{"id":57943,"date":"2026-09-17T15:57:15","date_gmt":"2026-09-17T07:57:15","guid":{"rendered":"https:\/\/www.1ai.net\/?p=57943"},"modified":"2026-09-17T15:57:15","modified_gmt":"2026-09-17T07:57:15","slug":"ai%e5%9b%be%e7%89%87%e6%8f%90%e7%a4%ba%e8%af%8d%e5%a4%a7%e5%85%a8%ef%bc%9aai%e5%86%99%e5%ae%9e%e5%8f%a4%e9%a3%8e%e8%a7%92%e8%89%b2%e5%a6%86%e5%ae%b9%e6%8f%90%e7%a4%ba%e8%af%8d%e6%89%8b%e5%86%8c","status":"publish","type":"post","link":"https:\/\/www.1ai.net\/en\/57943.html","title":{"rendered":"THE FULL TEXT OF THE AI PHOTO ALERT: \"AI'S MANUAL ON THE ROLE AND MAKE-UP OF ANTIQUITY\""},"content":{"rendered":"

\"6869a4bcj00tli0oc000gd000g82p\"<\/p>\n

It's for direct useAI Drawing<\/a>the curriculum, the syllabus and the curriculumPrompt word<\/a>Professional materials for training\u3002
\nThe focus is not on \u201cpretty, delicate, advanced\u201d, but rather on decoupling makeup into enforceable visual instructions: bottom makeup, eyebrow, eyebrow makeup, lipstick, hairdressing, facial integrity, state marks, colorful tone\u3002<\/p>\n

I. Core logic of makeup tips<\/b><\/strong><\/h1>\n

It's a factThe ancient wind<\/a>In role creation, makeup does not simply make the person look good, but helps the audience to quickly judge the character, character, class and current situation. The real professional make-up hint must be answered at the same time by three questions: who is this person, what is this person's relationship and class and what he has just experienced\u3002<\/p>\n\n\n\n\n\n\n\n
Deciding dimensions<\/strong><\/td>\nProblems to be solved<\/strong><\/td>\nIntact direction<\/strong><\/td>\n<\/tr>\n
Identity<\/strong><\/td>\nThe audience will be able to judge the person as belonging to the court, the river, the fairymen, the folk, the powerful or the lost class\u3002<\/td>\nWrites clearly the face integrity, eyebrow gas, lip saturation, embellishment, hairdressing material\u3002<\/td>\n<\/tr>\n
Personality<\/strong><\/td>\nThe character is not an empty face, but a kind, calm, oppressive, broken, English character\u3002<\/td>\nExpressions are made with eyebrow movement, eye-tail treatment, dark lips, red cheek area, facial light\u3002<\/td>\n<\/tr>\n
Status<\/strong><\/td>\nMake it look like something just happened, not static\u3002<\/td>\nDetails of tear marks, facial defects, filaments, faded lips, dust, sweat, rain, blood\u3002<\/td>\n<\/tr>\n
Video<\/strong><\/td>\nMake make-up and the environment one, not separate the face from the background\u3002<\/td>\nThe color of makeup is placed in the same colour system, such as dark red wall with red lips gold and cold and dark night fog with light lips\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Four principles of professional writing<\/b><\/strong><\/h2>\n
    \n
  • More specifically: less \"advanced make-up\" and more \"dumb-face make-up, far-flung eyebrows, small red on the tail, soybean lips, tatters.\"\u3002<\/li>\n
  • Restraint: It is not appropriate to fill up a person with makeup, especially male roles and cold-blooded roles, and to make makeup work\u3002<\/li>\n
  • Harmonization: Make-up colours should be the same as costumes, hairdressing, background light\u3002<\/li>\n
  • There are different stories: make-up, make-up, make-up after crying, make-up in sickness, make-up in war\u3002<\/li>\n<\/ul>\n

    II. GENERAL PURPOSE formulae<\/b><\/strong><\/h1>\n

    THE ORDER OF \u201cIDENTITY-FACE-STATE-FILM\u201d IS RECOMMENDED WHEN MAKING MAKEUP TIPS. IT MAKES IT EASIER FOR AI TO UNDERSTAND THE LEVEL OF THE ROLE AND TO AVOID CREATING JUST ONE NICE FACE\u3002<\/p>\n\n\n\n
    \u00a0\u00a0General formula<\/strong><\/p>\n

    It's called \"Sex\/age\/identity\", \"State of the moment,\"
    \n\"Choose and material\", \"Hair and hair\"
    \n\u266a Make-up, [brows], [growls], [loaths], [floats]
    \nI'm sorry
    \n[background], [colour], [light], [photographic]
    \nReal skin quality, low saturated and old-fashioned color, shallow view, cinematography\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
    \u00a0\u00a0Simplified version formula<\/strong><\/p>\n

    Identity + Current Status + Bottom Makeup + Eyebrow + Eyebrow + Lips + Face Integrity + Decoration + Color Shade + Writing Real Time<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
    \u00a0\u00a0Example Dismantling<\/strong><\/p>\n

    Role: Young conspirators
    \nStatus: Alone in the candle, thinking of layout
    \nMake-up: dumb through the bottom, smooth through the eyes, light through the eyes, light off the lips, no visible cheeks
    \nHairdressing: low-wielding, maxing, restraining
    \nShadows: low saturated and dark, candlelights on the side, shadows on the half side of the tribe, disillusioned background in the study<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    Three, eight dimensions of makeup<\/b><\/strong><\/h1>\n

