September 9, before byte jump AI In a later interview with Sam Zhang Liang, the producer team Flow said: Entertainment productsIf only the cost of content production is reduced, short plays, cartoons or videos of outputs will still return to the established platform; the new stand-alone platform will need to allow users to interact with models in real time during consumption and to obtain long-term feedback that did not exist in the past。
He summarized the conditions for the establishment of AI entertainment as cost, model and user habits. After DeepSeek-R1, the cost of reasoning continues to decline; pictures and video models cross the available threshold; users have also been able to interact with AI through products such as ChatGPT, soybags, etc. On the basis of these changes, he judged that entertainment products could move from static generation to consumption, to production of pictures, videos or games。
The Motion Line, created by Leung Samchi, is developing and testing 78 products simultaneously, with a team of one or two people making a Demo within two weeks to one month, then cutting off or adding additional resources in accordance with a genuine user decision. The first of its products, Nuts Time, can expand photos and text into multi-charted stories with audio, music and simple animations; the team will next bring the content to a specific group of people and try to get consumption to use the model in real time。
IN HIS VIEW, AI’S ENTERTAINMENT IS STILL SUBJECT TO SUBJECTIVE EXPRESSION: MODELS ARE GOOD AT GENERATING “CONVERSATION” BASED ON USER PREFERENCES, AND REAL SURPRISES AND DIVERSITY OF CONTENT COME FROM CREATORS. PRODUCT CREATION REQUIRES BOTH INNOVATIVE, LONG-TERM, HIGH-FREQUENCY AND LESS TIRESOME, AND SUSTAINABLE SIGNALS ON THE FREQUENCY OF RETENTION AND USE。