{"id":57928,"date":"2026-10-12T09:42:21","date_gmt":"2026-10-12T01:42:21","guid":{"rendered":"https:\/\/www.1ai.net\/?p=57928"},"modified":"2026-09-20T14:58:49","modified_gmt":"2026-09-20T06:58:49","slug":"ai%e6%8f%90%e7%a4%ba%e8%af%8d%e5%88%9b%e4%bd%9c%e7%ac%ac%e4%ba%94%e5%8d%81%e4%ba%94%e8%8a%82%ef%bc%9a%e7%94%a8%e5%a6%86%e9%80%a0%e6%8f%90%e5%8d%87ai%e8%a7%92%e8%89%b2%e8%b4%a8","status":"publish","type":"post","link":"https:\/\/www.1ai.net\/en\/57928.html","title":{"rendered":"\"AII TIP TO CREATE SECTION 55: MAKEUP TO PROMOTE THE ROLE OF AI\""},"content":{"rendered":"

A LOT OF PEOPLE, IN THEIR ROLE AS AI, FOCUS ON FIVE OFFICIALS: BIG EYES, TALL NOSES AND FINE FACES. BUT WHEN IT WAS MADE, IT WAS FELT THAT THE CHARACTER WAS NOT REAL ENOUGH TO HAVE MEMORY. THE REASON IS SIMPLE: WHETHER A ROLE IS HIGH OR NOT, IN MANY CASES IT DEPENDS NOT ONLY ON FIVE OFFICIALS BUT ON MAKEUP\u3002<\/p>\n

COSMETICS CONSIST OF CLOTHING, HAIRSTYLES, HAIRDRESSING, MAKEUP, ACCESSORIES, COLOURS AND CHARACTER STATUS. IT CAN TELL THE AUDIENCE WHO THIS PERSON IS, WHERE HE COMES FROM, WHERE HE IS AND WHAT HE'S BEEN THROUGH. TODAY'S TIC-TIC-TIC-TIC-TIC-TIC-TIC-TIX-TIX-TIX-TIX-TIX-TIX-TIX-TIX-TIP-TO-TIP-TO-TIP-TO-TIP-TO-TEXT-TO-TEXT-TO-TO-TEXT-TO-TEXT-TO-TEXT-TO-TIP-TOGETHER-TOGETHER-TOGETHER-TOGETHER-TOGETHER-TOGETHER-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOGETUAL\u3002<\/p>\n

I. Why is it not just the five<\/strong><\/p>\n

THE SAME FACE IN THE AI DRAWINGS, IT'S COMPLETELY DIFFERENT WHEN YOU CHANGE A MAKEUP\u3002<\/p>\n

A young male role, if he wears a black stylish dress, wears a high pony tail, wears a silver crown, hangs a sword around his waist and has a steady eye, he looks like a man of the river\u3002
\nIf the same face were to be changed to a moon-white robe, a jade cape, clean clothes, and a fan with his hands, he would become a cold son-in-law\u3002<\/p>\n

Five officials didn't change, but the role changed. It's not the face that changes, it's the identity that makes it\u3002<\/p>\n

The same five officials, different make-up, have completely different roles\u3002<\/p>\n

SO, INSTEAD OF WRITING \"A GOOD FACE\" AND \"A GOOD FIVE\" \"A HIGH SENSE\" WHEN YOU WRITE \"A GOOD FACE.\" THESE WORDS ARE SO BROAD THAT IT'S HARD FOR AI TO UNDERSTAND. A BETTER WAY TO WRITE IS TO SPELL OUT THE COSTUME, HAIR, HAIR, MAKEUP AND STATE OF THE CHARACTER\u3002<\/p>\n

This formula can be used:<\/p>\n

Role Identity + Clothing + Hair + Face make-up + Color Gas + Current Status + Image Mass<\/p>\n