    The more professional the make-up phrase, the more it is, the more it is not only \u201clight makeup\u201d or \u201cheavy makeup\u201d. Make-up should be removed to the bottom, eyebrow, eyebrow, cheek, lip colour, embellishment, completeness and skin sense of eight dimensions\u3002<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
    dimension (math.)<\/strong><\/td>\nProfessional<\/strong><\/td>\nFit to Role<\/strong><\/td>\nPrecautions<\/strong><\/td>\n<\/tr>\n
    Make-up<\/strong><\/td>\nClean-up makeup, dumb-skinned makeup, china-white makeup, cold-white-skinned makeup, sick white-skinned makeup, dust-skinned makeup\u3002<\/td>\nShe-soo, queen, goddess, weak prince, running away, war-wounding\u3002<\/td>\nThe actual person should retain the skin texture and avoid \u201cexcessive skin grinding, plastic skin\u201d\u3002<\/td>\n<\/tr>\n
    Eyebrow<\/strong><\/td>\nFaraway, willow, straight-brow, English-brow, small-brow, low-brow, cold-brow\u3002<\/td>\nGentle roles, powerful roles, warriors, conspirators, demons, Cold House women\u3002<\/td>\nThe eyebrows determine the quality and do not all women write the same frown\u3002<\/td>\n<\/tr>\n
    Eye makeup<\/strong><\/td>\nLight brown eye make-up, red brown eye tail, golden brown eye shadow, cold gray eye make-up, thin red eye tail, light eye line and eye-pointing\u3002<\/td>\nThe court, Goki, the demons, the goddesses, crying, losing power, the role of the party\u3002<\/td>\nEye make-up needs to be consistent with the scene, and cold scenes are less than warm eye shadows\u3002<\/td>\n<\/tr>\n
    Mask<\/strong><\/td>\nLight-sweet, low-saturated, pink, intoxicated, infirm, and almost non-sweet\u3002<\/td>\nGirls, parties, sick, runaways, cold-spirited roles\u3002<\/td>\nIt's too big to turn into a modern make-up or a mesh\u3002<\/td>\n<\/tr>\n
    Lip make-up<\/strong><\/td>\nLight pink lips, bean sand lips, red lips, dark red lips, white lips, and lips\u3002<\/td>\nQueens, newlyweds, Gokiss, Princess of the Dead, the weak, the cold\u3002<\/td>\nDeep lips directly affect identity and state\u3002<\/td>\n<\/tr>\n
    The bouquet<\/strong><\/td>\nAnd guacamole, gold bouquets, pearls, small and flowerless\u3002<\/td>\nThe court, the princess, the goddess, Goki, the demons\u3002<\/td>\nThe more complex the flower, the more gorgeous the identity is; the less the net role should be\u3002<\/td>\n<\/tr>\n
    Completeness<\/strong><\/td>\nFull make-up, semi-depletion, post-cry make-up, rain-split make-up, sweat-wet make-up, war dust make-up\u3002<\/td>\nAfter the feast, after losing, fleeing, losing, raining night, crying\u3002<\/td>\nState-of-the-art make-up enhances the story. It's the point of the step\u3002<\/td>\n<\/tr>\n
    Skin and lens<\/strong><\/td>\nReal skin texture, fine, but not excessive skin grinding, soft and light light, small pores, natural facial shadows\u3002<\/td>\nAll the characters\u3002<\/td>\nWords must be written with \u201creal skin\u201d and with negative words to control false feelings\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    Make-up intensity rating<\/b><\/strong><\/h2>\n\n\n\n\n
    Strength<\/strong><\/td>\nKeywords<\/strong><\/td>\nSuitable for the scene<\/strong><\/td>\nVisual Effects<\/strong><\/td>\n<\/tr>\n
    1st floor: near-presence<\/strong><\/td>\nClean-up, natural eyebrows, light lips, no visible eye shadow, skin texture\u3002<\/td>\nCivilians, medical doctors, escapees, cold houses, young people\u3002<\/td>\nReal, clean, fragile and strong in life\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n
    Level two: fine daily<\/strong><\/td>\nLight brown-eyed makeup, natural gills, soybean sand lips, nuanced eyebrows\u3002<\/td>\nShe-soo, princess, family girl, daily court\u3002<\/td>\nNice, gentle and close\u3002<\/td>\n<\/tr>\n
    3rd floor: ceremonial makeup<\/strong><\/td>\nFull bottom makeup, clear eyebrow, red lips, flowers, gold\u3002<\/td>\nWedding, palace feasts, queens, altars, seals\u3002<\/td>\nThe class is clear and ritually strong\u3002<\/td>\n<\/tr>\n
    Four floors: dramatic makeup<\/strong><\/td>\nDeep lips, observant eyes, red tails, visible embellishments, strong contours\u3002<\/td>\nGoki, the demons, the bad guys, the power players\u3002<\/td>\nOppression, mystery, aggressiveness\u3002<\/td>\n<\/tr>\n
    Five: state makeup<\/strong><\/td>\nThey are made-up, tears, dizziness, faded lips and twilight\u3002<\/td>\nThey are lost, weeping, war-torn, fleeing, sick\u3002<\/td>\nStory strong, more specific\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    IV. FEDERATION FOR WOMEN<\/b><\/strong><\/h1>\n

