AFTER ALL, WHETHER IT'S MADE BY HAND OR BY AI, IT'S NECESSARY TO DECIPHER THE SCRIPT, EVEN IF IT CAN BE DECIPHERED BY A SINGLE KEY, WITHOUT A MANUAL REVIEW, BEFORE IT'S DECIPHERED, AND AFTER IT'S FILLED WILL ONLY TAKE MORE EFFORT TO COLLAPSE<\/p>\n
I don't want to talk about it. Go straight to the dry dismantling guide<\/p>\n
I. Fragmentation of core elements<\/strong><\/p>\n The following parts of the script are basically mandatory: role, scene, props and effects<\/p>\n (i) Fragmentation of roles<\/p>\n Role splits need to cover five core dimensions, each of which is described and recommended for use as follows:<\/p>\n Fields<\/strong><\/p>\n clarification<\/strong><\/p>\n Recommendations for use<\/strong><\/p>\n Name<\/strong><\/p>\n The exact name of the character in the script<\/p>\n It's organized in the order of appearance, so it's easy to match the spectroscopy<\/p>\n Personal introduction<\/strong><\/p>\n Role background, identity, key experience<\/strong><\/p>\n Just keep it simple<\/p>\n Character Set<\/strong><\/p>\n Visual setting + character setting + capability setting<\/strong><\/p>\n Derived using the \"Verror age + core appearance + core character\" formula<\/p>\n Prompt word<\/strong><\/p>\n AI GENERATION, VISUALIZATION OF KEY WORDS, INCLUDING:Subject + dress + action + scene + style<\/strong><\/p>\n COMBINE BY \" SUBJECT + CLOTHING + ACTION + SCENE + STYLE \" TO ALLOW AI TO GENERATE PRECISION MATERIAL<\/p>\n Number Three View<\/strong><\/p>\n Description Role\"Face, side, back\"<\/strong>Core features, focus clothing, hair, body details<\/p>\n Each perspective contains only 3-5 core details without lengthy descriptions<\/p>\n Notice:<\/p>\n Be careful not to confuse names with the same name<\/p>\n (a) Personal introduction, with care to be contained in 20-50 words, to refine the core information without redundancy, and to focus on the point of connection between identity and the story<\/p>\n (a) The character setting needs to be compatible with the character behaviour in the script, and physical exercise can be simplified and easily decomposed as a formula for \u201cvisual age - identity positioning - core character - special abilities\u201d<\/p>\n THE KEYWORDS OF THE HINTS SHOULD BE PRECISE AND NON-PRESCRIPTIVE, AS WELL AS ADHESIVE, AND WRITING IN A FIXED COMBINATION WOULD HELP AI TO GENERATE PRECISION MATERIAL<\/p>\n You can't miss the key character in the third view and keep the set-up uniform<\/p>\n (ii) Scattering of scenes: clarify \u201cwhere the story happens\u201d<\/p>\n Fields<\/strong><\/p>\n clarification<\/strong><\/p>\n Recommendations for use<\/strong><\/p>\n take<\/strong><\/p>\n \u201clocation + time + internal and external\u201d<\/strong>Simplicity<\/p>\n Sequenced in sequence, with the same location marked (e.g., Crown (Dd)-1, 2)<\/p>\n Description of the screen<\/strong><\/p>\n A description of the scene\"Environmental detail + atmosphere + key elements\"<\/strong><\/p>\n It's based on \"Environmental detail + atmosphere + key elements\" or byFive sense description<\/strong>Write<\/p>\n Image Generation Phrasing<\/strong><\/p>\n Keywords for generating scene pictures, including:scene type + core elements + light + style<\/strong><\/p>\n Keywords need to be specific to \"materials\" (mud land, slab road), \"light\" (natural, soft and light) to increase accuracy of generation<\/p>\n N.B.: \"Key elements\" cannot be omitted, including: space layout - light atmosphere - key displays, highlighting differences in scenesStylistic uniformity<\/strong>(e.g., \"Performance\" in full)<\/p>\n (iii) Policing and special effects splits: to clarify \u201cthe object and special effects of the story\u201d<\/p>\n Fields<\/strong><\/p>\n clarification<\/strong><\/p>\n Recommendations for use<\/strong><\/p>\n stage props<\/strong><\/p>\n It's in the script\"physical objects\"<\/strong>, label \" Appearance + Use\"<\/p>\n Press\u201cSequence of events + classification of uses\u201d<\/strong>(e.g., living props: tables, chairs, cooks; accessories: gold platinum, scrambling)<\/p>\n Special Effects<\/strong><\/p>\n describe\u201cNon-physical visual effects\u201d<\/strong>, label \" Trigger scene + presentation\"<\/p>\n use\" Trigger condition + visual performance + sound mix\"<\/strong>Description, e.g., \"Space extracts: objects float out of the screen with white light particles\"<\/p>\n Notice:<\/p>\n (a) The \u201ckey props\u201d are not omitted and the props are tailored to the role, with each scene listing 3-5 core props<\/p>\n The special effects serve the drama. It's not blind and irrelevant<\/p>\n Scripts split: \"Scripts to frame\"<\/strong><\/p>\n (i) Operational description<\/p>\n \u00a0 \u00a0 AI CAN USE BEAN BAGS DIRECTLY: (A LOT OF TOOLS CAN BE USED TO SEE HOW MANY MORE UNDERSTAND MODELS ~)<\/strong><\/p>\n The spectroscopy is a \"video shoot\/production instructions\" that gives each shot a number in \"the sequence of events\" and specifies \"how, what, what, what and what.