![\"03cc554ej00tiiq0s00v0d000pt00i8p\"](\"https:\/\/www.1ai.net\/wp-content\/uploads\/2026\/07\/03cc554ej00tiiq0s00v0d000pt00i8p.jpg\" "\\"03cc554ej00tiiq0s00v0d000pt00i8p\\"")
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I've done it beforeAI Video Tutorial<\/a>The data found an interesting phenomenon. A lot of people collect itPrompt word<\/a>It's not because it's superb. It's one of themCamera Action<\/a>.<\/p>\n for example:<\/p>\n The camera slowly advances\u3002<\/p>\n The camera goes from behind the person to the front\u3002<\/p>\n The camera was on the ground\u3002<\/p>\n The camera pulls out of the details and shows the whole scene\u3002<\/p>\n THEY DON'T LOOK COMPLICATED, BUT THEY'RE KEY TO THE AI VIDEO\u3002<\/p>\n BECAUSE IT'S NOT JUST ABOUT THE SUBJECT\u3002<\/p>\n You wrote: \"A girl standing in the sea of flowers, it could give you a normal picture.\"\u3002<\/p>\n You write: The camera slowly pulls away from the petals, the girl stands in the middle of the ocean, the wind blows her hair and the dress, and the picture is going to be different\u3002<\/p>\n THE ARTICLE DOES NOT MAKE COMPLEX MODEL ASSESSMENTS, NOR DOES IT SPEAK OF THE THEORY OF TOOGENY. WE'RE GOING TO CLEAN UP 50 COMMON LENS TIPS. THEY'RE NOT OFF-THE-SHELF SENTENCES FROM SOMEONE ELSE, THEY'RE REWRITTEN BY THE MOST COMMON IMAGE LOGIC I'VE EVER CREATED IN AI. YOU CAN TAKE THEM AS LENS BLOCKS. MAIN SUBJECTS, SCENES, STYLES ARE REPLACED, CAMERA STRUCTURES ARE DIRECTLY INTEGRATED\u3002<\/p>\n Let's get to the point<\/p>\n DON'T PUT 50 IN A HINT. THE AI VIDEO IS THE MOST AFRAID OF GIBBERISH. ONE VIDEO, ONE SHOT FIRST\u3002<\/p>\n The more stable way is:<\/p>\n ...prompt<\/p>\n Subject + scene + camera action + detail change + atmosphere<\/p>\n for example:<\/p>\n ...prompt<\/p>\n A boy in a white shirt was standing at the old street corner, and the camera slowly pulled out of his old fares, showing behind his back the 1990s country bus, warm at night, little dust in the air, nostalgia\u3002<\/p>\n You see, what really works here is not the word nostalgia\u3002<\/p>\n What really made the picture work is:<\/p>\n ...prompt<\/p>\n The old ticket was slowly drawn out of the back of the country bus\u3002<\/p>\n That's the value of the lens word\u3002<\/p>\n i. Propulsive type lenses<\/strong><\/p>\n These are the most suitable for emotional preparation: curing a small house, opening a person, presentation of a product, and a country view\u3002<\/p>\n 1. Slow progress<\/p>\n ...prompt<\/p>\n The lens is moving slowly from a distance, the subject is becoming clearer, the background is slightly defunct and the image is quiet\u3002<\/p>\n Suitable: character appearances, healing scenes, product openings\u3002<\/p>\n 2. Low angle propulsion<\/p>\n ...prompt<\/p>\n The camera moves forward near the ground, with the outlook passing from both sides of the picture, and the subject slowly emerges from a distance\u3002<\/p>\n Suitable: country roads, forests, streets, movie openings\u3002<\/p>\n 3. Through the horizon<\/p>\n ...prompt<\/p>\n The lens moves forward through the foreground object, with a short cover for the future and then the main subject\u3002<\/p>\n Suitable: flowers, curtains, branches, windows\u3002<\/p>\n 4. Side push<\/p>\n ...prompt<\/p>\n The lens is moving slowly from the side of the main body, and the person keeps moving slightly, with the background forming natural depths\u3002<\/p>\n Suitable: person walking, street, indoor space\u3002<\/p>\n 5. Moving to detail<\/p>\n ...prompt<\/p>\n The lens slowly moves from the middle view to the main detail and ends up on a key object\u3002<\/p>\n fits: hand moves, letters, product logo, food details\u3002<\/p>\n II. Pull-off lenses<\/strong><\/p>\n PULLING THE CAMERA IS GOOD FOR INVERSION. GIVE ME A LITTLE BIT OF DETAIL, THEN WE'LL SHOW THE BIG SCENE. THERE'S A LOT OF BAD A.I. VIDEO, AND THAT'S WHAT IT'S ALL ABOUT\u3002<\/p>\n 6. Distance from detail<\/p>\n ...prompt<\/p>\n The camera starts with a detailed close-up, slowly pulls out and gradually shows the full person and the scene\u3002<\/p>\n Suitable: Old photographs, crafts, products, personal emotions\u3002<\/p>\n 7. Distance from person to environment<\/p>\n ...prompt<\/p>\n The camera slowly retreats from the profile of the person, the person