    The makeup of the role of women carries more identity information. Different identities should not be distinguished by clothing alone, with different makeup intensity, eyebrow movement, lip saturation and hairdressing complexity. The following directions can be used directly as indicative material\u3002<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Role Direction<\/strong><\/td>\nMake-up tip point<\/strong><\/td>\nThe scene and the air<\/strong><\/td>\n<\/tr>\n
    Queen\/Power<\/strong><\/td>\nIt is full of mundane makeup, with a clear nostril, deep bean sand or dark red lips, with restrained eyes but with a sense of oppression, and a golden crown and a hairy end\u3002<\/td>\nSuitable for dark red palaces, dark gowns, warm yellow palace lights; keyword: solemnity, authority, restraint, non-negligence\u3002<\/td>\n<\/tr>\n
    Young princess<\/strong><\/td>\nClear-faced makeup, soft and willow eyebrows, light powder or coral lips, low saturated cheeks, small flowers or pearls\u3002<\/td>\nSuitable for the spring courtyard, light-coloured clothes; key words: tender, bright, protected, sense of discipline\u3002<\/td>\n<\/tr>\n
    The newlywed princess<\/strong><\/td>\nFull red makeup, red lips, nuanced eye make-up, bouquets, phoenix or gold, full makeup\u3002<\/td>\nSuitable for the wedding room, red candles, dark red; key words: sense of rituals, sanctuaries, stress, innuendo\u3002<\/td>\n<\/tr>\n
    Hey, girls<\/strong><\/td>\nLight-faced make-up, far-flung headbrows, bean-salary lips, light-smashed cheeks, pearl beads, full hair\u3002<\/td>\nSuitable for courtyards, flowers, light powder, or light and green clothes; keyword: elegance, elegance, piety, acquitty\u3002<\/td>\n<\/tr>\n
    The Schemer<\/strong><\/td>\nMute-faced make-up, flat-eyed, light-eyed, naturally light-coloured lips, almost no cheeks, and jade twirl\u3002<\/td>\nFits to the library, candlelight, dark wood background; key words: cool, steady, rational, calculating\u3002<\/td>\n<\/tr>\n
    The Kingsman<\/strong><\/td>\nClean bottom makeup, frown eyebrows, light eyebrows, natural lips, simple hair, hair blowing up by the wind\u3002<\/td>\nSuitable for mountain paths, night fog, deep blue or black; keyword: good, firm, independent, wind and dust\u3002<\/td>\n<\/tr>\n
    General<\/strong><\/td>\nSemi-dumb light makeup, swordbrows, clean eyebrows, light lips, dust or small bruises on the side of the face\u3002<\/td>\nSuitable for battlefields, gates, armor; keyword: sense of strength, restraint, post-war fatigue\u3002<\/td>\n<\/tr>\n
    Hanaki\/Goki<\/strong><\/td>\nFull and fine make-up, long eyes and eyes, red lips, gold powder or bouquets, hairs, but not excessive\u3002<\/td>\nSuitable for attics, curtains, warm light; keyword: gorgeous, succulent, alienated, performing\u3002<\/td>\n<\/tr>\n
    The fair and clear<\/strong><\/td>\nCold and white, light-eyed, shallow lips, silver-coloured or pearled hairs, almost without cheeks\u3002<\/td>\nSuitable for cold white fog, gray blue house; keyword: cold, alienated, unhuman\u3002<\/td>\n<\/tr>\n
    Senmen<\/strong><\/td>\nClean and light make-up, right eyebrow, natural lips, silver beaks, hair\u3002<\/td>\nSuitable for mountain gates, clouds, light blues; keyword: clean, restrain, reliable\u3002<\/td>\n<\/tr>\n
    Demon girl<\/strong><\/td>\nCold, white or dumb make-up, small eyebrows, plating tails, dark red lips, silver or black hair\u3002<\/td>\nSuitable for dark red coats; keyword: mystery, danger, distance\u3002<\/td>\n<\/tr>\n
    Princess of the Dead<\/strong><\/td>\nThe bottom makeup is pale, the eyebrows are light, the lips fade away, the flowers fade, and the hair is missing\u3002<\/td>\nSuitable for breaking the walls of the palace, the gold coat; keyword: broken, indignant, disempowered\u3002<\/td>\n<\/tr>\n
    The running princess<\/strong><\/td>\nThe face is faded, the lips are light, the eyes are vigilant, the hair is reduced and there is light dust on the face\u3002<\/td>\nSuitable for night lanes, old cloaks; keyword: stress, restraint, identity not completely lost\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n
    Miss Cold Palace<\/strong><\/td>\nIt's clean, it's light, it's tired, it's low, it's rare\u3002<\/td>\nIt's for the cold room, the cold light outside the window; key words: empty, waiting, depressed\u3002<\/td>\n<\/tr>\n
    Dr. Yamasaka<\/strong><\/td>\nNatural bottom makeup, light eyebrows, natural lips, almost non-observed make-up effects, wooden beaks or straps\u3002<\/td>\nSuitable for medicine, green cloth, mountain forest; keyword: plain, clean, friendly\u3002<\/td>\n<\/tr>\n
    Civilian girls<\/strong><\/td>\nClean-up makeup, natural red cheeks, light pink lips, simple braid hair\u3002<\/td>\nSuitable for city wells, fields, khakis; keyword: life, inspiration, truth\u3002<\/td>\n<\/tr>\n
    Savannah<\/strong><\/td>\nHealthy skin colour, light cheeks, natural lips, hair and silver, and make-up with a sense of wind and sand\u3002<\/td>\nSuitable for savannas, leather beautifications; keyword: clarity, freedom, beauty in the thick\u3002<\/td>\n<\/tr>\n
    Snow girl<\/strong><\/td>\nCold white-faced makeup, light eyebrows, shallow lips, cold face, silver beads or pearls\u3002<\/td>\nSuitable for snowscape, white cape; keyword: cold, restrain, lonely\u3002<\/td>\n<\/tr>\n
    Sick beauty<\/strong><\/td>\nIt's pale, it's red or weary, it's not red, it's soft\u3002<\/td>\nFits to bed, medicine bowl, cold light by window; keyword: weak, quiet, vulnerable\u3002<\/td>\n<\/tr>\n
    Assassins<\/strong><\/td>\nMute-faced make-up, eyebrows, eyebrows are very simple, lips are dark and hairs are hidden\u3002<\/td>\nSuitable for night clothes, roofs, dark alleys; keyword: covert, vigilant, clean\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    Men's role make-up<\/b><\/strong><\/h1>\n

