the next issue of sharing mental mapping lens, interested in remember to pay attention!<\/p>","protected":false},"excerpt":{"rendered":"
TODAY IS THE FOURTH PART OF THIS SERIES, WHICH WAS SHARED YESTERDAY WITH THE RISE-AND-DOWN LENSES IN THE SPACE FRAME LENS, THE ROUND LENSES AND THE DEEP MOTION LENSES, THE AI SHORT VIDEO MIRROR COURSE, HOW TO MAKE THE HOLLYWOOD-CLASS FILM LENSES WITH AI (FORMATION OF FILM SPACE), AND TODAY WITH THE LONG LENSES OF THE SPECIAL EFFECT LENSES, THE VELOCITY LENSES AND THE TILT LENSES. SPECIAL EFFECTS LENS, LOOK AT THE COMPARISON OF THESE THREE SPECIAL EFFECTS LENSES: LENS TYPE, TWILIGHT, PSYCHOLOGICAL HINTS, TWILIGHT, CLASSIC APPLICATION SCENE, LONG LENS, TWILIGHT, TWILIGHT, TWILIGHT, TWILIGHT, TWILIGHT, TWIRL. \u2022 SON OF MAN RIOTING BABIES WEEPING AND WEEPING \u2013<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149,144],"tags":[6468,5321,2894,6470],"collection":[],"class_list":{"0":"post-34301","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"hentry","6":"category-jiaocheng","7":"category-baike","8":"tag-ai","10":"tag-2894","11":"tag-6470"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/34301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/comments?post=34301"}],"version-history":[{"count":0,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/34301\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/media?parent=34301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/categories?post=34301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/tags?post=34301"},{"taxonomy":"collection","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/collection?post=34301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}