{"id":48092,"date":"2025-12-31T13:53:54","date_gmt":"2025-12-31T05:53:54","guid":{"rendered":"https:\/\/www.1ai.net\/?p=48092"},"modified":"2025-12-31T13:54:45","modified_gmt":"2025-12-31T05:54:45","slug":"ai%e7%9f%ad%e8%a7%86%e9%a2%91%e5%88%9b%e4%bd%9csop%ef%bc%9a%e6%95%99%e4%bd%a0%e7%94%a8-ai-%e6%90%ad%e5%bb%ba%e4%b8%80%e5%a5%97%e7%9f%ad%e5%89%a7%e8%a7%86%e9%a2%91%e5%88%b6%e4%bd%9c%e5%85%a8%e6%b5%81","status":"publish","type":"post","link":"https:\/\/www.1ai.net\/en\/48092.html","title":{"rendered":"AI SHORT VIDEO CREATION SOP: TEACHING YOU TO BUILD A FULL PROCESS OF SHORT PLAY VIDEO PRODUCTION USING AI"},"content":{"rendered":"

In the past year,AI Video Creation<\/a>There was a clear change: from \u201cplaying models\u201d to \u201cclattering processes\u201d\u3002<\/p>\n

IF YOU'RE JUST USING AI TO PRODUCE A FEW PICTURES AND RUN A FEW VIDEO MODELS, YOU'LL SOON HAVE A BOTTLENECK:<\/p>\n

Images are not uniform, roles are inconsistent, lenses are confused and editing rhythms are out of control\u3002<\/p>\n

THE REAL, ENERGY-RICH, POWER-DELIVERY AI VIDEO MUST DEPEND ON A CLEAR SET OF REUSABLE VIDEOSSOP<\/a>Workstream\u3002<\/p>\n

THIS ARTICLE, I WANT TO SYSTEMATICALLY DISMANTLE A SET OF THINGS THAT I'VE TESTED OVER AND OVER AGAIN IN THE ACTUAL PROJECT. AI VIDEO FROM THE SCRIPT SPECTROSCOPY AND THE ART GRAPHICS AND THE PRODUCTION OF THE VIDEO AND THE EDITING OF THE WHOLE PROCESS METHOD, IT IS NOT A TOOL TUTORIAL, BUT A STRUCTURED WAY OF CREATING\u3002<\/p>\n

WHY<\/strong><\/p>\n

Traditional video production is essentially the process industry:<\/p>\n

The script spectro spectro, spectro, spectro, spectro, to shoot the clip\u3002<\/p>\n

THE EMERGENCE OF AI DID NOT SUBVERT THAT LOGIC, BUT SIMPLY REPLACED THE \"PORNOGRAPHY\" WITH \"GENERATION\"\u3002<\/p>\n

But many people make mistakes:<\/p>\n

Directly from one sentence Prompt<\/a> start<\/p>\n

It's too much<\/p>\n

Skip art<\/p>\n

AND FINALLY, LOOK AT THE AI CLIP TO SAVE<\/p>\n

As a result:<\/p>\n

\n
    \n
  • Every frame looks good, but it's not like a piece\u3002<\/strong><\/li>\n<\/ul>\n<\/blockquote>\n

    SO THE FIRST THING WE DO IS PUT AI CLEARLY BACK IN THE VIDEO INDUSTRY<\/p>\n

    Designing a standard path for it from creativity to film\u3002<\/p>\n

    STEP 1: THIS STAGE OF THE PLAY -- \"STRUCTURAL DOCTOR\" WITH AI, NOT A PEN<\/strong><\/p>\n

    IN THIS SOP, THE SCRIPT IS NOT \"GENERATED\" BUT \"CALIBRATED.\"\u3002<\/p>\n

    AI HAS FOUR OF THE MOST IMPORTANT VALUES AT THIS STAGE:<\/p>\n

    Structure check<\/p>\n

    Is there a logical breakup<\/p>\n

      \n
    1. Is the mattress not enough<\/li>\n
    2. Is the mood jumping<\/li>\n
    3. Personal consistency verification<\/li>\n
    4. The line is personal<\/li>\n
    5. Consistency of motive<\/li>\n<\/ol>\n

      Rhythmic and emotional curve adjustments<\/p>\n

        \n
      1. Where should it be<\/li>\n
      2. Where should I leave it<\/li>\n<\/ol>\n

        Multi-version rewrite comparison<\/p>\n

          \n
        1. 2-3 different directions<\/li>\n
        2. Help creators make \"director selection\"<\/li>\n<\/ol>\n