For example:<\/p>\n

An ancient bride, a deep red palace dress, a gold wire embroidery, a tall plate, a stint of gold, a full face, a luminous lips, a calm eye, and having just attended the palace feast, soft and light, a delicate sense of taste\u3002<\/p>\n

\"1af9879dj00tlzwa01ldd000v9000rqp\"<\/p>\n

It's not just about who she is, it's about what she wears, what she wears, what she wears, what she wears and what she's in. People will naturally become more complete\u3002<\/p>\n

II. Men ' s role makeup: the focus is not on the face but on clothing and hairdressing<\/strong><\/p>\n

Make-up of the male role is the easiest place to write the wrong face. Most male roles are not suitable for placing too much emphasis on cosmetics such as eye shadows, cheeks, red lips, etc. unless the role itself is set in need, such as a play, a demon and a foreign prince\u3002<\/p>\n

Men's roles are often in three parts:<\/p>\n

Number one, hairstyle\u3002
\nThe ponytails will look good and powerful\u3002
\nHalf a cape would look distant and cold\u3002
\nI'm not sure if I've ever seen anything like this\u3002
\nIt's not easy to get hurt, tired or depressed\u3002<\/p>\n

Second, costume\u3002
\nArmor represents the general\u3002
\nPowerful representation of the warrior\u3002
\nThe robe represents a man or a son\u3002
\nDark black is the name of the assassin\u3002
\n(b) To serve as a representative or a recruit\u3002<\/p>\n

Third, embellishment\u3002
\nSwords, jade capes, crowns, capes, belts, wristguards and wrenches help to create identity\u3002<\/p>\n

Example:<\/p>\n

Quiet Man
\nYoung men, black and narrow-sleeved, half-haired, silver-haired, slightly worn clothing, swords between their waists, estrangement, restraint in their eyes, cold-temperatured images, an atmosphere\u3002<\/p>\n

\"f370d3d1j00tlzwww01sbd000v9000z3p\"<\/p>\n

Generate theatrical maps and then generate three views<\/p>\n

generate prompt:<\/p>\n

YOUNG MEN, BLACK AND NARROW-SLEEVED, HALF-HAIRED, SILVER-HAIRED, SLIGHTLY WORN CLOTHING, SWORDS BETWEEN THEIR WAISTS, ESTRANGEMENT, RESTRAINT IN THEIR EYES, COLD-TEMPERATURED IMAGES, AN ATMOSPHERE. COMMERCIAL PHOTOGRAPHIC SENSES, HIGH-CLASS MAKE-UP PHOTOGRAPHS, REALITY, FILM SENSES, SKIN TEXTURES, HAIRLINE CLARITY, FABRIC AND EMBROIDERY DETAILS, SINGLE PERSON, CLEAN DRAWINGS. NEGATIVE: BINARY, CARTOON, FAKE-FACED AI, PLASTIC SKIN, GREASY, OVER-REFINING, STAR-FACED, NET-RED FACE, SMALL HEAD, SHORT LEGS, WIG, HEAD-STAMPING, MUTINOUS CHANGE IN CLOTHING, LOW-SKINNED EDGES<\/p>\n

2. The father-in-law
\nYoung males, moon-white robes, jade crowns, light-coloured clothes, hand-carved fan, clean-faced, warm and detached, courtyard background, soft light\u3002<\/p>\n

