{"id":43285,"date":"2025-09-30T09:34:33","date_gmt":"2025-09-30T01:34:33","guid":{"rendered":"https:\/\/www.1ai.net\/?p=43285"},"modified":"2025-09-16T17:38:25","modified_gmt":"2025-09-16T09:38:25","slug":"ai%e7%94%9f%e6%88%90%e4%ba%ba%e7%89%a9%e6%91%84%e5%bd%b1%e7%85%a7%e6%95%99%e7%a8%8b%ef%bc%8c%e5%88%ab%e5%86%8d%e8%8a%b1%e9%92%b1%e5%8e%bb%e6%8b%8d%e5%86%99%e7%9c%9f%e8%89%ba%e6%9c%af%e7%85%a7%e4%ba%86","status":"publish","type":"post","link":"https:\/\/www.1ai.net\/en\/43285.html","title":{"rendered":"A.I. GENERATES CHARACTER PHOTOGRAPHY, SO DON'T SPEND ANY MORE MONEY ON REAL ART"},"content":{"rendered":"

The methods and techniques of producing document photographs were described to you, and there was some interest among friends\u3002<\/p>\n

And I expect everyone to be able to get a picture of themselves<\/p>\n

Today we teach you a more fun way to produce a picture of a master<\/p>\n

YOU KNOW, THESE HIGH-PROFILE PEOPLE ARE NOW GOING TO CHARGE MORE THAN AVERAGE, 200 DOLLARS A PIECE, THOUSANDS OF DOLLARS, AND WITH THIS TECHNIQUE, YOU CAN PRODUCE A KEY, AND LET'S GO TO THE AI WORLD\u3002<\/p>\n

This tool, which is still being used today, can be found in the following post:DON'T SPEND ANY MORE MONEY ON PAPERS<\/a>\u300b<\/p>\n

In fact, the tools are the same, as are the operating methods and techniques, which are different\u3002<\/p>\n

1. Master ' s careerImage<\/a><\/strong><\/p>\n

It still uses the hand-shot used in the article to produce a picture of a master person dressed in a studio<\/p>\n

Tips:<\/p>\n

Translating the top chart into a top-level photo taken in a studio, requiring a half-body photograph, a natural coordinated action, a close-up, and a focus on the face. The person's costume and movement is changed toProfessional style<\/strong>The figure is thin and lean, the figure is 1\/2 and the overall atmosphere is deep and unintentional. The overall effect is quiet, deep and gentle. The context has a soft and gradual effect, creating a sense of hierarchy and silence. The nuanced pellets of film add a touchable, simulated, soft and qualitative form to the picture, reminiscent of the classic black and white. A gentle light of orientation, softly flashing, caressing his cheek curve or flashing light in his eyes \u2014 the emotional core of the picture. The rest is occupied with a large amount of negative space, deliberately keeping it simple and free to breathe. There are no words, no signs \u2014 only shadows and emotions. Top cameraman's portrait style, left and right<\/p>\n

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2. Master-level leisure images<\/strong><\/p>\n

To create a leisure look, it is only necessary to change the career profile from the hint to a casual dress style\u3002<\/p>\n

But in the end, it was a little dissatisfied, the first was too fat, the second was the clothes were not very good and the third was not funny\u3002<\/p>\n

Tips:<\/p>\n

Translating the top chart into a top-level photo taken in a studio, requiring a half-body photograph, a natural coordinated action, a close-up, and a focus on the face. The person's costume and movement is changed toLeisure dress style<\/strong>The figure is thin and lean, the figure is 1\/2 and the overall atmosphere is deep and unintentional. The overall effect is quiet, deep and gentle. The context has a soft and gradual effect, creating a sense of hierarchy and silence. The nuanced pellets of film add a touchable, simulated, soft and qualitative form to the picture, reminiscent of the classic black and white. A gentle light of orientation, softly flashing, caressing his cheek curve or flashing light in his eyes \u2014 the emotional core of the picture. The rest is occupied with a large amount of negative space, deliberately keeping it simple and free to breathe. There are no words, no signs \u2014 only shadows and emotions. Top cameraman's portrait style, left and right<\/p>\n

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3.<\/strong>Master ' s Leisure Image (Standing)<\/strong><\/p>\n

This time, the clothes are defined directly, with a change of action, followed by a hint to keep smiling. Watch it this time\u3002<\/p>\n