          THE KEY HERE IS NOT \"LET AI WRITE THE SCRIPT.\"<\/p>\n

          IT'S TO MAKE AI AN UNTIDY SCRIPT EDITOR\u3002<\/p>\n

          \"4a22d76bj00t84djt00asd000ulbm\"<\/p>\n

          \"83f29be3j00t84djt00otd000u000udm\"<\/p>\n

          STEP 2: SPECTRUM DESIGN - AI IS NOT A PAINTING, IT'S A LENS LANGUAGE SYSTEM<\/strong><\/p>\n

          THE SPECTROSCOPE IS THE MOST EASILY UNDERESTIMATED, BUT MOST DETERMINED, PART OF THE AI VIDEO CREATION\u3002<\/p>\n

          IN SOP, WE WILL FIRST GET A SCRIPT OF THE TEXT<\/p>\n

          Every shot:<\/p>\n

          Based on tools such as Google AI Studio, AI can help accomplish three things:<\/p>\n

          Recommended camera language based on playplay<\/p>\n

          Is it reasonable to automatically calibrate the lens<\/p>\n

          Quick change spectroscope (rather than overturn)<\/p>\n

          You'll find:<\/p>\n

          \n
            \n
          • WHEN THE SPECTROSCOPE IS CLEAR, ALL THE AI IN THE BACK WILL BE \"BE GOOD.\"<\/li>\n<\/ul>\n<\/blockquote>\n

            \"20715c65j00t84djt00ggd000qx00dbm\"<\/p>\n

            Step three: The art style is fixed -- this is a key step in determining the \"higher sense.\"<\/strong><\/p>\n

            \"238acf19j00t84djs001xd000rg00iwm\"<\/p>\n

            \"ff6c99a8j00t84djt007pd000umvm\"<\/p>\n

            \"d4b30341j00t84dju00msd000t600omm\"<\/p>\n

            \"9c249496p00t84djr00000010001m\"<\/p>\n

            Before we go into anything, we'll do something first: lock it in\u3002<\/p>\n

            This step usually has three dimensions:<\/p>\n

            1 \ufe0f\u20e3 Colour System<\/p>\n

            Main Hue<\/p>\n

            Comparative relations<\/p>\n

            Cold<\/p>\n

            Two, visual<\/p>\n

            Write \/ Animation \/ Animation<\/p>\n

            The particles are weak<\/p>\n

            Is it a movie thing<\/p>\n

            3 radiant style<\/p>\n

            Rembrandt<\/p>\n

            Natural dispersing light<\/p>\n

            Stage\/ Demography<\/p>\n

            THE ADVANTAGE OF AI IS THAT YOU CAN GENERATE MULTIPLE STYLE COMPARISONS IN A VERY SHORT PERIOD OF TIME, NOT BY IMAGINATION AND LANGUAGE\u3002<\/p>\n

            The more solid this phase is<\/p>\n

            The lower the cost of returning to work, the lower the rest of the drawings, videos and clips\u3002<\/p>\n

            STEP 4: BATCH GENERATION OF SPECTROSCOPES -- USING AI AS \"THE DIRECTOR'S ALTERNATIVE LENS LIBRARY\"<\/strong><\/p>\n

            The most painful thing about the traditional spectroscopy is that each modification is almost redrawn\u3002<\/p>\n

            IN THIS SOP, WE'LL BE BASED ON A CONFIRMED ART STYLE<\/p>\n

            Using models like Nanobanana Pro, Gemini and others:<\/p>\n

            \n
              \n
            • From \" a standard spectroscope \" to produce \" a similar but differentiated spectroscope version \" \u3002<\/strong><\/li>\n<\/ul>\n<\/blockquote>\n

              The process is very clear:<\/p>\n

              Upload reference lens<\/p>\n

              Lock style and character characteristics<\/p>\n

              Allow fine-tuning only on image\/ angle\/ view<\/p>\n

              One-time generation of multiple versions<\/p>\n

              Quick cross-references, direct decisions<\/p>\n

              What is this step in essence? - What if the director's head goes like this\u3002<\/p>\n

              Step five: The critical transition from static to dynamic - a life map to a live video<\/strong><\/p>\n

              Once the spectroscopy has been finalized, it will enter the real \u201clive video\u201d phase\u3002<\/p>\n

              In the case of Tapnow's workstream, it's not about moving, but about three more important things:<\/p>\n

              Cameras are controlled<\/p>\n

              The core value of this step is:<\/p>\n

              Let creators see at the \u201cgeneration stage\u201d the feeling of being close to a piece\u3002<\/p>\n

              \"bf40d2bj00t84djt00gyd000uk8m\"<\/p>\n

              \"b029a1ffj00t84djt009jd000u000drm\"<\/p>\n

              STEP 6: UNITY OF ROLES - AI VIDEO IS THE EASIEST PLACE TO TURN OVER<\/strong><\/p>\n

              \"b7f1a842j00t84djt0006zd000umkmm\"<\/p>\n

              AS LONG AS YOU'VE MADE AN AI VIDEO, YOU HAVE TO STEP ON THE PIT: ONE CHARACTER, TWO PEOPLE BACK AND FORTH\u3002<\/p>\n

              The solution is not \"tick a few times\" but to create a system of character coherence:<\/p>\n

