FOREWORD: "THE VISUAL GAP" BY AI
It has no idea what three-dimensional space is or geometry. It's just imitating the pattern of pixels in big pictures。
This is our chance。
NOW THAT IT'S IMITATING, WE CAN USE THE LANGUAGE LOGIC TO DEFRAUD IT. AS LONG AS WE ENTER A SPECIFIC `FALSE VISION', WE CAN INDUCE THE AI ALGORITHM TO MISCALCULATE, SO THAT IT THINKS IT IS NECESSARY TO PULL THE IMAGE VERY DEEP, VERY WIDE, SO AS TO BREAK THE DEFAULT “SQUARE”。
The curriculum will reveal three core techniques of deception and three sets of combat formulas that teach you to use language to do "space magic" and to pull the visual tension of the images in a moment。
Chapter I: Linear Extensions - Reshaping the Horizon with the “directive word”
1.1 LINEAR LOGIC FOR AI
AI ' S FIRST BASIS FOR JUDGING THE VISUALIZATION IS NOT THE COVER OF THE OBJECT, BUT "WHERE THE LINE IS BOUND " 。
MANY BEGINNERS ARE ACCUSTOMED TO USING STATIC TERMS, SUCH AS “A FLOWER FOR THE FUTURE AND A MOUNTAIN FOR THE BACKGROUND”, WHEN DRAWING UP THE SCENE. THIS WRITING IS UNDERSTOOD BY AI AS FLAT LATENCY, AND IT DEALS WITH THE IMAGE LIKE A COLLAGE。
TO BREAK THIS SENSE OF FLATNESS, WE NEED TO INTRODUCE A “VECTOR THINKING”. YOU NEED TO IMPLANT AN INVISIBLE "TREND LINE." WHEN A HINT CONTAINS VERBS OR ADJECTIVES WITH A “EXTENSION” AND “MOVEMENTAL TREND”, AI DETERMINES THAT THE PICTURE NEEDS TO SHOW A STRONG DEPTH, WHICH AUTOMATICALLY STRETCHES THE GROUND AND PUSHS THE BACKGROUND。
1.2 Key skills: Search for visual guides
The so-called “false vision”, at this level, is mainly an indication of the Vanishing Point。
Misdemonstration:
PromptA street, building on both sides, blue sky. Result: The image may be a positive view, like a plan of a flat building, with no tension。
Correct demonstration (using hypocritical visualization):
Prompt: A street strategizing into the infinite horizon, building on both sides, converging lines, leading towards a distant point, side angle, deep depth. Outcome: AI will be forced to create a visible location of disappearance, and the buildings on both sides will be subject to dramatic and far-reaching changes, and the ground will be filled in a moment。
1.3 Core Thesaurus: Direction and Extension
IN ORDER TO BETTER DEFRAUD AI, BE FLUENT IN THE FOLLOWING TERMS, WHICH ARE THE “SWITCH” THAT ACTIVATES LINEAR INSIGHT:
Verbs: Stretching (extension), Learning to (direction), Convening, Extenting, Flowing into, Vanishing (disappearing)。
Terminology: Vanishing point (disappearing point), Lead lines, Perspective Grid, Tunnel Vision, Infinite Corridor (infinite corridor)。
Adjective type: Deep (deep), Endless, Bottomless。
Chapter II: Air Perspectives - Construction of a 3D atmosphere using "density"
2.1 DA VINCI'S LEGACY AND AI ALGORITHM
If linear vision is a skeleton, then Atmosheric Perspective is flesh。
IN THE RENAISSANCE ERA, DA VINCI, THE GREAT ARTIST, SAID: “THE AIR IS DENSE. THE FURTHER AWAY, THE MORE BLURRED THE OBJECT, THE LESS COLOUR. " THIS PHYSICAL LAW IS DEEPLY ROOTED IN THE VISUAL EXPERIENCE OF HUMAN BEINGS AND IT HAS BECOME AN INVISIBLE IRON LAW IN AI TRAINING DATA。
AI HANDLES DEPTH INFORMATION WITH EXTREME SENSITIVITY TO CAPTURE "DENSITY CHANGE" IN ADDITION TO THE LINE。
Near: Clear texture, high contrast, dense detail。
Far: Fuzzy texture, low contrast, thinness of detail。
SO THIS IS AI'S "BRAIN DEFAULT LOGIC." WE DO NOT HAVE TO STRUGGLE TO DESCRIBE WHAT SPECIFIC OBJECTS ARE IN THE BACKGROUND, BUT AS LONG AS WE GIVE IT A “DENSITY HINT”, IT AUTOMATICALLY CUTS THE PICTURE INTO DIFFERENT SPATIAL LAYERS。
2.2 Key skills: density stratification
Many newcomers prefer to try to enrich the picture by placing environmental terms, which tends to be counterproductive and to become unorganized and flat。