\"271<\/p>\n

Generate theatrical maps and then generate three views<\/p>\n

generate prompt:<\/p>\n

THE MAN OF THE ANCIENT WIND, A WARM AND COLD MAN STANDING UNDER THE COURTYARD, WEARING A LUNAR WHITE ROBE, A LIGHT-GLAZED AND FINE EMBROIDERY, A CAPPED HAIR, A STRAIGHT HAIR, CLEAN FRONT, WHITE AND JADE BETWEEN HIS WAIST, A FOLDED FAN, WIDE-SLEEVED, CLEAN-FACED, CLEAN-FACED, CLEAN-FACED, CLEAN-FACED, CLEAN-FACED, WARM, WARM AND DETACHED, WITH A LOW-SATURATED, WARM AND WARM WHITE COSMOPOLITAN, WITH A DARK-COLOURED WOODY LONG PORCH AND A BOGUS YARD, A WARM YELLOW LANTERN, A SOFT AND PATCHED FACE, A CLEAN OVERALL COLOUR, RESTRAINT, EUPHEMISM, SHALLOWNESS, SANCTUARY BACKGROUND, SOFTNESS, A SOFT SENSE, FILM-SENSION, HIGH-LEVEL RADIUM. COMMERCIAL PHOTOGRAPHIC SENSES, HIGH-CLASS MAKE-UP PHOTOGRAPHS, REALITY, FILM SENSES, SKIN TEXTURES, HAIRLINE CLARITY, FABRIC AND EMBROIDERY DETAILS, SINGLE PERSON, CLEAN DRAWINGS. NEGATIVE: BINARY, CARTOON, FALSE-FACED AI, PLASTIC SKIN, GREASY, OVER-REFINING, STAR-FACED, RED-FACED, SMALL-HEADED, SHORT-LEGGED, WIGGED, HOODED, MUTATED, TACKY-PAINTED, MULTIPLE-FACED\u3002<\/p>\n

3. Legacy of power
\nAdult males, dark gray wide-sleeve robes, black and jade crowns, tweezers around their waists, eyebrows, sitting in front of books, scrolls and candles on the table, with a steady and oppressive picture\u3002<\/p>\n

\"2d3ca0f8jlzxlzx01y9d000v9000z3p\"<\/p>\n

Generate theatrical maps and then generate three views<\/p>\n

generate prompt:<\/p>\n

AN ANCIENT MAN WITH HALF A HALF A MAN, SITTING IN FRONT OF A BOOK, WEARING A DARK GRAY WIDE-SLEEVE ROBE, WITH BLACK SHADOWS AND FINE TEXTURES, BLACK AND JADE CORONAL HAIR, HAIR-SHAPED END, AIR-RESTRAINT, JADE AROUND HIS WAIST, WITH CURLS ON HIS BACK, HAND-TO-HANDS, CLEAN AND THICK MAKEUP, EYEBROWS, OPPRESSIVE EYES, ATTITUDE, SUCH AS THE PLANNING OF AN IMPORTANT THING, IMAGES OF LOW SATURATED AND DARK-COLOUR DRAMAS, BACKGROUND TO DARK BOOKS, DARK SPACE PRESSURE, WARM YELLOW CANDLELIGHT ON THE DESKTOP, LIGHT ON THE PERSON ' S FACE AND SIDE, LIGHT ON HALF OF THE LIGHT, HALF OF WHICH IS HIDDEN IN THE SHADOWS, WITH A FADING BACKGROUND, SHALLOWNESS, FILM-SIGHTING, HIGH-LEVEL CLASSICAL SENSE. COMMERCIAL PHOTOGRAPHIC SENSES, HIGH-CLASS MAKE-UP PHOTOGRAPHS, REALITY, FILM SENSES, SKIN TEXTURES, HAIRLINE CLARITY, FABRIC AND EMBROIDERY DETAILS, SINGLE PERSON, CLEAN DRAWINGS. NEGATIVE: BINARY, CARTOON, FAKE-FACED AI, PLASTIC SKIN, GREASY, OVER-REFINING, STAR-FACED, NET-RED FACE, SMALL HEAD, SHORT LEGS, WIGS, HAIR-SWEETING, MUTATED CLOTHING, LOW-SWEET EDGES, MULTIPLE-FACED FRAMES<\/p>\n

4. Repair of the sword in white<\/p>\n

An ancient man with a half-dolled picture, a cold white-clothed sword, standing on the top of a misty mountain, wearing white robes, light and clean clothing, light silver shadows, silver crowns, long hairs, long hairs, light wind blowing, long swords on his waist, simplistic clothing, whole-formed and clean restraint, clean face, light eyes, distant eyes<\/p>\n