    The focus of the male role is not \u201ctoo much more purified\u201d, but clean face, strong eyebrow and accurate state marks. Most male roles should avoid heavy eye shadows, red cheeks and bright lips. Make-up is subject to hair, clothing, accessories and identity fields\u3002<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Role Direction<\/strong><\/td>\nMake-up tip point<\/strong><\/td>\nClothing\/film mix<\/strong><\/td>\n<\/tr>\n
    Young general<\/strong><\/td>\nClean bottom make-up, frown eyebrows, naturally light lips, with no makeup on the face, can be added to wind sand, dust and small bruises\u3002<\/td>\nHigh pony tails, silver and light armor, dark cape; low saturation and cool comparison, gates or battlefield background\u3002<\/td>\n<\/tr>\n
    The Coldman<\/strong><\/td>\nThe face is clean and unheavy, the eyebrow is slightly long, the lips are dim, the eyes are alienated and the face is fractured\u3002<\/td>\nBlack and hard, half-haired, silver-coloured, cold and dark, shallow\u3002<\/td>\n<\/tr>\n
    My son<\/strong><\/td>\nIt's clean, it's right in the eyebrow, it's natural in the lips, it's clean in the face and it doesn't have any strong makeup\u3002<\/td>\nMoon white robes, jade crowns, jade beauties; warm white courtyards or wooden porches\u3002<\/td>\n<\/tr>\n
    Kingslayer<\/strong><\/td>\nMute-faced makeup, clear eyebrows, silent eyes, low-saturated lips and shadows on half the sides\u3002<\/td>\nDark gray robes, black and jade crowns, candles; dark library, sense of oppression\u3002<\/td>\n<\/tr>\n
    Young emperor<\/strong><\/td>\nFull but restrained facial treatment, clear eyebrow peaks, natural depth of the lips and stable facial light\u3002<\/td>\nClothes, gold crowns, dragon tattoos; Deep palace background, front light\u3002<\/td>\n<\/tr>\n
    The sick prince<\/strong><\/td>\nWhite-faced makeup, light lips, weary eyes, soft eyes, hairy hair\u3002<\/td>\nLight-coloured old robes, cold light by windows; low saturated and cold, quiet and fragile\u3002<\/td>\n<\/tr>\n
    Your Royal Highness<\/strong><\/td>\nThe bottom make-up is incomplete, the lips are dim, the eyes are invisible, the raisins are thin, and there is light dust on the face\u3002<\/td>\nOld robes, worn-out, cold walls; dark red and cold light\u3002<\/td>\n<\/tr>\n
    White Sword Repair<\/strong><\/td>\nCold and clean undergarments, light lips, cold eyebrows, no thick makeup, and a bright outline\u3002<\/td>\nWhite clothes, silver crowns, swords; grey blue fog, high-quality cold\u3002<\/td>\n<\/tr>\n
    Black assassin<\/strong><\/td>\nMute-faced makeup, sharp eyebrows, dim lips and shadows covering parts of the face\u3002<\/td>\nBlack night clothes, knives, wrists; dark shadows, light spots far away\u3002<\/td>\n<\/tr>\n
    War against the guards<\/strong><\/td>\nDust on the face, blood marks, sweat and hair, white lips and still eyebrows\u3002<\/td>\nOld uniforms, armguards, broken shoulder armour; dim and dark porches, depression\u3002<\/td>\n<\/tr>\n
    A foreign prince<\/strong><\/td>\nHealthy colour, clear contours, deep eyebrows, very light eye makeup, metal embellishment\u3002<\/td>\nDark embroidered robes, metal embellishment; dark gold background, luxurious restraint\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
    Young student<\/strong><\/td>\nClean bottom make-up, natural eyebrows, light lips, soft face, clear of breath\u3002<\/td>\nLight blue long shirts, hair straps, bookboxes; courtyards or premises background\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    VI. Changes in character status and makeup<\/b><\/strong><\/h1>\n

