Do you often get upset when you make videos or clips because you don't have a story
It's actually a kind of thing to talk about todaycinematicNarrative technique
I bought a series of books a few days ago, and there was a book called "The Master's Camera" that just saw the way a film narrative goes: parallel narratives。
What do you mean
It is not possible to make a movie with a long shot all the time, with a large number of close-ups or a short medium view。
So parallel narratives do two parallel things or objects in between design spectroscopys or clips。
Isn't that a bad idea
Let me give you an example: how do you do parallel narratives when hunters play deer in the forest
Camera 1: Hunters aim guns
Camera 2: Deer running
Camera 3: Hunters shooting
Camera 4: Deer shot down。
IT'S EASY TO UNDERSTAND WHAT'S GOING ON HERE: THE HUNTER'S ACTION IS EVENT A; THE DEER'S RUN IS EVENT B, AND THAT'S HOW WE CUT OR DESIGN THE LENSES。
Websites used for the current period:
- Biograph model Gemini:https://www.1ai.net/1787.html
- tusheng video vidu:https://www.1ai.net/16856.html
One, the magic
I REPEAT, IT'S THE N.N. PALACE STORYBOARD, LIKE THE FOLLOWING:
Very well, I need you to produce a picture of an old Chinese hunter hunting a deer in the snow, asking for three-to-three stories, using parallel narratives, a better shot, real style。
I'll download it. Look at the big picture
It's good. Maybe you'll ask. How can he understand parallel narratives
I just told him what a parallel narrative was, so the picture is good。
Two, make the composition mirror
I just got a picture of the story, and now I need to break it down into one to get a video。
I'M GOING TO USE THE PPT SOFTWARE TO MARK EVERY MAGMA IMAGE IN THE ARABIC NUMERAL SO THAT AI KNOWS WHICH ONE I MEAN:
Enter the hint in Gemini: expand figure 1 to 16:9 and delete the text。
After the natural conversation, expand figure 2/3/4/5 to 16:9 and delete text
Then I got the following spectroscopy:
III. Raw video
i'm putting together a video of viduson, and i'm using a lot of reference videos to keep the story consistent。
the reference video, which is designed to make the picture more congenial, is a picture of a deer on the ground. the video depicts a deer being hit on the ground. if the reference video is not possible, vidu will choose the reference video。
Raise the gun, pick up the telescope and everything。
Okay, first shot:
Second shot, show the deer running:
The third shot shows people going into the picture and looking at the telescope:
Fourth shot, reference video:
Fifth shot, man with a gun:
The sixth shot, the deer was shot down:
The seventh shot, people came to see the deer:
IV. Clipping
The third step generated a large number of time-consuming videos, but the structure was not sufficiently compact, so it basically required a large number of card points and short cuts, and the combination of sound effects would enrich the whole。
The hard part is actually sound:
Well, that's it for today's sharing.
the reference video vidu can, or can, can be, or can be, in essence, a form that enriches the image hierarchy, a bit like a controllable vincent video。
I think the future play is in the form of a reference + Vincent video, which is just a patch。