If that's your core need, Medeo, OiiOii, Seko, etc
A lot of people use one-key tools to come out and spit on them, but forget that before these tools come out, the threshold of entry for short play creation is high enough for most people to turn away
You know, the value of a tool always depends on the user — the only way to make it work is to be a good user, and to really do a short play, you can't get through the whole creative process
As forscript for play, opera, movie etcA small partner with a hint, even without an off-the-shelf script, can be self-generated. I don't want to talk about scripts todayAI skitsThe skills required to create the script
AFTER ALL, WHETHER IT'S MADE BY HAND OR BY AI, IT'S NECESSARY TO DECIPHER THE SCRIPT, EVEN IF IT CAN BE DECIPHERED BY A SINGLE KEY, WITHOUT A MANUAL REVIEW, BEFORE IT'S DECIPHERED, AND AFTER IT'S FILLED WILL ONLY TAKE MORE EFFORT TO COLLAPSE
I don't want to talk about it. Go straight to the dry dismantling guide
I. Fragmentation of core elements
The following parts of the script are basically mandatory: role, scene, props and effects
(i) Fragmentation of roles
Role splits need to cover five core dimensions, each of which is described and recommended for use as follows:
Fields
clarification
Recommendations for use
Name
The exact name of the character in the script
It's organized in the order of appearance, so it's easy to match the spectroscopy
Personal introduction
Role background, identity, key experience
Just keep it simple
Character Set
Visual setting + character setting + capability setting
Derived using the "Verror age + core appearance + core character" formula
Prompt word
AI GENERATION, VISUALIZATION OF KEY WORDS, INCLUDING:Subject + dress + action + scene + style
COMBINE BY " SUBJECT + CLOTHING + ACTION + SCENE + STYLE " TO ALLOW AI TO GENERATE PRECISION MATERIAL
Number Three View
Description Role"Face, side, back"Core features, focus clothing, hair, body details
Each perspective contains only 3-5 core details without lengthy descriptions
Notice:
Be careful not to confuse names with the same name
(a) Personal introduction, with care to be contained in 20-50 words, to refine the core information without redundancy, and to focus on the point of connection between identity and the story
(a) The character setting needs to be compatible with the character behaviour in the script, and physical exercise can be simplified and easily decomposed as a formula for “visual age - identity positioning - core character - special abilities”
THE KEYWORDS OF THE HINTS SHOULD BE PRECISE AND NON-PRESCRIPTIVE, AS WELL AS ADHESIVE, AND WRITING IN A FIXED COMBINATION WOULD HELP AI TO GENERATE PRECISION MATERIAL
You can't miss the key character in the third view and keep the set-up uniform
(ii) Scattering of scenes: clarify “where the story happens”
Fields
clarification
Recommendations for use
take
“location + time + internal and external”Simplicity
Sequenced in sequence, with the same location marked (e.g., Crown (Dd)-1, 2)
Description of the screen
A description of the scene"Environmental detail + atmosphere + key elements"
It's based on "Environmental detail + atmosphere + key elements" or byFive sense descriptionWrite
Image Generation Phrasing
Keywords for generating scene pictures, including:scene type + core elements + light + style
Keywords need to be specific to "materials" (mud land, slab road), "light" (natural, soft and light) to increase accuracy of generation
N.B.: "Key elements" cannot be omitted, including: space layout - light atmosphere - key displays, highlighting differences in scenesStylistic uniformity(e.g., "Performance" in full)
(iii) Policing and special effects splits: to clarify “the object and special effects of the story”
Fields
clarification
Recommendations for use
stage props
It's in the script"physical objects", label " Appearance + Use"
Press“Sequence of events + classification of uses”(e.g., living props: tables, chairs, cooks; accessories: gold platinum, scrambling)
Special Effects
describe“Non-physical visual effects”, label " Trigger scene + presentation"
use" Trigger condition + visual performance + sound mix"Description, e.g., "Space extracts: objects float out of the screen with white light particles"
Notice:
(a) The “key props” are not omitted and the props are tailored to the role, with each scene listing 3-5 core props
The special effects serve the drama. It's not blind and irrelevant
Scripts split: "Scripts to frame"
(i) Operational description
AI CAN USE BEAN BAGS DIRECTLY: (A LOT OF TOOLS CAN BE USED TO SEE HOW MANY MORE UNDERSTAND MODELS ~)
The spectroscopy is a "video shoot/production instructions" that gives each shot a number in "the sequence of events" and specifies "how, what, what, what and what."The central role of each field is as follows (can add or delete as needed):
- Mirror number: Only camera codeSequence sequence numbers (1, 2 and 3...), sequenced by drama, without repetition
- Image by Flickr user @Ambajr(a) The closeness of the lens (inter alia: focus details; peri-view: top half of the focus person; meso-vision: focus person + part of environment; panorama: focus overall environment + all)
- Perspectives: Clarify the "view angle" of each lens, leading the audience to emotions and understanding the story(Objective perspective: third-party perspective; subjective perspective: role perspective; complementary perspective: non-main objective complementary perspective, e.g. close-up, God's perspective overlooking, etc.)