              Role library creation<\/p>\n

              Feature Lock<\/p>\n

              Multiple scenes reuse<\/p>\n

              Automatic quality check<\/p>\n

              THIS IS A CRUCIAL STEP IN MOVING THE VIDEO FROM AN \"EXPERIMENTAL SENSE\" TO A \"WORKS SENSE.\"\u3002<\/p>\n

              STEP 7: AI CLIP - A PLACE WHERE EFFICIENCY CAN REALLY BE DIVIDED<\/strong><\/p>\n

              The last step is editing\u3002<\/p>\n

              THE REAL VALUE OF AN AI CLIP IS NOT \"FULL AUTOMATIC\" BUT HAND OVER TO THE MACHINE THE MANUAL WORK OF 70-80%:<\/p>\n

              Automatically match the music rhythm<\/p>\n

              Sort First Clip<\/p>\n

              Remove Waste<\/p>\n

              Generate many style versions<\/p>\n

              With the help of tools such as Sora Clip Template, editing efficiency can increase around 90%\u3002<\/p>\n

              And human creators need only do one thing: judge and trade\u3002<\/p>\n

              WHAT IS THE CORE VALUE OF THIS SOP<\/p>\n

              IN CONCLUSION, THIS AI VIDEO WORKSTREAM DOES NOT PRODUCE \"DAZZLING\" BUT FOUR VERY REALISTIC RESULTS:<\/p>\n

              Efficiency<\/p>\n

              REDUCTION OF OVERALL PRODUCTION CYCLE BY 60% OR MORE<\/p>\n

              Cost<\/p>\n

              A small team can do high-level work<\/p>\n

              Ideas<\/p>\n

              The director has unprecedented space for error<\/p>\n

              \u2022 Quality<\/p>\n

              Common style, stable character, controllable rhythm<\/p>\n

              at last<\/p>\n

              AI WON'T LET EVERYONE BECOME A DIRECTOR, BUT THE PROCESS WILL MAKE PEOPLE WHO REALLY HAVE JUDGMENT GO FURTHER\u3002<\/p>\n

              WHEN AI VIDEO MOVES FROM AN \"INSPIRATION-DRIVEN\" TO A \"PROCESS-DRIVEN,\" CREATION REALLY BEGINS TO BECOME A SUSTAINABLE ABILITY\u3002<\/p>\n

              What you're doing is:<\/p>\n

              A short brand<\/p>\n

              Concept<\/p>\n

              IP ANIMATION<\/p>\n

              Exhibition Image<\/p>\n

              AI NARRATIVE<\/p>\n

              THIS SOP, IT'S GOING TO BE A VERY LOW-LEVEL STRUCTURE THAT YOU'VE BEEN GRINDING\u3002<\/p>","protected":false},"excerpt":{"rendered":"

              IN THE PAST YEAR, AI VIDEO CREATION HAS UNDERGONE A MARKED CHANGE: FROM A \u201cPLAY MODEL\u201d TO A \u201cMIXING PROCESS\u201d. IF YOU'RE JUST USING AI TO MAKE A FEW PICTURES AND RUN A FEW VIDEO MODELS, YOU'LL SOON HAVE A BOTTLENECK: INCONSISTENT IMAGES, INCONSISTENT CHARACTERS, CONFUSED LENSES, OUT OF CONTROL. A REAL, ENERGY-PRODUCED, ENERGY-DELIVERED AI VIDEO MUST RELY ON A CLEAR, REUSABLE SOP WORKFLOW. THIS ARTICLE, I WANT TO SYSTEMATICALLY DISMANTLE A SET OF THINGS THAT I'VE TESTED OVER AND OVER AGAIN IN THE ACTUAL PROJECT. AI VIDEO FROM THE SCRIPT SPECTROSCOPY AND THE ART GRAPHICS AND THE PRODUCTION OF THE VIDEO AND THE EDITING OF THE WHOLE PROCESS METHOD, IT IS NOT A TOOL TUTORIAL, BUT A STRUCTURED WAY OF CREATING. WHY, AI, THE VIDEO HAS TO FLOW<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[144],"tags":[979,192,8076],"collection":[],"class_list":["post-48092","post","type-post","status-publish","format-standard","hentry","category-baike","tag-ai","tag-prompt","tag-sop"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/48092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/comments?post=48092"}],"version-history":[{"count":0,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/48092\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/media?parent=48092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/categories?post=48092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/tags?post=48092"},{"taxonomy":"collection","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/collection?post=48092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}