    In different situations, the same identity must be changed. The state is not an extra description, it's the key to the role<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Status<\/strong><\/td>\nChanges in makeup<\/strong><\/td>\nDirection of application<\/strong><\/td>\n<\/tr>\n
    Just after dinner<\/strong><\/td>\nThe face is full, the lips are full, the hair is right, the eyes are nice and the clothes are neat\u3002<\/td>\nFor the queen, princess, son and wife\u3002<\/td>\n<\/tr>\n
    I just cried<\/strong><\/td>\nThe tails are slightly red, the present is slightly wet, the lips are slightly light, and the face is partially dazed\u3002<\/td>\nTo avoid excessive tears and to speak with restraint\u3002<\/td>\n<\/tr>\n
    Lost\/neglected<\/strong><\/td>\nThe face is incomplete, the flowers are diluted, the hair is reduced, the lips are lightened and the eyes are empty\u3002<\/td>\nIt's for the princess of the dead, the girl of the cold palace, the son of the poor\u3002<\/td>\n<\/tr>\n
    The war has returned<\/strong><\/td>\nDust, sweat, blood stains, hairs and silks, with no emphasis on fine makeup and a dim lip\u3002<\/td>\nFor generals, guards, warriors\u3002<\/td>\n<\/tr>\n
    On the run<\/strong><\/td>\nThe face is faded, the face is dusty, the hair is reduced, the hair is blown by the wind and the eyes are alert\u3002<\/td>\nIt's for princesses, assassins, missing characters\u3002<\/td>\n<\/tr>\n
    In sickness<\/strong><\/td>\nWhite-faced makeup, light lips, weary eyes, soft eyebrows and almost red cheeks\u3002<\/td>\nFor the sick prince, the sick beauty\u3002<\/td>\n<\/tr>\n
    On our wedding night<\/strong><\/td>\nFull red makeup, red lips, bouquets of the forehead, eyes full of tact and seductive\u3002<\/td>\nIt's in the red candles, dark reds, warm yellows\u3002<\/td>\n<\/tr>\n
    Rain night<\/strong><\/td>\nWet hairs, a slight tizziness in the makeup, a decrease in the lip color, and a luminous but not greasy skin\u3002<\/td>\nIt's for hunting, saying goodbye, breaking emotions\u3002<\/td>\n<\/tr>\n
    In the snow<\/strong><\/td>\nCold white makeup, shallow lips, low saturated eyebrow, cold face, clean makeup\u3002<\/td>\nIt's for goddesses, snow women, white swords\u3002<\/td>\n<\/tr>\n
    Sit alone under the candle<\/strong><\/td>\nThe face is soft, the makeup is restrained, the lips are low and the eyes are silent\u3002<\/td>\nSuitable for the Schemer, the Queen, the Ruler\u3002<\/td>\n<\/tr>\n
    I've just been punished<\/strong><\/td>\nIt's tiring, wrinkled, clean but depressed, and it's lightened\u3002<\/td>\nIt's for the family and the girls\u3002<\/td>\n<\/tr>\n
    We're on our way<\/strong><\/td>\nMake-up is sharp, eyebrows are clear, lips are natural, hair tight and simplistic\u3002<\/td>\nSuitable for female generals, young generals, warriors\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    vii. Matching colour and makeup<\/b><\/strong><\/h1>\n

    Make-up cannot be removed from the image. The most troublesome place in which to write a decorative picture is where face makeup is too modern, too bright and too saturated. It is recommended that colour systems be harmonized in the hint\u3002<\/p>\n\n\n\n\n\n
    Video Type<\/strong><\/td>\nColour keyword<\/strong><\/td>\nMake-up<\/strong><\/td>\nFit to Role<\/strong><\/td>\n<\/tr>\n
    It's warm<\/strong><\/td>\nDark red, deep brown, gold, warm yellow candlelight\u3002<\/td>\nRed Lips, Golden Flowers, Full Mask, Straight Hair\u3002<\/td>\nQueen, princess, newlywed, palace feast\u3002<\/td>\n<\/tr>\n
    Cold and green<\/strong><\/td>\nGrey blue, cold white, light green, fog\u3002<\/td>\nLight lips, cold white makeup, light eyebrows, silver hair\u3002<\/td>\nThe goddesses, the swordsmen, the characters in the snow, the alienated roles\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n
    Dark Gold Power Color<\/strong><\/td>\nDark gold, ink green, deep purple, warm dark light\u3002<\/td>\nDeep bean sand lips, clear eyebrows, gold-based restraint\u3002<\/td>\nThe queen, the king, the prince of foreign lands, the man in power\u3002<\/td>\n<\/tr>\n
    War is dark<\/strong><\/td>\nCold ash, black brown, weak fire\u3002<\/td>\nDust, blood marks, light lips, sweaty hair\u3002<\/td>\nWar on generals, guards, runaway women\u3002<\/td>\n<\/tr>\n
    The sun is light and warm<\/strong><\/td>\nLight powder, white, green, natural light\u3002<\/td>\nClean-up make-up, cheeky red, bean-sand lips, pearl hair\u3002<\/td>\nWe are all girls, young princesses, civilian girls\u3002<\/td>\n<\/tr>\n
    Dark red<\/strong><\/td>\nDark red, black, silver, low-light heating\u3002<\/td>\nScratch the eyebrow, turn your eyes on the back, dark red lips, silver\u3002<\/td>\nShe's a demon, she's a woman\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    VIII. Templates for the introduction that can be copied directly<\/b><\/strong><\/h1>\n\n\n\n
    \u00a0\u00a0General Template for Female Roles<\/strong><\/p>\n