- Mirror movement: lens motion, 12 basic mirrors: fixed/push/push/stock/mig/lit/fall/rotation/floating/floating/focus/handheld(Standing: camera not moving; push: lens approaching the subject; pull: lens away from the subject; shake: lens right and left/up and down)
- The lens language: the visual narrative technique, the message from the lens, is also the "purpose" of the lens(e.g. highlighting the state of coma, displaying the emotions of the family, setting up the truth)
- Length: camera duration(short shot 1-2s: highlighting details/turns; medium shot 2-3s: displaying interactions/actions; long shot 3-5s: emotional lens, pavement atmosphere/wideview)
- Scene: The location, corresponding to the "scene name" split in the front(e.g., Crown (days, within)
- Image description: "Specific Image" of this shot, containing three elements: “Personal state (expression, etc.)” - “Space relations (environment)” - “Key actions” (e.g., person lying in bed, closed eyes, pale face)
- Image depicted as a graphic reminder: the key words that generated this footage(e.g., “An ancient farmer's home, a five-year-old girl in a coma, a gray, thick, thin, written style”)
- Image effect: visual style, "emotional/temperature" + post-processing(e.g., depression, surprise turn, gentle healing; “Sweet treatment, blue tone, increased tearing)
- Video-generated tipwords: Key words that generate this lens video, which includes "photo action" -- "person action" -- "pacing control"(E.G., “CURRENT SHOT, 4K PAINT, FOCUS ON THE GIRL'S FACE, LIGHT DIM”
- Audio sound: Sound in the lens(dialogue, bystand, environmental, special effects, such as sobbing, water flow, white light)
- Narrator: Role words (for white) or inner thoughts/fiction (bystand);
- Other: Add “Photo/production attention”(e.g. actor's expression requirements, special effects parameters, proprietary position)
(ii) Attention
1. Partition: the adjacent mirror does not use the same view as possible(e.g., lens 1 close-up 2 panoramic lens 3) to avoid visual fatigue
2. Mirror: Service lens language(Stand-and-push for highlighting particulars, displaying the panorama with a "floating" and a "scratch" with a "scramble" with a "scramble" with a "scrambling" with a "scramble"" with a "scramble" with a "smuggling" with a "smuggling" with a "smuggling" with a "smuggling" with a "smuggling" with a "smuggling" with a "smuggling" with "smuggling"
3. Length: Distribution by complexity of content(presentation 1-2s, interaction 2-3s, panorama 3-5s) to avoid excessive length/shortness
Image description: Consistent with “role/scene/protocols”(e.g., the clothing of a person, the setting of a house should correspond to the previous set)
5. Audio sound effects: matching character with character(screams with anger, jumps with laughter) and sound of the environment to fit the scene (shows with drinks, characters with clothes rubs)
Other additions: White can highlight the “actress requirements”(e.g. “Crying for real, gently hugging family”) and “special effects” (e.g. “white light with no eyes, screen with no cover, space with deep space)
(iii) Use of recommendations
1. Dismantling of core elements (role + scene + props) before splitting mirrors- First, to identify “who, where, and what objects” and then to decipher each camera and avoid logical confusion
Breaking down in sequence: break down the script into “the end of the first stage of development”Each segment of the spectroscope (e.g. opening one-to-five and developing six-to-twenty) and White can start with a short play
3. FlexibilityIn the absence of clear details of the script (e.g., the character on the back), this can be supplemented by the principle of “adhesive identity” (backtails + patches for farm girls), with the additional label “self-supplementation”
4. Forming:ALL SPLITS ARE PRESENTED IN TABLES, CLEARLY INTUITIVELY AND DIRECTLY CROSS-REFERENCED IN FOLLOW-UP/AI GENERATION TO AVOID OMISSIONS
III. White common operating procedures
Readable scripts: first understand the whole story, the core role, the key scene, and mark the key role/situation/protocol
Dismantling of core elements: Distinguished in the order of "Performance scenes and effects" with each field filled in against the guidance
Scripts: read the script from sentence to sentence, one shot from every 1-2 sentence, filled out by table field, with a focus on “spectural change” and “audio mix”
Check check: Read the script after completion to ensure that the "species sequences and the sequences are consistent" and "play/protocols are not contradictory"
OPTIMIZING ADJUSTMENTS: WHITE CAN OPEN 10-20 SPECTROSCOPES, BECOME FAMILIAR WITH THEM AND THEN EXPAND TO 40+, FOCUSING ON THE PRECISION OF “IMAGE DESCRIPTION” AND “TIP” (DIRECT IMPACT ON AI GENERATION EFFECTS)
ACCORDING TO THIS GUIDE, WHITE QUICKLY GRASPS THE VIDEO-DISMANTLING LOGIC, AND THE DETACHMENT CONTENT IS BOTH PRESCRIPTIVE AND PRACTICAL, AND CAN BE USED EITHER FOR FILMING, AI TO GENERATE VIDEO OR FOR TEAMWORK
Finally, the paper has to be taken down by itself in order to understand that the spectroscopy script is the basis, and that the manual check fills the gaps and refines them in order to ensure the root causes of the follow-up, the absence of a problem with the video and the lack of a curve
And a message from the king, the sun and his king: know but not know