\"91d8dad9j00tlzhzy201old000v9000z3p\"<\/p>\n

Generate theatrical maps and then generate three views<\/p>\n

generate prompt:<\/p>\n

THE MAN OF THE ANCIENT WIND, A MAN IN A COLD WHITE SUIT, STANDING ON THE TOP OF A MISTY MOUNTAIN, WEARING WHITE ROBES, LIGHT AND CLEAN CLOTHING, LIGHT SILVER SHADOWS, SILVER CROWNS, LONG HAIRS, NATURAL DROPS, HAIRS BLOWN BY WIND, LONG SWORDS IN HIS WAIST, SIMPLISTIC CLOTHING, WHOLE-FORMING AND CLEAN RESTRAINT, CLEAN FACE-TO-FACE MAKEUP, LIGHT EYES AND BRIGHTNESS, DISTANTNESS, LOW-SATURATED AND COLD WHITE AND GRAY BLUE TWILIGHT IN THE BACKGROUND, A SOFT AND COLD MOUNTAIN FOREST, CLOUDS AND FAR-OFF COLD LIGHT, LIGHT ON THE FACE OF THE PERSON, A CLEAR LINE, A COLD, QUIET, BUT NOT EXAGGERATED ATMOSPHERE, A SHALLOW VIEW, SOFT AND DISPERSIVE LIGHT, AN ANCIENT WIND SCENERY AND A HIGH-LEVEL SENSE OF SUBSTANCE. COMMERCIAL PHOTOGRAPHIC SENSES, HIGH-CLASS MAKE-UP PHOTOGRAPHS, REALITY, FILM SENSES, SKIN TEXTURES, HAIRLINE CLARITY, FABRIC AND EMBROIDERY DETAILS, SINGLE PERSON, CLEAN DRAWINGS. NEGATIVE: BINARY, CARTOON, FALSE-FACED AI, PLASTIC SKIN, GREASY, OVER-REFINING, STAR-FACED, RED-FACED, SMALL-HEADED, SHORT-LEGGED, WIGGED, HOODED, MUTATED, TACKY-PAINTED, MULTIPLE-FACED\u3002<\/p>\n

The male role is written in one sentence:<\/p>\n

Don't rush to make up his face, but first let the clothes and hair indicate his identity\u3002<\/p>\n

III. FEDERATION OF FEDERAL FEDERATION: DIRECTION AND DRESSION DETERMINATION<\/strong><\/p>\n

Make-up of women ' s roles needs to be more subtle than that of men. Because of the identity, character and class of many women ' s roles, they are often manifested through makeup, hairdressing and clothing details\u3002<\/p>\n

Like the same face:<\/p>\n

Clothes, low hair, light makeup, she may be a civilian\u3002
\nShe's probably the best\u3002
\nShe became a princess when she was replaced by a deep red dress, a golden waltz and a full makeup\u3002
\nIf the colour of the dress becomes darker, her hair is loose and her lips faded, she may be the woman of the palace who has just lost her love\u3002<\/p>\n

Women's role make-up usually makes it clear:<\/p>\n

Clothing: colour, material, style, embroidery, hierarchy\u3002
\nHairstyles: tall, low, hair-covering, hair-forming, hair-shaping\u3002
\nHairdressing: Golden steps, jade, pearls, silver, flowers\u3002
\nNoodles: eyebrows, eyebrows, lips, cheeks, makeup integrity\u3002
\nState: Obsessed, exhausted, just cried, just went to dinner, just fled, just woke up\u3002<\/p>\n

Example:<\/p>\n

1. Princess of the Palace
\nAn ancient woman princess, a deep red palace dress, a golden wire embroidery, high twilight, golden twilight, full makeup, beautiful eye makeup, obscurity of the lips, great restraint, having just attended the palace feast, the luxurious palace background, softness and light\u3002<\/p>\n

