{"id":47587,"date":"2025-12-19T15:21:02","date_gmt":"2025-12-19T07:21:02","guid":{"rendered":"https:\/\/www.1ai.net\/?p=47587"},"modified":"2025-12-19T15:21:02","modified_gmt":"2025-12-19T07:21:02","slug":"%e5%a6%82%e4%bd%95%e7%94%a8ai%e7%94%9f%e6%88%90%e7%94%b5%e5%bd%b1%e6%84%9f%e5%a4%a7%e7%89%87%ef%bc%9f%e6%95%99%e4%bd%a0%e5%81%9a%e4%b8%80%e6%9d%a1%e7%94%b5%e5%bd%b1%e8%b4%a8%e6%84%9f%e7%9a%84ai","status":"publish","type":"post","link":"https:\/\/www.1ai.net\/en\/47587.html","title":{"rendered":"HOW DO YOU USE AI TO MAKE A BIG MOVIE? I'LL TEACH YOU TO MAKE AN AI SHORT COURSE ON FILM QUALITY"},"content":{"rendered":"

Do you often get upset when you make videos or clips because you don't have a story<\/strong><\/p>\n

It's actually a kind of thing to talk about todaycinematic<\/a>Narrative technique<\/p>\n

I bought a series of books a few days ago, and there was a book called \"The Master's Camera\" that just saw the way a film narrative goes: parallel narratives\u3002<\/p>\n

What do you mean<\/p>\n

It is not possible to make a movie with a long shot all the time, with a large number of close-ups or a short medium view\u3002<\/p>\n

So parallel narratives do two parallel things or objects in between design spectroscopys or clips\u3002<\/p>\n

Isn't that a bad idea<\/p>\n

\"19d13276j00t7i9cf002jd000udkp\"<\/p>\n

Let me give you an example: how do you do parallel narratives when hunters play deer in the forest<\/p>\n

Camera 1: Hunters aim guns<\/p>\n

Camera 2: Deer running<\/p>\n

Camera 3: Hunters shooting<\/p>\n

Camera 4: Deer shot down\u3002<\/p>\n

IT'S EASY TO UNDERSTAND WHAT'S GOING ON HERE: THE HUNTER'S ACTION IS EVENT A; THE DEER'S RUN IS EVENT B, AND THAT'S HOW WE CUT OR DESIGN THE LENSES\u3002<\/p>\n

Websites used for the current period:<\/p>\n

    \n
  1. Biograph model Gemini:https:\/\/www.1ai.net\/1787.html<\/a><\/li>\n
  2. tusheng video vidu:https:\/\/www.1ai.net\/16856.html<\/a><\/li>\n<\/ol>\n

    One, the magic<\/strong><\/p>\n

    I REPEAT, IT'S THE N.N. PALACE STORYBOARD, LIKE THE FOLLOWING:<\/p>\n

    Very well, I need you to produce a picture of an old Chinese hunter hunting a deer in the snow, asking for three-to-three stories, using parallel narratives, a better shot, real style\u3002<\/p>\n

    \"bfa1da39j00t7i9d50017d000uehp\"<\/p>\n

    I'll download it. Look at the big picture<\/p>\n

    \"e58aab10j00t7i9dp002ed000u000e4p\"<\/p>\n

    It's good. Maybe you'll ask. How can he understand parallel narratives<\/p>\n

    I just told him what a parallel narrative was, so the picture is good\u3002<\/p>\n

    Two, make the composition mirror<\/strong><\/p>\n

    I just got a picture of the story, and now I need to break it down into one to get a video\u3002<\/p>\n

    I'M GOING TO USE THE PPT SOFTWARE TO MARK EVERY MAGMA IMAGE IN THE ARABIC NUMERAL SO THAT AI KNOWS WHICH ONE I MEAN:<\/p>\n

    \"64904183j00t7i9eg002ld000u0e6p\"<\/p>\n

    Enter the hint in Gemini: expand figure 1 to 16:9 and delete the text\u3002<\/p>\n

    \"0195ad40j00t7i9eyud000u000axp\"<\/p>\n

    After the natural conversation, expand figure 2\/3\/4\/5 to 16:9 and delete text<\/p>\n

    Then I got the following spectroscopy:<\/p>\n

    \"9d31ea4cj00t7i9ff0028d000uetp\"<\/p>\n

    III. Raw video<\/strong><\/p>\n

    i'm putting together a video of viduson, and i'm using a lot of reference videos to keep the story consistent\u3002<\/p>\n

    the reference video, which is designed to make the picture more congenial, is a picture of a deer on the ground. the video depicts a deer being hit on the ground. if the reference video is not possible, vidu will choose the reference video\u3002<\/p>\n

    Raise the gun, pick up the telescope and everything\u3002<\/p>\n

    Okay, first shot:<\/p>\n

    \"6c2673j00t7i9gd0021d000u1g1p\"<\/p>\n

    Second shot, show the deer running:<\/p>\n

    \"50840297j00t7i9h3001rd000uf6p\"<\/p>\n

    The third shot shows people going into the picture and looking at the telescope:<\/p>\n

    \"d9916ee7j00t7i9hd0029d000ufop\"<\/p>\n

    Fourth shot, reference video:<\/p>\n

    \"19126edcj00t7i9hw001pd000uegp\"<\/p>\n

    Fifth shot, man with a gun:<\/p>\n

    \"f29cc499j00t7i9ib001id000ugip\"<\/p>\n

    The sixth shot, the deer was shot down:<\/p>\n

    \"9702f168j00t7i9in001jd000uf4p\"<\/p>\n

    The seventh shot, people came to see the deer:<\/p>\n

    \"62d4399cj00t7i9iy001zd000uj0p\"<\/p>\n

    IV. Clipping<\/strong><\/p>\n

    The third step generated a large number of time-consuming videos, but the structure was not sufficiently compact, so it basically required a large number of card points and short cuts, and the combination of sound effects would enrich the whole\u3002<\/p>\n

    The hard part is actually sound:<\/p>\n

    \"42560127j00t7i9jc000zd000ol007sp\"<\/p>\n

    Well, that's it for today's sharing.<\/p>\n

    the reference video vidu can, or can, can be, or can be, in essence, a form that enriches the image hierarchy, a bit like a controllable vincent video\u3002<\/p>\n

    I think the future play is in the form of a reference + Vincent video, which is just a patch\u3002<\/p>","protected":false},"excerpt":{"rendered":"

    Do you often get upset when you make videos or clips because you don't have a story? What we're talking about today is a movie narrative! I bought a series of books a few days ago, and there was a book called \"The Master's Camera\" that just saw the way a film narrative goes: parallel narratives. What do you mean? It is not possible to make a movie with a long shot all the time, with a lot of close-up or mid-scenes. So parallel narratives do two parallel things or objects in between design spectroscopys or clips. Isn't that a bad idea? Let me give you an example: how do you do parallel narratives when hunters play deer in the forest? Camera 1: The hunter is aiming at the gun; Camera 2: The deer is running; Camera 3: The hunter is shooting; Camera 4: The deer is shot down. It's easy to explain<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149,144],"tags":[3264,5321,1677],"collection":[],"class_list":{"0":"post-47587","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"hentry","6":"category-jiaocheng","7":"category-baike","8":"tag-ai","10":"tag-1677"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/47587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/comments?post=47587"}],"version-history":[{"count":0,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/47587\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/media?parent=47587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/categories?post=47587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/tags?post=47587"},{"taxonomy":"collection","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/collection?post=47587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}