Tips:<\/p>\n

Translating the top chart into a top-level photo taken in a studio, requiring a half-body photograph, a natural coordinated action, a close-up, and a focus on the face. The person's costume and movement is changed toLeisure shirts and jeans with a chin in your chest and a smile on your face<\/strong>The figure is thin and lean, the figure is 1\/2 and the overall atmosphere is deep and unintentional. The overall effect is quiet, deep and gentle. The context has a soft and gradual effect, creating a sense of hierarchy and silence. The nuanced pellets of film add a touchable, simulated, soft and qualitative form to the picture, reminiscent of the classic black and white. A gentle light of orientation, softly flashing, caressing his cheek curve or flashing light in his eyes \u2014 the emotional core of the picture. The rest is occupied with a large amount of negative space, deliberately keeping it simple and free to breathe. There are no words, no signs \u2014 only shadows and emotions. Top cameraman's portrait style, left and right<\/p>\n

\"f8d0a1d7j00t2od0o000sd000u000fcp\"<\/p>\n

4.<\/strong>Master's Leisure Image (Sitting)<\/strong><\/p>\n

It was all standing before, and I wanted him to sit. Modify the hint to sit down\u3002<\/p>\n

Tips:<\/p>\n

Translating the top chart into a top-level photo taken in a studio, requiring a half-body photograph, a natural coordinated action, a close-up, and a focus on the face. The person's clothes and movements were changed to his leisure shirt and jeansThe man sits on the bar with his chin in his high-foot chair<\/strong>With a slight smile on the face, a thin and thin face of the person, a figure-to-person ratio of one-two images, the overall atmosphere is deep and unintentional. The overall effect is quiet, deep and gentle. The context has a soft and gradual effect, creating a sense of hierarchy and silence. The nuanced pellets of film add a touchable, simulated, soft and qualitative form to the picture, reminiscent of the classic black and white. A gentle light of orientation, softly flashing, caressing his cheek curve or flashing light in his eyes \u2014 the emotional core of the picture. The rest is occupied with a large amount of negative space, deliberately keeping it simple and free to breathe. There are no words, no signs \u2014 only shadows and emotions. Top cameraman's portrait style, left and right<\/p>\n

\"5de29682j00t2od26000vd000u000f8p\"<\/p>\n

5.<\/strong>Master's Leisure Image<\/strong><\/p>\n

There are also a number of master photographys that will be added to the windows, which will look even more symmetrical, this time with an elastic light, while changing new clothes and movements\u3002<\/p>\n

Tips:<\/p>\n

Translating the top chart into a top-level photo taken in a studio, requiring a half-body photograph, a natural coordinated action, a close-up, and a focus on the face\u3002\u00a0The person's dress and movement changed to wearing a hairy sweater, a windsuit, sitting on a chair, holding hands and smiling on the face<\/strong>He's looking at the screen, he's leaning and he's leaning, he's one in two, and he's in a deep, unintentioned atmosphereAdd geometric luminous effects<\/strong>I don't know. The overall effect is quiet, deep and gentle. The context has a soft and gradual effect, creating a sense of hierarchy and silence. The nuanced pellets of film add a touchable, simulated, soft and qualitative form to the picture, reminiscent of the classic black and white. A gentle light of orientation, softly flashing, caressing his cheek curve or flashing light in his eyes \u2014 the emotional core of the picture. The rest is occupied with a large amount of negative space, deliberately keeping it simple and free to breathe. There are no words, no signs \u2014 only shadows and emotions. Top cameraman's portrait style, left and right<\/p>\n

\"7008ee65j00t2od3d000vd000ufdp\"<\/p>\n

6.<\/strong>Master's Leisure Image<\/strong><\/p>\n

The result was not very good, and although the image looked good, the original idea was to create a red brick wall by the wall of the palace, and then half of it was also a grey one, which was the effect of the \u201clarge negative space\u201d in the hint\u3002<\/p>\n

