{"id":47084,"date":"2025-12-08T19:24:28","date_gmt":"2025-12-08T11:24:28","guid":{"rendered":"https:\/\/www.1ai.net\/?p=47084"},"modified":"2025-12-08T19:25:06","modified_gmt":"2025-12-08T11:25:06","slug":"%e4%b8%80%e5%bc%a0%e5%9b%be%e7%9b%b4%e6%8e%a5%e7%94%9f%e6%88%909%e5%bc%a0%e5%88%86%e9%95%9c%ef%bc%8c%e6%95%99%e4%bd%a0%e4%b8%80%e9%94%ae%e7%94%9f%e6%88%90%e4%b9%9d%e5%ae%ab%e6%a0%bc%e5%9b%be%e7%9a%84","status":"publish","type":"post","link":"https:\/\/www.1ai.net\/en\/47084.html","title":{"rendered":"One image produces nine spectroscopes and teaches you the hint of a nine-gauge map"},"content":{"rendered":"

RecentlyAI short film<\/a>Need, I'm fine on the outside looking for inspiration. I found a very, very good onePrompt word<\/a>.<\/p>\n

\"57764642j00t6y7fd009200gx00e6m\"<\/p>\n

1 1 screenshot to 9subscope<\/a><\/strong><\/p>\n

It is capable of directly exporting nine spectroscopy images based on a screenshot and contains a description and lens of each frame\u3002<\/p>\n

Like one of Harry Potter's screenshots, and then we're going to create nine mirrors<\/p>\n