The high-level game of hypocritical vision is: no environment, air。
Misdemonstration:
Prompt: A forest with many trees, bush, rocks, mountains. Result: AI may squeeze everything on a plane, like a lack of a deep picture。
Correct demonstration (using density):
Prompt: A forest, played fog, volumetrich lighting, atmosheric depth, foreground bookeh, misty background. (A forest, layered fog, size light, atmospheric depth, vanity of outlook, fog background. Outcome: Even without a detailed description of the distance of the trees, AI will automatically generate clear-foreground trees and a forest of vision that is gradually invisible in the fog, in accordance with the “mog” and “falsification” directives, and space senses are born empty。
2.3 Core Thesaurus: density and atmosphere
These terms do not describe specific objects, but they can define the “gauge” of space:
Photo-type: Volumetric Lighting (heavy light/dindal effect), God Rays (Christine light), Raytracing (light tracking), Shadows (shading)。
Atmosphere class: Haze, Mist, Fog, Dust Parties (dust particles), Atmosheric perspective (air persight/atmosphere)。
Optical category: Deep of field, Bokeh (dispersion/falsification), Shallow depth of field (since depth), Blur (obfuscation), Focus
Chapter III: Forced Introspection - Making Visual Mirrors Using “Methods”
3.1 Proportional relativity
AI IS THE LAST CRITICAL POINT FOR THE ASSESSMENT OF THE LENS, WHICH IS THE MOST SUSCEPTIBLE TO DRAMATIC EFFECTS, IS THE “RELATIVE SIZE DIFFERENCE OF THE OBJECT”。
The normal human perspective (about 50 mm focal length) is mediocre. If you describe the object in terms of the proportion of the real world, AI will give you a picture of a document photo or a product description。
TO GET A BURSTING VISUAL IMPACT, WE NEED TO GET AI TO THINK YOU'RE USING EXTREME LENSES FOR PHOTOGRAPHY. BY EXAGGERATING THE SCALE, WE CAN FORCE A CHANGE IN THE STRUCTURE LOGIC OF AI, SO THAT THE SURROUNDING OBJECTS ARE SO BIG AS TO OPPRESS THE LENS, AND THE REMOTE OBJECTS ARE AS SMALL AS DUST。
3.2 Key skills: Collision of giants with microdust
The core of this technique is "reverse." Do not balance the size of the elements in the picture。
Misdemonstration:
Prompt: A man standing in front of a tall building. Outcome: Medium-standard tourists take one third of the picture, two thirds of the building, and nothing unusual。
Correct demonstration (using term):
Prompt: A tiny silhouette of a man looking up at a gigantic sexual skyscraper, extreme low angle, world's-eye view, overhelming scale, dramatic contrast (a man's little clipping looks at a giant skyscraper, extremely low angle, worm perspective, huge scale, dramatic comparison). Outcome: AI immediately pulls its perspective to the ground and the person becomes extremely small, while the building presents an exaggerated triangle of vision, immersing in clouds, generating a strong sense of oppression and ambition。
3.3 Core Thesaurus: scale and lens
Photographic terms and exaggerated adjectives are used to control the ratio:
Exaggerated adjectives: Gigantic (big), Colossal (large), Massive (great), Tiny (micro), Miniature (micro), Monolithic。
Special perspectives: Low angle (low angle), High angle (high angle), World's-eye view (worm vision/opposition), Bird's-eye view (bird vision/subvision), Drone view (unmanner perspective)。
Lens parameter: Wide angle (widen angle), Fisheye lens (fish glasses), Macro (microspace), Telephoto (long focus), 16 mm lens (super wide agular sense)。
CHAPTER IV: CAMERA CODE - "PHYSICAL HANGER" FOR AI