\"afe019c3jlzyi00rhd000v9000d9p\"<\/p>\n

Generate theatrical maps and then generate three views<\/p>\n

generate prompt:<\/p>\n

WRITING A PHOTO OF A WOMAN WITH A SMALL TROUPE, WHO HAS JUST COMPLETED THE CEREMONIAL FEAST, DRESSED IN A DARK RED CEREMONIAL DRESS, WITH A GOLDEN WIRE EMBROIDERY AND A FINE, LUXURIOUS BUT UNEXAGGERED DRESS, HIGH-DRIVED HAIR, GOLDEN TWILIGHT, PEARL-SWEAKING HAIR-DRESSING DOTS IN HER EARS, FINE CRUMBLINGS IN HER EARS, FULL FACE, DELICATE EYE-DRESSING, LUMINOUS LIPS, CLEAN FACE, FACE-TO-FACE RESTRAINT, PEACE OF THE EYE, WITH A LOW-SATURATION AND CEREMONIAL WARM COLOR IN THE BACKGROUND OF A DARK RED WALL, A WOODEN WINDOW AND A BEAUTIFUL PALACE HOUSE, WITH WARM YELLOW CANDLES AND LUMINOUS LANTERNS AROUND IT, A SOFT AND PATCHED FACE, DARK BACKGROUND, SHALLOW VIEW, VANQUISHED FACE, SOFT AND DISPERSIVE LIGHT, REAL SKIN, FILM-SENSION, HIGH-STYLE DRAMA. COMMERCIAL PHOTOGRAPHIC SENSES, HIGH-CLASS MAKE-UP PHOTOGRAPHS, REALITY, FILM SENSES, SKIN TEXTURES, HAIRLINE CLARITY, FABRIC AND EMBROIDERY DETAILS, SINGLE PERSON, CLEAN DRAWINGS. NEGATIVE: BINARY, CARTOON, FALSE-FACED AI, PLASTIC SKIN, GREASY, OVER-REFINING, STAR-FACED, RED-FACED, SMALL-HEADED, SHORT-LEGGED, WIGGED, HOODED, MUTATED, TACKY-PAINTED, MULTIPLE-FACED. - NO NOISE, PELLETS, PERJURY, HF DETAILS (INDICATING TOO THIN AND COMPLEX TEXTURES), DIRTY SENSES, OVER-HEAVYNESS, SCABS AND CONFUSION DETAILS<\/p>\n

2. Lost Princesses
\nAn old, dark, old palace dress, slightly loosed hair, less gold, incomplete makeup, lightened lips, tired eyes, sitting in a cold palace room, light out of the window, quiet and depressed\u3002<\/p>\n