\"7ba0685aj00t6y7fc0020d000ugdm\"<\/p>\n

And a cross-section of the Ring King directly creates the mirror<\/p>\n

\"da9f58c5j00t6y7fc0030d000ueom\"<\/p>\n

Kinks in the Twin Cities War, directly generating a spectrometer<\/p>\n

\"5b64b714j00t6y7fc001ld000ugdm\"<\/p>\n

Even a screenshot of the game can be directly generated<\/p>\n

\"2019ecb8j00t6y7fc0047d000uem\"<\/p>\n

LOOK, ALL THE SPECS ARE AI, THAT'S HOW IT WORKS\u3002<\/p>\n

And to ensure that each frame produces a consistent picture\u3002<\/p>\n

Every spectroscope has a separate shot and a hint<\/p>\n

\"d5fa7b26j00t6y7fc001d000jr0077m\"<\/p>\n

Film students are going crazy when they see this\u3002<\/p>\n

There's not much to say<\/p>\n

The movie master:<\/p>\n

\n
\u266a Lole \u266a\nYou're an award-winning donor director and a cematologist.\n\n# Input #\nUsed documents: one reference image (image).\n\nYou can't tell me.\nFirst, analyze the full scope: individual ALKey subject issues (person\/group\/vehicle\/object\/animal\/props\/environment issues) and describe physical reports and inputs (leaft\/right\/foreground\/background, facing direction, what each is doing).\nNot guess real opinions, actual real-world movements, or brand owners.\n-Script conformity concerns all objects: same subjects, same gardrobe\/appearance, same time-day and lighting status.\nDeper in wides, shallower in close-up with natural bokeh.\nIf you need guidance\/convention, except it off-screen.\n\nGoal\nExpand the image into a 10-20 second cinematic crip with a clear line of them and an electronic protocol.\nThe user will base video clips from your keys and stick them into a final security.\n\n\"Step 1-scene breakdown\"\nOutput (with clear subheadings):\n- Subjects: listen each key subject (A\/B\/C....), describe visitats (wardrobe\/maternal\/form), comprehensive submissions, facing direction, action\/state, and any input.\n- Environment & Lighting: interior\/exterior, spatial playout, background elements, ground\/walls\/materials, light direction & Quality (hard\/soft; key\/fill\/rim), implied time-of-day, 3-8 vibe keywords.\n- Listens: three to six visits that must stay constant across all shots.\n{\\cHFFFFFF}{\\cH00FFFF}\n\nFrom the image, propose:\n- Them: one sense.\nOne retrained tracker-style sensed in what the image can support.\n-Emotional Arc: 4 beats, one line each.\n\n\"Step 3-cinematic approach.\"\nClose and elaborate your flying approach:\n- How do you move from side to close (or return) to serve the beats?\n- Camera movement plan: push\/pull\/pan\/dolly\/track\/orbit\/handheld micro-shank\/gimbal-and WHY\n- Lens & exposure options: focal length range (18\/24\/35\/50\/85 mm etc. ), Doftency (shallow\/mediam\/deep), shutter \u201cfeel\u201d (cinematic vs documents)\n- Light & color: contrast, key tones, material changing priorities, alternative plain (must catch the reference stage)\n{\\cHFFFFFF}{\\cH00FFFF}\n\nOutput a Keyframe List: default9-12 runs (later assembled into ONE master gid).\nEach game must be a policy communication within the SAME environment.\nUse this exact form per frame:\n[KF# | sengested duration (sec) | shot type (ELS\/LS\/MLS\/MS\/MCU\/CU\/ECU\/Low\/Worm's-eye\/High\/Bird's-eye\/Insert)]\n- subject place, foreground\/mid\/background, leaving lines, gaze direction\n- Action\/beat: what apparently happens\n- Come on, move.\n- Lens\/DoF:focal length (mm), DoF (shallow\/media\/deep), Focus target\n- Lighting & grey: keep present; call out highlight\/shadow emphasis\n- Sound\/atmos (optional): one line to support\nHard references:\n- Must enter: 1 environ-establishing side, 1 intimate close-up, 1 extrame detail EU, and 1 power-and-mouth shot (low or high).\n- Eustration detit-motivated coordination between the shots. - I'm sorry.\n\n>\nYou're a Cinematic Contact Sheet\/ Storyboard Grid containing Alleyframes in one broad image.\n- If more than 9 keys, use 4x3 or 5x3 so every keyframe fits into ONE image.\nReviews:\nThe single master image must include every keyframe as a secure Panel (one shot per cell) for easy self-defence.\nEach Panel must be clear: KF number + shot type + sggested degradation.\n-Strategic communications ALL projects: same subjects, same wardrobe\/appearance, same lighting & same cinematic color.\nD.F. Shifts really: shallow in close-ups, deeper in wides; reproductive textures and current grading.\nAfter the Master Grid image, output the full text breakdown for each KF in order so the user can regenerate any single conflict at high quality.\n{\\cHFFFFFF}{\\cH00FFFF}\n*Final output format *\nOutput inthis order:\nScene Breakdown\nTheme & Story\nCinematic Approach\nD) Keyframes (KF# list)\nAll KFs in one Grid<\/code><\/pre>\n<\/section>\n
2. Use patterns<\/strong><\/p>\n
It's easy to use, to copy itGemini<\/a>Center to 3.0\u3002<\/p>\n
Gemini recently updated UI with a very convenient Gem management function\u3002<\/p>\n
\"41491b61j00t6y7fd003b000rb00itm\"<\/p>\n
This Gem, the official web translator, is \"George.\"\u3002<\/p>\n
In fact, it's customizing different styles of pre-chat assistants\u3002<\/p>\n
Then we could just import the hints, add a Gem, and we wouldn't have to copy them every time\u3002<\/p>\n
\"45f4bbffj00t6y7fd0039d000uj8m\"<\/p>\n
Then we have an assistant film master\u3002<\/p>\n
From now on, you can call directly to the left<\/p>\n
\"266<\/p>\n
So let's test how much this Prompt hangs\u3002<\/p>\n
Throw it a screenshot\u3002<\/p>\n
\"2f712333j00t6y7hj00mkd000ukip\"<\/p>\n
And then it divides and describes my film\u3002<\/p>\n
\"5f651073j00t6y7fd003zd000km00d7m\"<\/p>\n
A single-time movie with a nine-gauge lens<\/p>\n
\"9c0e2e47j00t6y7hv00tyd000u00gdp\"<\/p>\n
Well, isn't it wonderful<\/p>\n
It's the same thing. It's not just a movie, it's a product<\/p>\n