Tips:<\/p>\n

Translating the top chart into a top-level photo taken in a studio, requiring a half-body photograph, a natural coordinated action, a close-up, and a focus on the face\u3002\u00a0Instead of wearing a white high-collar sweater, wearing a black leather windsuit, standing by the wall of the palace, smiling in the face<\/strong>On the screen, the characters are leaning and leaning, with a figure-to-person ratio of one-two, the overall atmosphere is deep and unintentional, and the overall effect is quiet, deep and gentle. The context has a soft and gradual effect, creating a sense of hierarchy and silence. The nuanced granular sense of film adds to the image a touchable, simulated, soft and qualitative form of photography, reminiscent of classic colour photography. A gentle light of orientation, softly flashing, caressing his cheek curve or flashing light in his eyes \u2014 the emotional core of the picture. The rest is occupied with a large amount of negative space, deliberately keeping it simple and free to breathe. There are no words, no signs \u2014 only shadows and emotions. Top cameraman's portrait style, left and right<\/p>\n

\"d3ba6263j00t2od4c000wd000u8p\"<\/p>\n

7.<\/strong>Master's Leisure Image<\/strong><\/p>\n

This time it's good to be clear and clear and to light the attic where the palace can be seen, and then remove the phrase \u201clarge negative space occupied\u201d\u3002<\/p>\n

Tips:<\/p>\n

Translating the top chart into a top-level photo taken in a studio, requiring a half-body photograph, a natural coordinated action, a close-up, and a focus on the face\u3002\u00a0The person's clothes and movements were changed to a white high-collar sweater, a black leather windsuit, standing by the red wall of the palace, seeing the ancient walls of the far side, with a little smile on his face<\/strong>The person is looking at the screen with a thin body and a thin face, with a figure-to-person ratio of one-two, and the overall atmosphere is deep and unintentional, and the overall effect is quiet, deep and gentle. The context has a soft and gradual effect, creating a sense of hierarchy and silence. The nuanced granular sense of film adds to the image a touchable, simulated, soft and qualitative form of photography, reminiscent of classic colour photography. A gentle light of orientation, softly flashing, caressing his cheek curve or flashing light in his eyes \u2014 the emotional core of the picture. There are no words, no signs \u2014 only shadows and emotions. Top cameraman's portrait style, left and right<\/p>\n

\"038623c8j00t2od5d000xd000u000fcp\"<\/p>\n

8.<\/strong>Master's Leisure Image<\/strong><\/p>\n

Let's try something else, like the Orient Pearl. The end results are good. \u266a And change your clothes \u266a<\/p>\n

Tips:<\/p>\n

Translating the top chart into a top-level photo taken in a studio, requiring a half-body photograph, a natural coordinated action, a close-up, and a focus on the face\u3002\u00a0The person's clothes and movements were changed to wearing a shirt, a gray long windshirt, standing by a river with a railing on his back, and a smile on his face<\/strong>The person is looking at the screen with a thin body and a thin face, with a figure-to-person ratio of one-two, and the overall atmosphere is deep and unintentional, and the overall effect is quiet, deep and gentle. The context has a soft and gradual effect, creating a sense of hierarchy and silence. The nuanced granular sense of film adds to the image a touchable, simulated, soft and qualitative form of photography, reminiscent of classic colour photography. A gentle light of orientation, softly flashing, caressing his cheek curve or flashing light in his eyes \u2014 the emotional core of the picture. There are no words, no signs \u2014 only shadows and emotions. Top cameraman's portrait style, left and right<\/p>\n

\"78d2d60ej00t2od680000d000ufap\"<\/p>\n

9.<\/strong>Ladies' master's license<\/strong><\/p>\n

There are examples of men being used before, and let's look at the image of the woman that comes up. \u266a It's actually the same \u266a<\/p>\n

Tips:<\/p>\n

Translating the top chart into a top-level photo taken in a studio, requiring a half-body photograph, a natural coordinated action, a close-up, and a focus on the face. The person's costume and movement is changed toProfessional style<\/strong>The figure is thin and lean, the figure is 1\/2 and the overall atmosphere is deep and unintentional. The overall effect is quiet, deep and gentle. The context has a soft and gradual effect, creating a sense of hierarchy and silence. The nuanced pellets of film add a touchable, simulated, soft and qualitative form to the picture, reminiscent of the classic black and white. A gentle light of orientation, softly flashing, caressing his cheek curve or flashing light in his eyes \u2014 the emotional core of the picture. The rest is occupied with a large amount of negative space, deliberately keeping it simple and free to breathe. There are no words, no signs \u2014 only shadows and emotions. Top cameraman's portrait style, left and right<\/p>\n