\"1bb42c04j00tlzyq00nyd000v9000d9p\"<\/p>\n

Generate theatrical maps and then generate three views<\/p>\n

generate prompt:<\/p>\n

IT IS WRITTEN IN A PICTURE OF A YOUNG, UNLOVED WOMAN, WHO SITS ALONE IN A COLD, EMPTY PALACE ROOM, WEARING A DARK RED-COLOURED, DARK-COLOURED, GOLD-LINED, SLIGHTLY LIGHTENED, HAIRLESS, SMALL AND LOOSE, LONG-SCATTERED, FRAGRANCE ON THE SIDE OF THE FACE, INCOMPLETE MAKE-UP, LIGHT-FACED, LIGHT-FACED, SLIGHTLY TIRING, LOW-EYED, LOW-SATURATED AND DARK-COLOURED COURTESAN WITH A COLD RED WALL, DARK-COLOURED, DARK-COLOURED WIND AND HALF-OPENED WINDOWS, A SOFT COLD LIGHT OUTSIDE THE WINDOW, A SMALL NUMBER OF WARM YELLOW CANDLES INSIDE THE ROOM, LIGHT ON THE SIDE OF THE PERSON ' S FACE, DARK BACKGROUND, LIGHTNESS, LIGHTNESS, QUIETNESS, LOWNESS, LIGHTNESS, SHALLOWNESS, SHALLOWNESS, DEEPNESS OF BACKGROUND, REAL SKIN, FILM, HIGH-CLASS DRAMA. COMMERCIAL PHOTOGRAPHIC SENSES, HIGH-CLASS MAKE-UP PHOTOGRAPHS, REALITY, FILM SENSES, SKIN TEXTURES, HAIRLINE CLARITY, FABRIC AND EMBROIDERY DETAILS, SINGLE PERSON, CLEAN DRAWINGS. NEGATIVE: BINARY, CARTOON, FALSE-FACED AI, PLASTIC SKIN, GREASY, OVER-REFINING, STAR-FACED, RED-FACED, SMALL-HEADED, SHORT-LEGGED, WIGGED, HOODED, MUTATED, TACKY-PAINTED, MULTIPLE-FACED. NOISE, GRANULAR SENSE, PERJURY, HF DETAIL (INDICATING TOO THIN AND COMPLEX TEXTURE), DIRTY SENSE, EXCESSIVE PERUSALIZATION, STABBING AND CONFUSION<\/p>\n

3. Girls
\nYoung women, long skirts of light pink embroidery, pearl hair, low-drive hair, light makeup, soft eyebrows, sarcasm, standing under a garden tree, incorruptible and well-established\u3002<\/p>\n

\"6df05101jlzyz00oed000v9000d9p\"<\/p>\n

Generate theatrical maps and then generate three views<\/p>\n

generate prompt:<\/p>\n

A YOUNG WOMAN, WHO IS STANDING UNDER A GARDEN TREE, WEARING A LIGHT PINK EMBROIDERY DRESS, A SOFT AND DELICATE DRESS, A SOFT-COLOURED EMBROIDERY, LOW-DRIVED HAIR, PEARL HAIR AND SMALL FLOWER HAIR STYLISTS, HAIR-DRESSING AND HAIR-DRESSING, FACE-DRESSING, EYEBROWS, LIPS, NATURE, CLEAN FACE AND FACE, ATTITUDE, SERENITY, DISCIPLINED SOFTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS, LIGHTNESS AND LIGHTNESS. COMMERCIAL PHOTOGRAPHIC SENSES, HIGH-CLASS MAKE-UP PHOTOGRAPHS, REALITY, FILM SENSES, SKIN TEXTURES, HAIRLINE CLARITY, FABRIC AND EMBROIDERY DETAILS, SINGLE PERSON, CLEAN DRAWINGS. NEGATIVE: BINARY, CARTOON, AI FALSE FACE, PLASTIC SKIN, OILY HIGH LIGHT, OVER-REFINING, STAR FACE, NET-RED FACE, SMALL HEAD, SHORT LEGS, WIG, HEADWIPE, MUSCULAR CHANGES, LOW-CLASS EDGES, NOISE, GRANULAR SENSE, FALSE SHADOW, HIGH-FREQUENCY DETAILS (FINGER TOO THIN AND COMPLEX TEXTURE), DIRTY SENSE, OVER-HEAVYNESS, PATCHING AND CONFUSION<\/p>\n

Snow beauty<\/p>\n

A cold woman standing in the courtyard of snow, wearing a white cloak and a light-colored long dress, thick and soft clothing on the edges of which there are thin embroidery stripes, low-swissed hairs, silver beads and pearls on the edges, silks blown light by the cold wind, light-faced, light lips, clean faces and white faces, quiet eyes, awe, and a cold winter<\/p>\n