\"98344b21j00t6y7fc002cd000u000gdm\"<\/p>\n
And all this is done once and for all\u3002<\/p>\n
IT'S AN ABSOLUTE KILLING FOR AN AI VIDEO CREATOR WHO'S STILL STRUGGLING WITH HOW TO COLLIDE A COHERENT PICTURE\u3002<\/p>\n
Of course, a complete short film, a nine-gauge spectroscope, can't directly generate video\u3002<\/p>\n
So, what do we do next<\/p>\n
3. Spectroscope extraction step<\/strong><\/p>\n
LIKE THE KF4 FRAME IN THIS PICTURE<\/p>\n
\"8ddd83aj00t6y7fe00y0d000u00gdm\"<\/p>\n
How do you extract one of those frames<\/p>\n
Don't worry, we've already thought about it\u3002<\/p>\n
It's a hint that takes the nine-magic lens straight out of the one you want, and it fits in with it<\/p>\n
Spectrum extract master:<\/p>\n
Role
\nYou're a sophisticated frame extraction expert. Your job: Recreates a specified key frame from a master contact table (storyboard grid), while maintaining a perfect visual continuity\u3002
\n
\n# input #
\nUser provides:
\n1. Original reference images
\nMain contact table (grids with all key frames)
\nKEY FRAME NUMBERS TO BE EXTRACTED (E.G. \u201cKF3\u201d)
\n4. Full text decomposition of the key frame
\n
\n
\n1) A CAREFUL STUDY OF THE TARGET PANEL OF THE CONTACT TABLE
\n2) The determination of all continuous anchor points that must be fully identical:
\n- physical features (dressing, hair, colour, body, facial characteristics)
\n\u2013 Environmental details (walls, ground, props, background objects, space layout)
\n\u2013 Light setting (direction, mass, main light\/suppling\/ contours ratio, color temperature)
\n\u2013 Colour palette (colour palette, contrast, saturation, film sense, particle sense)
\n\u2013 Time mark (sun angle, shadow length, environment light colour)
\n3) Only these may change from reference\/other frame:
\n\u2013 Camera position, angle, height
\n\u2013 Body cover, attitude, expression, movement
\n\u2013 DEEP (MUST MATCH THE TYPE OF PICTURE TAKEN: CU NEEDS A SHALLOW VIEW, A DEEP VIEW)
\n\u2013 Structure and lens focal length
\n4) Output a single full-resolution image of a seamless sequence
\n5) Do not add labels, borders or panel tags - output clean, input-produced images
\n
\ni'm sorry
\nContinuous inspection lists (confirmed before generation):
\n\u2013 Subject appearance: [compatible details in reference]
\n- Environment: [compatible space\/material details]
\n\u2013 Light: [compatible direction\/mass\/colour]
\n\u2013 Level: [compatibility\/ palette\/texture]
\nFRAMEWORK SPECIFICATIONS (FROM KF DECOMPOSITION):
\n\u2013 Type of shooting: [e.g., medium, 50 mm, shallow]
\n\u2013 Structure: [main location, guide line]
\n\u2013 Action\/pacing point: [What is happening at this moment]
\n\u2013 Camera: [angels, heights, movement direction]
\n\u2013 A climate: [sound\/emotional hint]
\n3. Generation: a complete mass image of this critical frame only
\n4. Validation instructions: brief confirmation of continuous anchor and reference match
\n
\nUse the example
\nUSER: TAKE KF1 FROM THE CONTACT LIST<\/p>\n
NOW, LOOK AT THE EFFECT, I WANT THE KF4 LENS IN THIS PICTURE, AND I WANT IT TO ENTER KF4, AND IT AUTOMATICALLY PULLS OUT A FRAME FROM THE NINE PALACES\u3002<\/p>\n
\"45a9b09j00t6y7fd007yd000k200cpm\"<\/p>\n
\"4521<\/p>\n
Perfect extraction\u3002<\/p>\n
This means that the spectroscopy can be generated seamlessly and then extracted for magnification, thrown to video generation models and generated directly consistent videos\u3002<\/p>\n
In this way, a screenshot will make it possible to produce a new short film\u3002<\/p>\n
And everything depends on Gemini's strong context and reasoning, and everything can be done in a few minutes\u3002<\/p>\n
4. Say something else<\/strong><\/p>\n
Of course, some of the spectroscopes may not be working, nor will they reach a real film level\u3002<\/p>\n
BUT IMAGINE, ONE NIGHT WITHOUT INSPIRATION, CUTTING OFF A SCREENSHOT OF THE MOVIE THAT YOU LIKE AND THROWING AT AI\u3002<\/p>\n
And then it gives you a world, a world that is empty\u3002<\/p>\n
And then you can spend more time grinding on the script, and the lens will just let Gemini paint you\u3002<\/p>","protected":false},"excerpt":{"rendered":"
I'VE BEEN LOOKING FOR IDEAS ON THE OUTSIDE. AND BY CHANCE, A VERY GOOD, VERY INVINCIBLE HINT WAS FOUND. 1. A SCREENSHOT OF NINE SPECTROSCOPYS IS ABLE TO PRODUCE NINE SPECTROSCOPY IMAGES DIRECTLY FROM ONE SPECTROSCOPY AND CONTAINS A DESCRIPTION AND LENS OF EACH FRAME. ONE OF HARRY POTTER'S SCREENSHOTS, FOR EXAMPLE, THEN DIRECTLY GENERATED NINE SPECTROSCOPES, AND ONE OF THE RING KING'S SPECTROMETERS DIRECTLY GENERATED THE SPECTROMETERS, AND ONE OF THE TWO-TOWN BATTLES, JINX, DIRECTLY GENERATED THE SPECTROMETERS, EVEN WITHIN THE GAME, COULD ALSO GENERATE A SPECTROMETER. AND TO ENSURE THAT EACH FRAME PRODUCES A CONSISTENT PICTURE. EVERY SPECTROSCOPE HAS A SINGLE SHOT AND A HINT THAT THE FILM STUDENTS SEE THIS FEAR WILL GO CRAZY. NOTHING<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149,144],"tags":[3264,436,7238,837],"collection":[302],"class_list":["post-47084","post","type-post","status-publish","format-standard","hentry","category-jiaocheng","category-baike","tag-ai","tag-gemini","tag-7238","tag-837","collection-prompt"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/47084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/comments?post=47084"}],"version-history":[{"count":0,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/47084\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/media?parent=47084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/categories?post=47084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/tags?post=47084"},{"taxonomy":"collection","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/collection?post=47084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}