    It's a photo of an ancient female, an [identity], [current state]
    \nwears old-fashioned clothes, clothing, clothing
    \nHairstyle, hairdressing
    \n\u266a Make-up, frown, \u266a
    \nMake-up [complete\/slight\/microspill\/disabling], look [satisfaction\/cool\/tired\/ware\/inhibited]
    \nThe background is [the palace\/ courtyard\/reserve\/ mountain forest\/snowscape\/dark alley]
    \nLow saturated old-coloured, [Holded candlelight\/cold black fog\/ Dark Golden Shadow] [Sweet face and light-making]
    \nScattered background, shallow view, true skin sense, film-sensitization, high-level pictures of the ancient wind\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
    \u00a0\u00a0General template for male roles<\/strong><\/p>\n

    It's a photo of a man's body, an \"identity,\" a \"current state.\"
    \nDressed in [garments\/ armor\/ robes], [hairs' hair type], [caps\/caps\/buttons] fixed long hair
    \nClean and dry face, [state of make-up,] [brows and eyes], [literal colour natural\/slight]
    \nOn the face, you can wear state details such as dust\/grain\/swept\/sweet\/cold-light contour
    \nThe focus of the makeup is on hairstyles, costumes, fittings and the whole aerobic field
    \nThe background is \"Citygates\/Reserves\/Mountains\/Royal Walls\/Night Houses.\"
    \nLow saturated old costumes, soft and lighted faces of the person, dark background, shallow view, film-sensoring, real-tacting sense of substance\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    IX. COMPLETE CASE PRESENTATIONS<\/b><\/strong><\/h1>\n

    The following cases avoid the direction of a single princess and cover a wide range of roles, such as court, river and lake, fairyman, folk, power and war damage. It can be reproduced directly and can also replace identity, scene and state\u3002<\/p>\n\n\n\n
    \u00a0\u00a0The Queen's Temple of Repression<\/strong><\/p>\n

    It is written in a photo of the female body of the ancient wind, sitting in the palace of the palace, sitting in the presence of an embroidery Queen, wearing a dark purple bouquet dress, a gold-wired embroidery and heavy-heavy dress, high-twisted hair twilight, a golden phoenix crown, a pearl and jewel hairdressing stylish, a dumb and full bottom make-up make-up, a clear abdomen, eye-dressing restraint but with a sense of oppression, deep-bean sand lips, a calm and calm look, in the background of a dark red wall, a golden-screened and dark-coloured palace, a warm yellow luminous luminum light, a soft and lighted character, low saturation and dark tan, a true skin sense of skin, and a film-skinned drama\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n\n\n\n
    \u00a0\u00a02. After the party<\/strong><\/p>\n

    A young woman, who has just attended the spring feast, wears a light pink embroidery dress, a soft and thin dress, low-dry hair, pearl hair and small flower hair make-up, clean-up bottom make-up, hives, light brown-eyed make-up, light-smoking cheeks, bean-salary lips, full-faced but unheavy, attitude-oriented and quiet, in the background of a fa\u00e7ade, flowers and woody long porch, low-saturated and light-hot cosmology, soft and natural light, light viewing, real skin sense, and high-level writing of ancient wind\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n\n\n\n
    \u00a0\u00a03. Layout under the candles of the woman schemer<\/strong><\/p>\n

    The writing of a photo of an ancient woman, a quiet woman, sitting in front of a book, wearing a gray and white wide-sleeve robe, clothes with thin dark stripes, low-haired hair, long-skinned hair, dumb-skinned make-up, smooth and thin eyebrows, dim skin colours, almost faceless red cheeks, serenity, eye focus, table with scrolls, bamboo and candlelights, backgrounded in a dark library with soft and sidelighted faces, shadows on half a tribe, low-saturated and dark-colour dramas, light view, real skin sense, film\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n\n\n\n
    \u00a0\u00a04. Turning back in the wind<\/strong><\/p>\n

    It is written in a photo of a young woman who is in the middle of the mountain, who is standing in the middle of the mountain, wearing a dark blue narrow sleeve, with a light wear and dark-skinned detail of clothing, long bellow hair, a silver hair button and a simplified silver dot, a clean bottom make-up, a frown eyebrow, a dim eye, a lightly lips, a bright wind, a strong eye, a low light in the face, low saturated and cold shadows, a soft and cold face and light light light, a shallow view, a real skin sense of skin, and an ancient film\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n\n\n\n
    \u00a0\u00a05. Decreasing palace walls<\/strong><\/p>\n

    The photo of a young princess who stood in front of the wall of the desolation palace, dressed in old, light gold clothes, with fine embroidered but dark-coloured clothes, slightly loosed hair, twilight blond hair, faded makeup, pale-faced make-up, pale-faced lips, red eyes, invisible sorrows, in the background of the desolate palace, dark-red walls and vandalized candlelights, low saturated and dark gold and dark red red red, light and light on the person ' s face, dark background, shallow view, real skin sense, film sense\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n\n\n\n
    \u00a0\u00a0Under the red candle of the newlywed princess<\/strong><\/p>\n

    A young bride-in-law, who had just completed her wedding ceremony, dressed in a red wedding dress, embroidered and luxurious golden twilight, tall twilight twilight, golden twilight and pearls, full red make-up, red lips, nuanced eye makeup, bouquets of the forehead, serenity of the look, with a dark red red, dark wood-screened wind and red candles, low saturation and palace warmness, yellow candlelights, soft and lighted faces, shallow view, real skin sense, film-skinned drama\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
    \u00a0\u00a07. The Cold Lady of the Fog<\/strong><\/p>\n