\"The central role of each field is as follows (can add or delete as needed):<\/strong><\/p>\n (ii) Attention<\/p>\n 1. Partition: the adjacent mirror does not use the same view as possible<\/strong>(e.g., lens 1 close-up 2 panoramic lens 3) to avoid visual fatigue<\/p>\n 2. Mirror: Service lens language<\/strong>(Stand-and-push for highlighting particulars, displaying the panorama with a \"floating\" and a \"scratch\" with a \"scramble\" with a \"scramble\" with a \"scrambling\" with a \"scramble\"\" with a \"scramble\" with a \"smuggling\" with a \"smuggling\" with a \"smuggling\" with a \"smuggling\" with a \"smuggling\" with a \"smuggling\" with a \"smuggling\" with \"smuggling\"<\/p>\n 3. Length: Distribution by complexity of content<\/strong>(presentation 1-2s, interaction 2-3s, panorama 3-5s) to avoid excessive length\/shortness<\/p>\n Image description: Consistent with \u201crole\/scene\/protocols\u201d<\/strong>(e.g., the clothing of a person, the setting of a house should correspond to the previous set)<\/p>\n 5. Audio sound effects: matching character with character<\/strong>(screams with anger, jumps with laughter) and sound of the environment to fit the scene (shows with drinks, characters with clothes rubs)<\/p>\n Other additions: White can highlight the \u201cactress requirements\u201d<\/strong>(e.g. \u201cCrying for real, gently hugging family\u201d) and \u201cspecial effects\u201d (e.g. \u201cwhite light with no eyes, screen with no cover, space with deep space)<\/p>\n (iii) Use of recommendations<\/p>\n 1. Dismantling of core elements (role + scene + props) before splitting mirrors<\/strong>- First, to identify \u201cwho, where, and what objects\u201d and then to decipher each camera and avoid logical confusion<\/p>\n Breaking down in sequence: break down the script into \u201cthe end of the first stage of development\u201d<\/strong>Each segment of the spectroscope (e.g. opening one-to-five and developing six-to-twenty) and White can start with a short play<\/p>\n 3. Flexibility<\/strong>In the absence of clear details of the script (e.g., the character on the back), this can be supplemented by the principle of \u201cadhesive identity\u201d (backtails + patches for farm girls), with the additional label \u201cself-supplementation\u201d<\/p>\n 4. Forming:<\/strong>ALL SPLITS ARE PRESENTED IN TABLES, CLEARLY INTUITIVELY AND DIRECTLY CROSS-REFERENCED IN FOLLOW-UP\/AI GENERATION TO AVOID OMISSIONS<\/p>\n III. White common operating procedures<\/strong><\/p>\n Readable scripts: first understand the whole story, the core role, the key scene, and mark the key role\/situation\/protocol<\/p>\n Dismantling of core elements: Distinguished in the order of \"Performance scenes and effects\" with each field filled in against the guidance<\/p>\n Scripts: read the script from sentence to sentence, one shot from every 1-2 sentence, filled out by table field, with a focus on \u201cspectural change\u201d and \u201caudio mix\u201d<\/p>\n Check check: Read the script after completion to ensure that the \"species sequences and the sequences are consistent\" and \"play\/protocols are not contradictory\"<\/p>\n OPTIMIZING ADJUSTMENTS: WHITE CAN OPEN 10-20 SPECTROSCOPES, BECOME FAMILIAR WITH THEM AND THEN EXPAND TO 40+, FOCUSING ON THE PRECISION OF \u201cIMAGE DESCRIPTION\u201d AND \u201cTIP\u201d (DIRECT IMPACT ON AI GENERATION EFFECTS)<\/p>\n ACCORDING TO THIS GUIDE, WHITE QUICKLY GRASPS THE VIDEO-DISMANTLING LOGIC, AND THE DETACHMENT CONTENT IS BOTH PRESCRIPTIVE AND PRACTICAL, AND CAN BE USED EITHER FOR FILMING, AI TO GENERATE VIDEO OR FOR TEAMWORK<\/p>\n Finally, the paper has to be taken down by itself in order to understand that the spectroscopy script is the basis, and that the manual check fills the gaps and refines them in order to ensure the root causes of the follow-up, the absence of a problem with the video and the lack of a curve<\/p>\n And a message from the king, the sun and his king: know but not know<\/p>","protected":false},"excerpt":{"rendered":" If that's your core need, a medeo, OiiOii, Seko, and so on, many people use one key to film, and the chute tools are not working, forgetting that before these tools are made, the threshold of entry for short play is high enough to make most people look forward to it, knowing that the value of the tool always depends on the user \u2014 the only way to make it work is to use it properly \u2014 to make it work. As for scripts, small partners who know a little hint can produce them on their own, even if they are not available. I don't want to talk about script creation today<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149,144],"tags":[3765,4080,6594,8128],"collection":[],"class_list":{"0":"post-48548","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"hentry","6":"category-jiaocheng","7":"category-baike","8":"tag-ai","11":"tag-8128"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/48548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/comments?post=48548"}],"version-history":[{"count":0,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/48548\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/media?parent=48548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/categories?post=48548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/tags?post=48548"},{"taxonomy":"collection","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/collection?post=48548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"b655fe97j00t8lbux000xd000u08yp\"](\"https:\/\/www.1ai.net\/wp-content\/uploads\/2026\/01\/b655fe97j00t8lbux000xd000u0008yp.jpg\" "\\"b655fe97j00t8lbux000xd000u08yp\\"")
<\/p>\n![\"32112b98j00t8lbum001td000u000aup\"](\"https:\/\/www.1ai.net\/wp-content\/uploads\/2026\/01\/32112b98j00t8lbum001td000u000aup.jpg\" "\\"32112b98j00t8lbum001td000u000aup\\"")
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