\"eddcf0a0j00tlhzzb00n1d000v9000d9p\"<\/p>\n

Generate theatrical maps and then generate three views<\/p>\n

generate prompt:<\/p>\n

Writing a photo of the female body of the ancient wind, a cold woman standing in the courtyard of the snow, wearing a white cape and a light-colored long dress, thick and soft clothing on the edge, thin embroidery on the edge, low-dry hair, silver and pearl hair stylish, light-blowed hair from the cold wind, light-faced face, light-faced lips, clean and white face, quiet eyes, self-restraint, winter coldness, images of low-saturated and cold white costumes
\nTHE BACKGROUND IS A FADING SNOWSCAPE, DARK WOOD WINDOWS AND A WEAK LIGHT IN THE DISTANCE, WITH A SOFT AND COLD LIGHT ON THE FACE OF THE PERSON, A DARK BACKGROUND, A SLIGHT CONTRAST BETWEEN COLD SNOWLIGHT AND A WARM LIGHT IN THE DISTANCE, A SHALLOW VIEW, A FADING BACKGROUND, A TRUE SKIN SENSE, A SOFT FILM, AND A HIGH-LEVEL WRITING OF THE ANCIENT WIND. COMMERCIAL PHOTOGRAPHIC SENSES, HIGH-CLASS MAKE-UP PHOTOGRAPHS, REALITY, FILM SENSES, SKIN TEXTURES, HAIRLINE CLARITY, FABRIC AND EMBROIDERY DETAILS, SINGLE PERSON, CLEAN DRAWINGS. NEGATIVE: BINARY, CARTOON, AL-FALSE, PLASTIC SKIN, OILY HIGH LIGHT, OVERSOPHISTICATED, STAR-FACED, NET-RED FACE, SMALL HEAD, SHORT LEGS, WIGS, HEADERS, MUTATED COSTUMES, LOW-FLANK EDGES, NOISE POINTS, GRANULAR SENSES, FALSE SHADOWS, HIGH-FREQUENCY DETAILS (FINGERING TOO THIN AND COMPLEX TEXTURES), DIRTY STAINS, OVER-HEAVY, PATCHED AND CONFUSED DETAILS<\/p>\n

IV. Progress: Not just who she is, but what she's been through<\/strong><\/p>\n

What really keeps the role alive is the state\u3002<\/p>\n

For example, when you're also a son of the family, there's a clear difference between make-up as soon as you finish your dinner and when you are punished by the family\u3002<\/p>\n

At the end of the feast, it could be a moon and white robe, a crown bead, a clean dress, and a warm and warm whole\u3002<\/p>\n

\"e446fe66jlhzzx00pnd000v9000hnp\"<\/p>\n

Just after being punished, the crown can be a little messy, with wrinkles on the sleeves, a darker color of the robes and a more depressing eye\u3002<\/p>\n

\"40b9b8aej00tli00500p6d000v9000hnp\"<\/p>\n

It can also be the same for everyone, and it can be different when they just attend the Spring Festival and just learn about the family changes\u3002<\/p>\n

\"c730838aj00tli00b00thd000v9000hnp\"<\/p>\n

The former is a light and full face, a fine hair, a soft dress, and a nice and gentle look\u3002<\/p>\n

\"b07d04a0j00tli00i00nld000v9000hnp\"<\/p>\n

The latter are less hairdressing, less lip color, more dress color, and an additional layer of invisibility and anxiety\u3002<\/p>\n

SO YOU CAN REMEMBER TWO WORDS:<\/p>\n

Identity determines the direction of makeup\u3002
\nThe state determines makeup details\u3002<\/p>\n

Role status: A girl for all
\nIdentity make-up: aged about 18 to 22 years, having just attended a spring feast, in a whole state of euphemism, euphemism and a sense of tolerance. The makeup is clean, fine, but not too strong, the eyebrows are soft, the lips are natural, the face is clean
\nCurrent state: Just after spring dinners, a little tenderness to calm down after spring dinners<\/p>\n

It's not just a pretty character, it's an experienced person\u3002<\/p>\n

V. The direction of the make-up phrase, for direct reference<\/strong><\/p>\n

The following is a set of common role make-up directions, which can be used to replace identities and details with their own subject matter\u3002<\/p>\n

https:\/\/www.1ai.net\/57943.html<\/a><\/p>\n

Six, three of the most easy mistakes when writing makeup<\/strong><\/p>\n

The first error: only five officials, no identity\u3002
\nFor example, it's just \"Five Talents, Pretty Faces, High Degrees.\" This may be a good-looking figure, but no role memory\u3002<\/p>\n