becomes smaller and the surrounding environment becomes full of images\u3002<\/p>\n Suitable: isolation, travel, city, mountain water\u3002<\/p>\n 8. Pull from the window to the outside<\/p>\n ...prompt<\/p>\n The lens starts by the edge of the interior window and the view outside the window slowly enters the scenery and the interior light is soft\u3002<\/p>\n Suitable: curable huts, village houses, rainy sky scenes\u3002<\/p>\n 9. Draw stories from objects<\/p>\n ...prompt<\/p>\n The lens slowly moves away from the close-up of old objects on the desktop, showing the characters and life scenes around them\u3002<\/p>\n Suitable: Nostalgia, affection, old photographs, old times\u3002<\/p>\n 10. High altitude<\/p>\n ...prompt<\/p>\n The lens is drawn from the top of the main body, the picture is gradually becoming overlooking and the space is slowly growing\u3002<\/p>\n Suitable: Brigades, landmarks, villages, cities\u3002<\/p>\n III. Rounded lenses<\/strong><\/p>\n It's easy to wrap a camera up, but it's easy to roll over. It is recommended that newers start with a slow, small range and do not go up to 360 degrees of crazy rotation\u3002<\/p>\n 11. Semi-rounded<\/p>\n ...prompt<\/p>\n The lens moves around the subject slowly half-way, the subject remains in the centre of the picture and the background changes naturally\u3002<\/p>\n Suitable: person, product, sculpture, national wind\u3002<\/p>\n 12. From the back to the front<\/p>\n ...prompt<\/p>\n The camera slowly goes around the front from behind the main subject, and the person turns back to the camera, and it moves naturally\u3002<\/p>\n Suitable: character appearances, ancient styles, emotional clips\u3002<\/p>\n 13. Product around<\/p>\n ...prompt<\/p>\n The lens rotates slowly around the product, and the product remains clear and surface reflection and material details are stable\u3002<\/p>\n Suitable: electrician products, perfume, numbers, accessories\u3002<\/p>\n 14. Construction around<\/p>\n ...prompt<\/p>\n The lens moved slowly around the outer side of the building, the contours of the building gradually unfolded and the light changed on the wall\u3002<\/p>\n Suitable: Civil travel, ancient, landmark, residential\u3002<\/p>\n 15. Characterization around<\/p>\n ...prompt<\/p>\n The person remains slightly static, the camera moves slowly around the person and the clothes and hair move naturally\u3002<\/p>\n Suitable: Realistic, character-setting, person-poster video\u3002<\/p>\n IV. Follow-up footage<\/strong><\/p>\n If you want to make a short video, it's practical. It makes the image feel like someone's on the scene\u3002<\/p>\n 16. Behind and behind<\/p>\n ...prompt<\/p>\n The camera follows the person behind his back, the person moves forward and the surrounding environment passes from both sides\u3002<\/p>\n Suitable: travel, street, village, school\u3002<\/p>\n 17. Side and camera<\/p>\n ...prompt<\/p>\n The camera follows the side of the person smoothly, the person walks naturally, and the background produces a slight movement blur\u3002<\/p>\n Suitable: City streets, commuting, sports, drama\u3002<\/p>\n 18. Handheld and filming<\/p>\n ...prompt<\/p>\n The camera shakes like a hand-held camera, following the subject, and the picture is real but not confusing\u3002<\/p>\n Fitness: A sense of discipline, a shop, first perspective\u3002<\/p>\n 19. Low altitude and footsteps<\/p>\n ...prompt<\/p>\n The camera moves in the direction of the ground, the shoes and the details of the ground are clear and the background is crossed from above\u3002<\/p>\n Suitable: Out, Sports, Rain Street\u3002<\/p>\n 20. Following objects<\/p>\n ...prompt<\/p>\n The lens follows a moving object, which remains at the centre of the picture, with a rapidly changing environment\u3002<\/p>\n Suitable: Vehicles, kites, balloons, floating products\u3002<\/p>\n V. THREE AND ACROSS<\/strong><\/p>\n This kind of lens is suitable for space senses. If it's too flat, you can do it with a little push or back\u3002<\/p>\n 21. Vertical overlapping<\/p>\n ...prompt<\/p>\n The lens is projected directly above the subject, which is located at the centre of the picture, and the surrounding objects form a coherent picture\u3002<\/p>\n Suitable: Desktop, food, handmade, design process\u3002<\/p>\n Slash<\/p>\n ...prompt<\/p>\n The camera is taken from above the slope to the main subject, to preserve the movement of the person and the level of the environment, and the picture is in space\u3002<\/p>\n Suitable: person work, indoor scene, product set\u3002<\/p>\n On the ground<\/p>\n ...prompt<\/p>\n The camera rises from the low to the main subject, which appears to be more powerful, with the sky or architecture as the background\u3002<\/p>\n Suitable: person appearances, aircraft armour, construction, sports\u3002<\/p>\n 24. Tilt rotation<\/p>\n ...prompt<\/p>\n The lens is seen from a low angle and rotates slowly and background light creates a sense of mobility\u3002<\/p>\n Suitable: Dance, national style, science fiction\u3002<\/p>\n 25. From poaching to vision<\/p>\n ...prompt<\/p>\n The lens slowly descended from the angle of the top, and eventually turned to the perspective of the horizon, with the subject coming closer to the audience\u3002<\/p>\n Suitable: product presentation, opening person, space conversion\u3002<\/p>\n VI. FIELDS<\/strong><\/p>\n A close-up is best for creating emotions. It doesn't have to be complicated, but it has to be detailed\u3002<\/p>\n 26. Eyes close-up<\/p>\n ...prompt<\/p>\n The camera focuses on the eyes of the person, the eyes change slightly, the background is soft and defunct, and the light falls on the eye\u3002<\/p>\n It's perfect: play emotional, character emotional, film-sensitive\u3002<\/p>\n Hand feature<\/p>\n ...prompt<\/p>\n The lens focuses on the movement of the person ' s hand, the natural movement of the finger, the clarity of the object and the slow pace of the action\u3002<\/p>\n Suitable: writing, cooking, manual, reading\u3002<\/p>\n 28. Material feature<\/p>\n ...prompt<\/p>\n The lens is near the surface of the object, displaying texture, reflection and detail, and the light slowly slips over the material\u3002<\/p>\n Suitable: product, fabric, wood, metal, food\u3002<\/p>\n 29. Minor changes in expression<\/p>\n ...prompt<\/p>\n The camera is stuck in the person's face, and the person's face slowly changes from calm to smile, and it's very subtle\u3002<\/p>\n Suitable: character shorts, emotional videos\u3002<\/p>\n 30. Food feature<\/p>\n ...prompt<\/p>\n The lens is close to the food surface, the heat rises slowly, oil light and texture are clear, and the background is slightly deformed\u3002<\/p>\n Suitable: food, lifestyle, village kitchen\u3002<\/p>\n VII. TRANSPORT SAMES<\/strong><\/p>\n THE SWITCH IS NOT JUST ABOUT EDITING SOFTWARE. THE VIDEO CAN ALSO BE USED IN THE VIDEO OF THE TRANSFER\u3002<\/p>\n 31. Blocking the turning field<\/p>\n ...prompt<\/p>\n Foreground objects pass through the lens for a short time, blocking the image and switching to a new scene after the screen has ended\u3002<\/p>\n Suitable: leaves, sleeves, windows, crowds\u3002<\/p>\n 32. Door frames<\/p>\n ...prompt<\/p>\n The lens passes through a door, which is in two different spaces, inside and outside, and enters the rear scenes for natural rotation\u3002<\/p>\n Suitable: the old house, the dream, the sense of passage, the place of residence\u3002<\/p>\n 33. Light turns<\/p>\n ...prompt<\/p>\n The light was swept from one side of the picture, and the picture was brightened for a short time, before entering the next scene\u3002<\/p>\n Suitable: memory, dream, product advertising\u3002<\/p>\n 34. Object close to field<\/p>\n ...prompt<\/p>\n An object gradually approaches the lens and fills it with a picture of a new one\u3002<\/p>\n Suitable: petals, palms, products, pages\u3002<\/p>\n 35. Water diversion<\/p>\n ...prompt<\/p>\n The lens is close to the surface, and the water is full of images, which then naturally leads to another view\u3002<\/p>\n Suitable: national wind, healing, travel, dream\u3002<\/p>\n VIII. EMOTIONAL CAMERA<\/strong><\/p>\n Some videos do not win by movement, but by the atmosphere. Such words are appropriate for the healing content of public signs, video numbers, and little red books\u3002<\/p>\n 36. Evening light<\/p>\n ...prompt<\/p>\n The lens moves slowly, warms the evening light on the main body and the background, and there is little dust floating in the air\u3002<\/p>\n Suitable: village, old street, affection, nostalgia\u3002<\/p>\n 37. Rainlight skylight<\/p>\n ...prompt<\/p>\n The lens is close to the window, the rain drops slowly along the glass, the indoor light is warm and the main body is quiet\u3002<\/p>\n Suitable: healing, emotional shorts, study\u3002<\/p>\n 38. Wind blowing prospects<\/p>\n ...prompt<\/p>\n The lens remains steady, the foreground object is blown gently by the wind and the subject appears quietly in the background\u3002<\/p>\n Suitable: Flower Sea, wheat fields, curtains, leaves\u3002<\/p>\n Morning fog<\/p>\n ...prompt<\/p>\n The lens moves forward through the morning fog, and the body is gradually clear and the whole color is soft\u3002<\/p>\n Suitable: mountain villages, forests, lakeside, ancient towns\u3002<\/p>\n 40. Light at night<\/p>\n ...prompt<\/p>\n The lens is slowly advancing, the subject is lighted by a weak light and the surrounding environment is kept quiet and dark in detail\u3002<\/p>\n Suitable: Night market, room, Saber, loneliness\u3002<\/p>\n IX. PROJECTS AND BUSINESS CATEGORIES<\/strong><\/p>\n If you want to commercialize the video later, this group is practical\u3002<\/p>\n Product video doesn't have to be complicated, but it has to show three things: what the product is. How's the taste? Why is it worth a second\u3002<\/p>\n 41. Product suspension<\/p>\n ...prompt<\/p>\n The product hangs at the centre of the picture, the lens is slowly rounded, the background element moves slightly and the product edge is clear\u3002<\/p>\n Suitable: perfume, beverages, numbers, skins\u3002<\/p>\n 42. Products falling into scenes<\/p>\n ...prompt<\/p>\n The product slowly falls from the top of the picture to the center of the scene, and the surrounding elements are lightly driven and the lens is steadily focused\u3002<\/p>\n Suitable: Opening of the commercial, presentation of goods\u3002<\/p>\n 43. Packaging open<\/p>\n ...prompt<\/p>\n The lens is close to the product packaging, the packaging is slowly open, the internal product is gradually exposed and the light is on the surface\u3002<\/p>\n Suitable: Open box, box, number, accessories\u3002<\/p>\n Liquid flow<\/p>\n ...prompt<\/p>\n The lens focuses on the flow of liquids slowly, the liquid is clear in quality and the light passes through the liquids to form soft and high light\u3002<\/p>\n Suitable: beverages, perfumes, skins\u3002<\/p>\n 45. Integration of products and scenes<\/p>\n ...prompt<\/p>\n The product is placed in a real-life scenario, with the camera moving slowly and the surrounding environment reflecting the environment in which the product is used\u3002<\/p>\n Suitable: Home, coffee, desk, outdoors\u3002<\/p>\n X. Cameras for explosive replicas<\/strong><\/p>\n This set suits you to take down the camera structure after you see an explosive video. You don't have to come up and chase it the same way\u3002<\/p>\n 46. Normal and reverse<\/p>\n ...prompt<\/p>\n The scene begins with the ordinary life scene, and as the lens advances, the image gradually changes unexpectedly\u3002<\/p>\n SUITABLE: CREATIVE SHORT FILM, AI INVERT VIDEO\u3002<\/p>\n 47. Bigger scenes for small objects<\/p>\n ...prompt<\/p>\n The lens begins with the close-up of a small object, and the object gradually becomes a full-scale, large-scale scene, transforming nature\u3002<\/p>\n Suitable: magic box, micro-square, vindicate\u3002<\/p>\n 48. Static images move<\/p>\n ...prompt<\/p>\n The static images began to show a slight movement, and the person, light and background gradually restored their sense of life\u3002<\/p>\n Suitable: Old photos, illustrations, posters\u3002<\/p>\n 49. Realization of style<\/p>\n ...prompt<\/p>\n The camera is taking the real scene, and the picture is gradually being transformed into an artistic style, with a consistent structure\u3002<\/p>\n Suitable: clay, pixels, national wind, comics, watercolor\u3002<\/p>\n 50. Finally, show the full results<\/p>\n ...prompt<\/p>\n The camera starts with local details and ends with a slow pull-out, a complete presentation of the final work, and the image stays for a second\u3002<\/p>\n Suitable: end of course, presentation, comparison\u3002<\/p>\n A grouping template for starters<\/strong><\/p>\n If you don't know how to use it, you can start with this structure:<\/p>\n ...prompt<\/p>\n A [subject] in [scenario], [photo action], [subject action or environmental change], [light and atmosphere], [photo style]\u3002<\/p>\n Let me give you some examples.