    It is written in a photo of a woman with an ancient wind, who is standing in front of a cloudy house, wearing a long dress of white veils, light clothing, light silver shadows, long-haired half-drives, silver hairdressing and small pearl dots, cold white and light make-up, light eyebrows, light lips, almost faceless red, calm and dissociated, in the background of vanity palaces, fog and light cold, low saturation and cold white and gray blues, light and cold light, light view, real skin sense, and film-sension\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n\n\n\n
    \u00a0\u00a08. The lanterns of the Quixie House<\/strong><\/p>\n

    It is written in a photo of a woman with a young Quizaki, who sits in a loft with a soft light, wears a red peach and a golden fold of embroidery, a soft coat of clothing, a fine graft embroidery, a high plaster, a golden bouquet, pearls and a fine hair make-up, full and fine face, long eyes and long eyes, red lip colours, radiant eyes but not exaggerating, in the background of a dark wooden loft, veils and warm yellow lights, low saturated and warm cogs, light-lighted, light-sighted, real skin\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n\n\n\n
    \u00a0\u00a09. The young general returned to the battlefield<\/strong><\/p>\n

    A young young general, who has just returned from the battlefield, is wearing a silver, dark armor, a tweaked and slightly worn armor, a beam of pony tails, a long black cape with long hair, a soft drop of a black cape, a clean face with no heavy makeup, a frown eyebrow, a natural dimming of the lips, a small amount of dust and small bruises on the side of his face, a strong sense of restraint, a background of dark city doors and wind and sand, a long distance of fuzzy fire, low saturation and cold contrasts, soft and light on the face of the person, a shallow view of the film and an ancient wind\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n\n\n\n
    \u00a0\u00a010. Following the punishment of the father and son<\/strong><\/p>\n

    It is written in a picture of the male body of the ancient wind, a young man who has just been blamed by his family and is standing under a long porch, wearing a lunar white robe, with a slight wrinkle on his sleeve, a slightly loose twilight bead, with a few fragrances on his forehead, clean-up makeup, clean-faced makeup, direct but depressed eyebrows, natural lightness of the lips, invisibility of his eyes, in the background of a dark-coloured wood gallery and a fading yard, far away with warm yellow lanterns, low-saturated and warm white shades, soft and light on his face, light viewing, and a good sense of beauty in real ancient drama\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n\n\n\n
    \u00a0\u00a011. Cold light at the window of the weak prince<\/strong><\/p>\n

    It is written in a picture of the male half-body, a sick prince, sitting by a window, wearing a light-coloured old robe, a fine but light-colored dress, a slightly loose-haired crown bean, a white-faced make-up, a light lips, a weary eye, a soft eye, a thick face, a pot of medicine on hand, in the background of a cold palace, a half-open and dark-coloured window, a cold light outside the window, a thin candle light inside, low saturated and warm woven, shallow view, real skin sense, and an ancient film\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n\n\n\n
    \u00a0\u00a012. Black-dressed assassins at night<\/strong><\/p>\n

    The writing of a photo of a man in a cold and dark suit, an assassin hiding under a dark roof, wearing black night clothes, narrow sleeve design, clothing with thin and dark stripes, long beams, dark hair bands fixed, face with clean and unheavy faces, eyebrows with sharp eyes, dim lips, several tatters covering his eyebrows, short blades on his waist, with a background of night's roof and flaming lights, small sidelights on his face, low saturation and dark-colour dramas, shallow view, film-sighting, high-level substantive sense\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    X. Negative indicators and qualitative control<\/b><\/strong><\/h1>\n

    THERE ARE THREE TYPES OF PROBLEMS MOST FEARED BY ANTIQUATED FIGURES: THE RED MAKE-UP OF THE MODERN WEB, THE VIGIL OF THE CG, AND THE OVER-GRAINING OF THE SKIN. THE NEGATIVE HINT SUGGESTS THAT IT SHOULD BE FIXED AFTER EACH SET\u3002<\/p>\n\n\n\n
    \u00a0\u00a0Generic Negative Cues<\/strong><\/p>\n

    COMBUSTION, BINARY, CG SENSE, PLASTIC SKIN, EXCESSIVE SKIN GRINDING, FIVE DEFORMATION, LARGE EYES, EXAGGERATING EXPRESSION, MODERN NET MAKE-UP, MODERN EYE SHADOW, MODERN LIPSTICK, OVERSATURATED CHEEKS, HIGH SATURATED COLOURS, DIRTY MAKEUP, MODERN DRESS, MODERN HAIRSTYLE, BACKGROUND DISORDER, LOW RESOLUTION, VAGUE FACE, FALSE SENSE, AI SENSE, EXCESSIVE SHARPIFICATION, SKIN WAX\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

