Why do other people'sAI video generationcanArticle 100,000+
evenSurfing the platform favorites
And your AI video that costSame time and costBut the response has been mediocre and no one is asking for it.
After I researched the hundreds of quality AI videos that are popular across the web, I came to the conclusion that a good AI video that must besense of cinema
As a result, I'm going to create a series of videos that will teach people from theProfessional Perspectivethat go about re-understanding and applying AI video technology.Make it your own.AI Movies
Sharing this with you today.How to simulate camera footage with AIWe're going to make it generate what we want.excellent qualitymirrorseffect
In this process, I'll be popularizing the principles as well as demonstrating how to use them, based on classic movie clips. This method will not be limited to a specific single AI, but acommon (use)martial arts
For those who don't want to watch the principle learning process, you can also zip straight to the end of the video to see the cue words I've put together
In the first chapter, we talk about the basic movement of the mirror
It is the "grammar" of film and television creation, shaping the rhythm of the shot through physical movement in a single direction (panning, rotating, lifting, etc.), and the basis for complex camera work
Mirror 1, push the lens
Typical case in point: the Shawshank Redemption, when Andy plays The Marriage of Figaro on the prison radio
The camera pushes slowly from a panoramic view of the cellmates looking up to a close-up of Andy smiling, conveying the emotions of freedom and hope
And here's the image I generated with Instant Dreams
Now, I'm uploading it toi.e., the Toussaint function of dreamsLi (surname)
Enter the prompt
Push the lens, the camera moves toward the subject along the direction of the optical axis, the proportion of the subject in the picture gradually increases to the man's face, the background is gradually compressed, and the picture shows a visual contraction effect from broad to focused
The average person might just tell you to push the lens, but our channel's main focus is toSerious and responsible
So you can't fetishize the AI for possessing a superb understanding of individual words, be sure to cue in the wordAdd the process of mirroring, and the result of mirroring
The generated video canReinforce the presence of the subject and create a sense of focus
Lens 2 Pull Lens
A typical example is in Deadly Sensation, where the shot from the close-up of the character's eye to the panoramic view of the hospital bed explains the character's current environment and state of crisis.
And I likewise prepared a picture with emotions
Uploading is a dream, giving to a detailed cue word of the transport mirror
Pulling the lens, the camera is far away from the subject, the proportion of the subject in the picture shrinks, the background gradually unfolds, and the picture shows a visual extension effect from focus to broadness.
The generated video reveals the subject's environment and creates a sense of alienation or isolation
Shot 3 Panning
Panning shots are often used to sweep over the ruins, wounded, and smoke of a battlefield, conveying a sense of chaos and brutality
I've prepared a cozy family picture
The cue word for AI is
Panning camera, the camera position is fixed, around the vertical axis of the left and right direction rotation shooting, the picture shows horizontal sweep effect, as people turn their heads to look around like covering the horizontal space.
It can help you stringmany subjectsThe relationship between and indirectly givesenvironmental account
Shot 4 Panning
A typical example is The Grand Budapest Hotel, where the camera moves horizontally to follow the protagonist through the corridors of the hotel, combining symmetrical composition with rapid camera movement to reinforce a sense of retro dystopia.
In documentaries, the camera often moves along the streets to show the cityscape and human scenes.
I prepared a picture of an old man walking in the street
Enter the prompt
Panning shot, the camera moves smoothly horizontally along the horizontal direction, the background and the main body in the picture produce relative displacement, presenting the effect of horizontal spatial flow of the follow style
It simulates a "walk-and-see" perspective, showing the overall spatial hierarchy.
Shot 5 Follow Shot
A typical example is the long shot of Forrest Gump running in Forrest Gump, where the heel camera always follows his footsteps, conveying the theme of perseverance and freedom
I similarly generated a picture of an athlete ready to run
The cue word given was
Follow the camera, the athlete runs away, the camera follows the subject to synchronize the movement, to keep the relative position of the subject in the picture unchanged, the background continues to change, the picture shows a dynamic follow effect centered on the subject
It enhances the viewer's sense of immersion and creates an atmosphere of companionship or chase
Lens 6 Rising Lens
In literary films, the ascending shot is often used in which the lone figure of the protagonist rises up into the sky, suggesting that "Deliverance" or "freedom."
Over here I've prepared a picture of young students chatting away
Enter the prompt
Ascending lens, the camera rises vertically from a low camera position, and the screen view gradually expands from local to high-altitude panorama, presenting a vertical spatial expansion effect from the ground to the high altitude.
The effect is very shocking, showing the depth of space, can create a grand, transcendent, release and other emotions, very suitable for scene transitions or the end of sublimation
Shot 7 Drop Shot
A typical case is this descending shot of the castle in the Trojan Horse of Troy, which step by step directs the audience's attention to the character
I've prepared a picture of a mountaineering team climbing a mountain.