\"aeb781f1j00t2od6z0018d000ufcp\"<\/p>\n

10.<\/strong>Ma'am's maestro<\/strong><\/p>\n

Replace the hint with a leisure photo\u3002<\/p>\n

Tips:<\/p>\n

Translating the top chart into a top-level photo taken in a studio, requiring a half-body photograph, a natural coordinated action, a close-up, and a focus on the face. The person's costume and movement is changed toLeisure dress style<\/strong>The figure is thin and lean, the figure is 1\/2 and the overall atmosphere is deep and unintentional. The overall effect is quiet, deep and gentle. The context has a soft and gradual effect, creating a sense of hierarchy and silence. The nuanced pellets of film add a touchable, simulated, soft and qualitative form to the picture, reminiscent of the classic black and white. A gentle light of orientation, softly flashing, caressing his cheek curve or flashing light in his eyes \u2014 the emotional core of the picture. The rest is occupied with a large amount of negative space, deliberately keeping it simple and free to breathe. There are no words, no signs \u2014 only shadows and emotions. Top cameraman's portrait style, left and right<\/p>\n

\"bce75743j00t2od7s0019d000ufcp\"<\/p>\n

11.<\/strong>Ladies ' master leisure photos (other)<\/strong><\/p>\n

It could, of course, be replaced with daily family life or other styles that needed to be replaced, for example, by the replacement of a lady ' s dress with a silk cladder\u3002<\/p>\n

Tips:<\/p>\n

Translating the top chart into a top-level photo taken in a studio, requiring a half-body photograph, a natural coordinated action, a close-up, and a focus on the face. The person's costume and movement is changed toA silk thong dress<\/strong>The figure is thin and lean, the figure is 1\/2 and the overall atmosphere is deep and unintentional. The overall effect is quiet, deep and gentle. The context has a soft and gradual effect, creating a sense of hierarchy and silence. The nuanced pellets of film add a touchable, simulated, soft and qualitative form to the picture, reminiscent of the classic black and white. A gentle light of orientation, softly flashing, caressing his cheek curve or flashing light in his eyes \u2014 the emotional core of the picture. The rest is occupied with a large amount of negative space, deliberately keeping it simple and free to breathe. There are no words, no signs \u2014 only shadows and emotions. Top cameraman's portrait style, left and right<\/p>\n

\"3ed22d4j00t2od8n0019d000ufcp\"<\/p>\n

Key issues<\/strong><\/p>\n

Isn't that nice? More games depend on your friends to explore them. Ha ha, very advanced and professional, produced, can print them at home with photo printers. I'll put one on the office space<\/p>\n

But there are a few key points to note:<\/p>\n

    \n
  1. For the original, it would be preferable to choose a positive picture and to find a white wall and take one. While daily life photos are also available, there is a little bit of a puzzle, which is produced several times more. It would be better if it were positive\u3002<\/li>\n
  2. And if you think you're dissatisfied with the images that you're producing, you can fine-tune them directly on the hints, like costumes, like face, like action, like light\u3002<\/li>\n<\/ol>\n

    Of course, the proposal was accompanied by a thin-faced, thin-skinned and fine-faced hint. Ha-ha, it really worked and it didn't go away\u3002<\/p>","protected":false},"excerpt":{"rendered":"

    The methods and techniques of producing document photographs were described to you, and there was some interest among many friends. And we're looking forward to all of us producing a picture of our own, and today we're going to teach you a much more fun way to get a picture of a master, and everybody's going to be a photographer. And you know, these high-profile people are going to get a price, a $200, a few thousands of dollars, and with this technique, we're going to be able to create a key, and we're going to get into the world of AI. It's still going to be used today as a tool for Nano Banana, and if you're interested in the production of documents, you can refer to this article: \"Stop spending money on document photos, \" \"A-A-A-A-A-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-P-E-E-E-E-P-E-E<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149,144],"tags":[2478,6164,7479,7612,3135],"collection":[],"class_list":{"0":"post-43285","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"hentry","6":"category-jiaocheng","7":"category-baike","8":"tag-ai","10":"tag-nano-banana","11":"tag-7612","12":"tag-3135"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/43285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/comments?post=43285"}],"version-history":[{"count":0,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/43285\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/media?parent=43285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/categories?post=43285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/tags?post=43285"},{"taxonomy":"collection","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/collection?post=43285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}