     <\/p>\n\n\n\n
    \u00a0\u00a0Write text to fix suffix<\/strong><\/p>\n

    Real characters, real costume dramas, low saturation, dark background, soft and lighted faces of the person, fading background, shallow view, soft and diffuse light, nuanced skin textures, film senses, high-class classical atmosphere\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    Common errors and fixes<\/b><\/strong><\/h2>\n\n\n\n\n\n\n\n\n
    Common Errors<\/strong><\/td>\nProblem performance<\/strong><\/td>\nAmendments<\/strong><\/td>\n<\/tr>\n
    \"Senior makeup\" only<\/strong><\/td>\nAI IS UNABLE TO JUDGE SPECIFIC MAKEUP EFFECTS AND CAN EASILY GENERATE RANDOM MODERN MAKEUP\u3002<\/td>\nReplace it with the words \u201cdumb-littery make-up, far-flung eyebrows, light brown-eyed make-up, bean-salms, gold-coloured flower\u201d\u3002<\/td>\n<\/tr>\n
    All characters have red lips and makeup<\/strong><\/td>\nIdentity differentiation is weaker and roles are prone to distortion\u3002<\/td>\nThe color of the lips is adjusted according to their identity: the soybeans, the shallow lips of the goddess, the deep lips of the queen, the pale lips of the sick\u3002<\/td>\n<\/tr>\n
    Male role makeup is too heavy<\/strong><\/td>\nGenerals, warriors lose their sense of power, like stage makeup\u3002<\/td>\nWrite \u201ca clean face with no strong makeup, with a focus on hair, clothing, accessories and state\u201d\u3002<\/td>\n<\/tr>\n
    The state doesn't change the makeup<\/strong><\/td>\nRoles like static models, no stories\u3002<\/td>\nAdd the words \u201cfacing face, light lips, light red eyes, twilight hair and wrinkles\u201d\u3002<\/td>\n<\/tr>\n
    It's not the same<\/strong><\/td>\nThe face is too bright, the background too dark, the image is cut\u3002<\/td>\nAdd the words \u201clow saturated old-coloured, soft and lighted, dark background, shallow view\u201d\u3002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    XI. List of professional inspections<\/b><\/strong><\/h1>\n

    The following list may be used to check whether the final hint is professional\u3002<\/p>\n

      \n
    • Is it clear who the character is, not just \"beauties, handsome\"<\/li>\n
    • Is it written on the base: clean, dumb, cold and white, pale, wind and dust<\/li>\n
    • Is it written in eyebrow shape: Faraway, Willow, Swordbrow, Straightbrow, Littlebrow<\/li>\n
    • Did you write about eye makeup strength and end state<\/li>\n
    • Did you write the lipstick and match it to the identity and status<\/li>\n
    • Did you write about bouquets, embellishments, hairdressing complexity<\/li>\n
    • Did you write about the whole face: make-up, half-wit, crying, rain, dust from war<\/li>\n
    • Did you write about what the character just went through<\/li>\n
    • Does it keep makeup and clothing, background and light<\/li>\n
    • Did you add \u201cpersons writing, true skin quality, low saturated colours, film dramas\u201d<\/li>\n
    • ARE NEGATIVE SLOGANS ADDED TO AVOID MODERN WEB-BASED RED MAKE-UP, MOVING CG AND FALSE FEELINGS<\/li>\n<\/ul>\n

      Final Output Proposal<\/strong><\/p>\n

      It is suggested that the hint be split into three paragraphs:
      \nThe first paragraph is about character identity and makeup
      \nThe second paragraph writes about state details and emotions
      \nThe third paragraph is about coloring, lensing and negative words\u3002
      \nTHIS WILL MAKE IT EASIER TO MODIFY AND ALLOW AI TO UNDERSTAND THE IMAGE MORE STEADILY\u3002<\/p>","protected":false},"excerpt":{"rendered":"

      THIS IS A PROFESSIONAL RESOURCE THAT CAN BE USED DIRECTLY FOR AI MAPPING, CURRICULUM, COURSE INSTRUCTION AND INDUCTION TRAINING. THE FOCUS IS NOT ON \u201cPRETTY, DELICATE, ADVANCED\u201d, BUT RATHER ON DECOUPLING MAKEUP INTO ENFORCEABLE VISUAL INSTRUCTIONS: BOTTOM MAKEUP, EYEBROW, EYEBROW MAKEUP, LIPSTICK, HAIRDRESSING, FACIAL INTEGRITY, STATE MARKS, COLORFUL TONE. FIRST, THE CORE LOGIC OF MAKE-UP TIPS IS THAT IN THE CREATION OF AN ANCIENT ROLE, MAKE-UP IS NOT SIMPLY TO MAKE PEOPLE LOOK GOOD, BUT TO HELP THE AUDIENCE QUICKLY JUDGE THE CHARACTER, CHARACTER, CLASS AND CURRENT SITUATION. THE REAL PROFESSIONAL MAKE-UP HINT MUST BE ANSWERED AT THE SAME TIME BY THREE QUESTIONS: WHO IS THIS PERSON, WHAT IS THIS PERSON'S RELATIONSHIP AND CLASS AND WHAT HE HAS JUST EXPERIENCED? THE QUESTION OF THE DIMENSIONS TO BE ADDRESSED, THE DIRECTION OF THE HINTS, THE SENSE OF IDENTITY, LETS THE AUDIENCE SEE THAT THE PERSON BELONGS TO THE COURT<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[144],"tags":[541,9108,837],"collection":[],"class_list":["post-57943","post","type-post","status-publish","format-standard","hentry","category-baike","tag-ai","tag-9108","tag-837"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/57943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/comments?post=57943"}],"version-history":[{"count":0,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/posts\/57943\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/media?parent=57943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/categories?post=57943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/tags?post=57943"},{"taxonomy":"collection","embeddable":true,"href":"https:\/\/www.1ai.net\/en\/wp-json\/wp\/v2\/collection?post=57943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}