Enter the prompt
Descending shot, the camera descends vertically from a high altitude, and the image gradually focuses on the ground subject from the panorama, presenting a vertical spatial contraction effect from the high altitude to the ground
Visually it reinforces the connection between the subject and the environment, and also creates a sense of fatalism, which is very appropriate when used in mountain climbing or other scenes that challenge nature
If you're reading this, congratulations on unlocking the Advanced Mirror Transport playlist!
That is, our second chapter, Compound Motion Operator Mirror
It is a superimposition of the basic movement mirror, through the cooperation of two or more types of movement, shaping more complex spatial relationships and emotional levels
first
Shot 1 Push-Pull-Shift Combination
A case in point is the classic long shot in 1917: the camera pushes in from the trench where the soldiers are resting, and then moves laterally as the protagonist rises up and pans toward the distant battlefield, showing the background of the mission and the environmental crisis in one fell swoop.
So here I have also prepared a picture of a soldier on the battlefield
Enter the prompt
The combination of push, pull, shake and move, combined with the movement of push, pull, shake and move, the picture presents a complex dynamic effect of focus and spatial transition coexisting.
The effect is not only striking, but it gives us a sense of being in a complex environmentimmersion
Shot 2: Panning shot.
There are so many typical examples of this piece, and it's found in many police movies, the kind of dribbling that follows the protagonist as he chases the suspect through the crowd, keeping the subject clear but showing the chaos of his surroundings.
I have prepared a picture of a man running.
Enter the prompt
Men running, the camera follows the subject to move at the same time, accompanied by horizontal panning mirror to adjust the angle, to ensure that the subject is always in the center of the screen, the screen shows the subject is stable and the background dynamically changes to follow the sweeping effects
Effectively, it adapts to the irregular movement of the subject's turn to prevent the lens from "dropping the subject", which is very suitable for use in the chase scene of complex scenes.
Shot 3 Lifting and lowering push-pull combination
A typical example is in "Thumping Hearts", where the hero and heroine plant a tree together, and the camera pulls away and rises up to show the whole house, the yard, and the environment behind it reacting to a romantic atmosphere
I've also prepared a couple of kissing pictures
Enter the prompt
Rising and pulling combination lens, two people kissing, the camera in the process of rising at the same time to pull the movement, the screen shows a vertical height change and depth of focus change superimposed on the three-dimensional effect
Shot 4 Rotary transfer shot
A typical example is in Black Swan, when the protagonist Nina has a mental breakdown, the camera follows her as she moves and rotates in the dressing room, with a sense of distortion to convey the loss of control of her mental state
I've prepared a picture of the practice room here, too.
Enter the prompt
Rotary transfer lens, the camera moves horizontally while rotating 360 degrees around its own axis, the screen shows spiral movement, the subject and the background show a dynamic distortion effect of rotation and displacement
It creates a sense of vertigo, disorientation, and dreaminess, and is perfect for scenes in which a character has an emotional breakdown or a blurred sense of consciousness
If you're reading this and think you've learned to run a mirror on video, you're naive!
And now for the third chapter, special effects mirror transportation
Mainly through such as professional equipment and technical means, to achieve unconventional visual effects, strengthen stylized expression
Shot 1 Surround shot
Typical case is the classic shot of Jack kissing Ruth on the bow of the ship in "Titanic", which rotates around from a close-up of the two men to show the magnificence of the sea and the ship and strengthen the romantic atmosphere.
I also used AI to prepare a picture of the two talking in the office
Enter the prompt
Surround lens, the camera moves in a circle around the subject, presenting a 360° circular sweeping effect centered on the subject.
It comes out very scrutinized and highlights the characters' confrontation with theconflictual
Lens 2 Stannikon Transport Lens
A typical shot is from The Shining, where the Stanikon camera follows a young boy on a tricycle through a hotel corridor, the smooth motion an eerie contrast to the empty environment
Also for the hotel, I prepared a picture of a waiter pushing a food cart
Enter the prompt
This shot is slightly backed up to match the effect of the waiter approaching quickly
Very stable and silky, best for long lens following
Shot 3: Drone transporting a mirror
The most common is in documentaries that show the magnificence of the terrain from snowy mountain tops to valley lakes
I prepared a great panorama overlooking the farmland
Enter the prompt
Bird's eye view of the overhead view, around the shooting lens, top-down high-speed swoop, presenting the broad three-dimensional effect of free shuttle
The effect can show the hierarchy of the grand scene and create the visual impact of God's perspective.
Shot 4. Flip the camera.
Typical cases are racing movies, where the camera will fling itself from the front end of a speeding car, to a building on the side of the road in a quick fling, or on the faces of onlookers
I prepared a picture of a man
Enter the prompt
Shake the lens, the camera quickly panning horizontally, the screen due to the speed of the blurred drag, the screen shows a rapid blurring of the transition effect of the horizontal shake
The visual impact of this is very strong, with a cinematic sense of momentary switching
The effect is more controllable when used in conjunction with the first and last frames.
In order to reduce the trouble of taking notes, I have organized all the previously mentioned cue words here, if you need to take a screenshot and save it by yourself!