Many times, you think the image is flat because AI defaults to use a standard shot (about equivalent 35mm-50mm). This is the closest and most mediocre section. To break the plane, we need to force the "focal section" and force AI to change the way it works。
4.1 Wide-angle perspective: Exaggerated tension (Wide Angle / 14mm-24mm)
The wide-angle is a phantom. It produces barrel malformations, artificially stretches the line close to it and pushs the centre's background。
Principle: Wide-angle lens captures more environmental information and forces to pull edges。
It's called the Sabbunk Streets, the grand palaces, the giant monsters, the speed-sensitive movement。
Prompt:
Ultra-wide angle (super-wide angle), Fish-eye Lens (fish glasses – extreme exaggerating, spherical-like), 14mm lens / 16mm lens (specific wide-angle focus), GoPro Footage (GoPro perspective – bringing strong motion and malformation), Disturbed Perception
Progress technique: using a wide-angle word in conjunction with Action shot makes the object in the picture look like it's going out of the screen。
Fisheye lens
4.2 Long-focal compression: a flat high sense (Telephoto / 85 mm-200 mm)
Sometimes, “perjury” does not have to be far-reaching. The long-focus lens has a “space compression sense”, which pulls a distant background behind the body like a sticker, creating a unique “layering sense”。
Principle: To eliminate the near and far-reaching in-sight deformation, to keep the front-and-forward landscape close, and to highlight the incisive contrast between the subject and the background。
Application of scenes: Lonely backslides, sunslides (a huge sun behind the city), a very simplistic image。
Prompt:
Telephoto Lens (long focus), 200 mm lens / 800 mm lens (high focus), Compressed Perspective (compressed lens – critical number), Fluttened image (tampled image)
Long focus lens compression space
4.3 Transaxis photography: God's Toys (Tilt-Shift)
It is a special hypocritical vision, which defrauds the brain by mischaracterizing the real scene as a “micromodel”。
Principle: Simulations of extreme shallow depths and loss of judgment on the true scale。
Prompt:
Tilt-Shift (motion axis), Miniature faking (microcosmic), Diorama (optical gallery/model)
Transaxis
Chapter 5: Shadow sculptures — splitting space with the word “dark”
WITHOUT LIGHT, SPACE DOES NOT EXIST. AI IS ACTUALLY PROCESSING PIXELS FOR LIGHT CONTRASTS. USING HIGH-COMPARISON LIGHT WORDS, THE IMAGE CAN BE CUT DOWN INTO A CLEAR “FRONT, MIDDLE AND BACK” LAYER, LIKE A KNIFE。
5.1 Intense control (Chiaroscuro)
This is a technique derived from classical paintings (e.g. Caravaggio, Rembrandt). Depth is forced to be created through intense light and deep darkness。
It's in the field:
Don't write Uniform Lighting. To write on Chiaroscuro, High contrast, Dramatic shadows。
Effect: The dark background will retreat indefinitely, the subject of the light will jump out, the stereo feels multiplied。
5.2 Reverse light and film (Backlighting & Silhouette)
This is the cheapest but most efficient “level separation technique”。
LOGICAL: AS LONG AS THERE IS A STRONG REVERSE LIGHT, THE OBJECT BECOMES A BLACK CUT. CLIP SCREENS BLOCK THE DETAILS AND RETAIN ONLY THE CONTOURS, FORCING VIEWERS (AND AI) TO FOCUS ON THE DISTANCE BETWEEN THE OBJECT AND THE BACKGROUND。
Prompt Group: Silhouette of [Subject] + against a bright [Background] + Rim light。
5.3 Dindall Effects
And that's what we used to call "the light of Jesus." The beam itself is a visual “perceived line”。
Logical: When light passes through smoke or dust, light has shape. These radioluminums are natural visual guides that point directly to the point of loss of the picture。
God Rays, Volumetric Lighting, Shafts of light, Dusty atmosphere.