The second error: male role makeup is too heavy\u3002
\nRoles such as generals, warriors, bodyguards and conspirators should focus on clothing, hairstyles, accessories and airfields, with less emphasis on makeup\u3002<\/p>\n

The third mistake: the role of a woman is to write only her clothes and not her makeup\u3002
\nWomen's roles are expensive, cold, gentle, tired and lost, often through makeup and hairdressing. The integrity of the make-up, the depth of the lips, and the integrity of the hairs affect the role story\u3002<\/p>\n

VII. FINAL SUMMARY<\/strong><\/p>\n

THE AI CHARACTER WANTS TO BE MORE SENIOR, NOT TO MAKE THE FIVE MORE COMPLEX, BUT TO MAKE THE MAKEUP MORE ACCURATE\u3002<\/p>\n

Men ' s roles focus on clothing, hair, hair and overall state\u3002
\nThe role of women is to write at the same time clothing, hairdressing, makeup and identity\u3002
\nIf you want a character to be more storyteller, you should not just write \u201cwho he is\u201d but also \u201cwhat he just went through\u201d\u3002<\/p>\n

Remember this:<\/p>\n

Identity determines the direction of makeup and the state determines the details of makeup\u3002<\/p>\n

WHEN YOU LEARN TO MAKE A ROLE WITH MAKEUP, THE PERSON THAT AI CREATES IS NO LONGER JUST A PRETTY FACE, BUT BECOMES AN IDENTITY, EXPERIENCE, EMOTION\u3002<\/p>","protected":false},"excerpt":{"rendered":"

A LOT OF PEOPLE, IN THEIR ROLE AS AI, FOCUS ON FIVE OFFICIALS: BIG EYES, TALL NOSES AND FINE FACES. BUT WHEN IT WAS MADE, IT WAS FELT THAT THE CHARACTER WAS NOT REAL ENOUGH TO HAVE MEMORY. THE REASON IS SIMPLE: WHETHER A ROLE IS HIGH OR NOT, IN MANY CASES IT DEPENDS NOT ONLY ON FIVE OFFICIALS BUT ON MAKEUP. COSMETICS CONSIST OF CLOTHING, HAIRSTYLES, HAIRDRESSING, MAKEUP, ACCESSORIES, COLOURS AND CHARACTER STATUS. IT CAN TELL THE AUDIENCE WHO THIS PERSON IS, WHERE HE COMES FROM, WHERE HE IS AND WHAT HE'S BEEN THROUGH. TODAY'S TIC-TIC-TIC-TIC-TIC-TIC-TIC-TIX-TIX-TIX-TIX-TIX-TIX-TIX-TIX-TIP-TO-TIP-TO-TIP-TO-TIP-TO-TEXT-TO-TEXT-TO-TO-TEXT-TO-TEXT-TO-TEXT-TO-TIP-TOGETHER-TOGETHER-TOGETHER-TOGETHER-TOGETHER-TOGETHER-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOBE-TOGETUAL. I. WHY IS IT NOT JUST THE FIVE? THE SAME FACE IN THE AI DRAWINGS, IT'S COMPLETELY DIFFERENT WHEN YOU CHANGE A MAKEUP\u3002<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149,144],"tags":[802,3149,956,5321,192,6481],"collection":[],"class_list":{"0":"post-57928","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"hentry","6":"category-jiaocheng","7":"category-baike","8":"tag-ai","12":"tag-prompt","13":"tag-6481"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/57928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/comments?post=57928"}],"version-history":[{"count":0,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/57928\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/media?parent=57928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/categories?post=57928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/tags?post=57928"},{"taxonomy":"collection","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/collection?post=57928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}