<\/p>\n Example 1: Village healing video<\/p>\n ...prompt<\/p>\n A little girl in a light-colored dress standing in front of a rural yard, the camera slowly pulls out of the old wooden door closes at the door, displays flowers, wood tables and warm yellow lights in the yard, the evening wind blows the horns of her clothes, the image is warm and curable, and the memory of life is nostalgic\u3002<\/p>\n Example 2: Product advertising video<\/p>\n ...prompt<\/p>\n A bottle of transparent perfume hangs in a soft and light light, the lens rotates slowly around the product, the retrospect stabilizes the bottle, the background petals floats lightly, the image is clean, and the quality of commercial advertising\u3002<\/p>\n Example 3: Move old photos<\/p>\n ...prompt<\/p>\n The young mother in an old picture sat at the window, the camera slowly moved from the edge of the photograph, the person's eyes changed light, the curtains were blown by the wind and the warm sun fell on her face, and the image woke up like old times\u3002<\/p>\n Example 4: National Wind Brigade video<\/p>\n ...prompt<\/p>\n A woman in a Han uniform stood under the walls of the ancient city, and the camera moved from a low angle of the surface stone road, and she turned to look far away, and the flags and sleeves were blown by the wind, the gold light of the evening, the national wind and film\u3002<\/p>\n EXAMPLE 5: AI DESIGN PRESENTATION<\/p>\n ...prompt<\/p>\n A poster was placed on the desktop and the camera was slowly drawn from the local feature of the poster, full layout and surrounding design tools were shown, light was slowly swept from the left side, the image was clean and the atmosphere of the design studio was in place\u3002<\/p>\n I suggest you do this<\/strong>Sample<\/p>\n On the first day, only slowly advancing. The same subject changed three scenes: the yard. Old street. The desk\u3002<\/p>\n The next day, only to get away from the details. The same scene changed three details: old photos. A ticket. A lamp\u3002<\/p>\n On the third day, practice again\u3002<\/p>\n DON'T RUSH THE VIDEO. THE BIGGEST PROBLEM WITH AI VIDEO NEWCOMERS IS THAT THEY ALWAYS WANT TO MAKE A BIG PICTURE\u3002<\/p>\n And then it turns into:<\/p>\n There's a lot of hints, but the picture doesn't know what's wrong. Let's get a shot steady first. It'll be faster\u3002<\/p>","protected":false},"excerpt":{"rendered":" RECENTLY, A VERY INTERESTING PHENOMENON WAS FOUND IN THE COMPILATION OF DATA FROM PREVIOUS AVT SESSIONS. A LOT OF PEOPLE COLLECT HINTS, NOT BECAUSE THEY'RE ECCENTRIC, BUT BECAUSE THEY HAVE A SHOT IN THEM. FOR EXAMPLE, THE CAMERA SLOWLY ADVANCES. THE CAMERA GOES FROM BEHIND THE PERSON TO THE FRONT. THE CAMERA WAS ON THE GROUND. THE CAMERA PULLS OUT OF THE DETAILS AND SHOWS THE WHOLE SCENE. THEY DON'T LOOK COMPLICATED, BUT THEY'RE KEY TO THE AI VIDEO. BECAUSE IT'S NOT JUST ABOUT THE SUBJECT. YOU WROTE: \"A GIRL STANDING IN THE SEA OF FLOWERS, IT COULD GIVE YOU A NORMAL PICTURE.\" YOU WRITE: THE CAMERA SLOWLY PULLS AWAY FROM THE PETALS, THE GIRL STANDS IN THE MIDDLE OF THE OCEAN, THE WIND BLOWS HER HAIR AND THE DRESS, AND THE PICTURE IS GOING TO BE DIFFERENT. THE ARTICLE DOES NOT MAKE COMPLEX MODEL ASSESSMENTS, NOR DOES IT SPEAK OF THE THEORY OF TOOGENY. LET'S JUST SORT OUT 50 REGULAR SHOTS<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149,144],"tags":[5321,192,837,8679],"collection":[302],"class_list":["post-54969","post","type-post","status-publish","format-standard","hentry","category-jiaocheng","category-baike","tag-ai","tag-prompt","tag-837","tag-8679","collection-prompt"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/54969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/comments?post=54969"}],"version-history":[{"count":0,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/54969\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/media?parent=54969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/categories?post=54969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/tags?post=54969"},{"taxonomy":"collection","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/collection?post=54969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}