Today is the third installment in this series, the first two days were about basic narrative push, pull, traverse, and follow-through dribbling
AI short video dribbling tutorial, how to use AI to make dock level cinematic footage for starters
and mood-enhancing Hitchcock zooms, hand-held photography, and low-angle elevation photography
AI short video dribbling tutorial, how to use AI to create docking grade cinematic footage primer (emotionally enhanced footage).. Today we're going to share advanced dribbling for manipulating the sense of space with elevation shots, wrap-around shots, and depth shifts in spatially constructed lenses.
| Dimension | Lift | Circumferential/Spiral Surround | Depth of Movement |
| Direction of Movement | Vertical/Oblique Lift | Circle/Spiral Surround | Linear Advancement or Distance | Emotional Focus
| emotional center of gravity | power shift/spatial panorama | oppressive confrontation/immersive observation | approaching or pulling away/emotional focus
| Narrative Functions | Macro-revelation and Micro-transformation | Relational Anatomy and Dynamic Gazing | Emotional Amplification and Environmental Exposure-Lift Lens
"The Vertical Eye of Power."
As the name suggests, by changing the vertical height of the camera to obtain different perspectives and picture effects of the shooting techniques, including vertical lift, oblique lift, composite lift (a combination of the previous two).
Cue word: Drone shot:,Start with a detailed close-up of the Titanic's hull, slowly pull back to reveal the entire ship, then continue ascending to show the Titanic in its full majesty of the sea, with a sunset in the background and a few men on the deck, creating a dramatic and breathtaking scene/Drone shot:,Start with a detailed close-up of the Titanic's hull, slowly pull back to reveal the entire ship, then continue ascending to show the Titanic in its full majesty against the vast ocean, with the sun setting. against the vast ocean, with the sun setting in the background, there are some men on the deck, creating a dramatic and awe-inspiring scene.
Replica of Titanic pulls up from hull details to panoramic views; establishes the spatial scale of the scene.
-Surround Lens
"The Swirling Gazer."
A camera technique that allows the camera to move in a circular or near-circular motion around the subject.
All-round display of the subject, creating a dynamic atmosphere, highlighting the relationship between the subject and the environment; mostly used in character shooting, product display and scene display.
Cue word: Surround shot, with the character as the center, the camera quickly goes from the left side to the right side of the character. /Surround shot, with the character as the center, the camera quickly goes from the left side to the right side of the character
Replica of a surround shot of a Jedi character standing back; multi-dimensional display of key moments.
-depth
"In and out of the emotional tentacles."
The use of the lens in the picture depth direction for mobile shooting, mainly to strengthen the sense of space, guide the audience's attention, the performance of the role of the subject movement, enhance the audience's visual experience of the shooting techniques.
It looks a little like the push and pull lens, but the difference is that the depth of movement shooting is along the depth of the screen to move flexibly to show the depth of space, push the lens is close to the main body to highlight the subject, pull the lens is away from the subject to show the subject and the environment relationship.
Cue word: Deep moving shot, the camera pulls back to the room, the mother calls him home from the window, and then quickly walks to the table behind to talk to the father. /Deep moving shot, the camera pulls back to the room, the mother calls him home from the window, and then quickly walks to the table behind to talk to the father
Replicating Citizen Kane's vertical advancement through the window; guiding the viewer's level of vision.
That's all for today, next time we'll share special effects shots.