Chapter 6: The field-based formula library - a visual model to be used on hand
In order to give you a more intuitive application of these theories, I sum up three sets of “false vision formulas”. You can use it like a blank。
6.1 Formula 1: [Infinite Extended Flow] (suitable for streets, corridors, Sabbunk)
Formula: [subject] + [linear lead word] + [disappearance point description] + [widen lens parameters]
Case in point:
(Main) A futuistic cyberpunk street (linear guide).
Parsing: The use of "extension" and "concentration" to create trends, and the use of "wide angles" to create tension。
6.2 Formula II: [Gross Repression Flow]
Formula: [Small subject] + [Small Contrast] + [Small Perspective] + [System Contrast]
Case in point:
A tiny loone knight; standing before a colossal, mountain-sized ancient Dragon; perspective: extreme `s-eye view, looking up; overwhhelming scale, insane production, megalophobia.
Parsing: Use the "megaphobia" mentality to force the spatial sense of vertical dimensions in line with the "worm vision" perspective。
6.3 Formula III: [Air deep current] (suitable for landscape, forest, skeptical atmosphere)
Formula: [foreground mask] + [median view subject] + [multilayer fog] + [falsified background]
Case in point:
Blured fern leaves in foreground; a Mysterious cabin in the woods.
Parsing: Without reliant on the line, the creation of space is based purely on a gradual logic of “clear-obscurant-disappearing”。
Chapter VII: A guide to hole avoidance — Why is your “perceive” not working
EVEN WITH THE VOCABULARY, SOMETIMES AI'S DRAWINGS ARE FLAT. THIS IS USUALLY DUE TO:
1. Too many elements to capture "respiration"
Negative Space is a good friend of the lens. If you fill it up too much, AI has no space to express distance。
Amendments: Attempt to add Minimalism or Negative space to the sight to the runway。
2. Improper painting
The visual effects are strongly influenced by the painting。
Square (1:1): It's the hardest to show and it's easy to get crowded。
A banner (16:9 / 21:9) : a wide-angle view (film sense) suitable for the expression of the left and right extension。
Tilt (9:16): A huge object suitable for poor performance (pressure)。
recommendation: if you want to do a movie, you must use a –ar 16:9 or a wider ratio。
3. Stylish parameter interference
In Midjourney, excessive Sylize values (e.g. –s 1000) sometimes make images too decorative and illustrational, at the expense of physical truth and perceiving logic。
recommendation: if a true sense of physical space is sought, try to reduce –s to between 100 and 250。
Concluding remarks: from "Speaker" to "Space Architect"
The curriculum extends from the basic “three hypocritical vision techniques” (direction, density, scale) to the progressive “photo-language” and “sculpture of light”, and ends with the “war formula”。
This 5,000 word (conceptal capacity) is the only central purpose: to break the grip of the plane。
AI SHOULD NOT JUST GENERATE A NICE “POSTER”, IT SHOULD BE A WINDOW TO THE NEW WORLD. WHEN YOU LEARN TO BUILD LINES IN LANGUAGE, THE THICKNESS OF THE AIR, AND THE CUTTING OF THE LIGHT, YOU'RE NOT JUST ENTERING HINTS, YOU'RE IN AN AI BLACK BOX, YOU'RE BUILDING SPACE LIKE AN ARCHITECT, YOU'RE MOVING CAMERAS LIKE A DIRECTOR。
Try it, using these words, on a two-dimensional screen, to carve out a three-dimensional world。
